Short Movie Club Film Festival Nefiltravanae Kino (12)

영화제 시작: 27 3월 2026      영화제 끝: 29 3월 2026

The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.

NEFILTRAVANAE KINO (NoFilter Kino) is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.

Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Poland (Warsaw), Germany (Berlin, Hamburg), Lithuania (Vilnius). For example, the 11th and 10th Nefiltravanae Kino took place in Warsaw, Berlin, Hamburg, Vilnius and Helsinki. The content of past years' film programs can be found on the website https://shortmovie.club/programmes/

The festival will be held in a hybrid format. We will have a part of live screenings and online screenings on a video platform https://film.nofilterkino.org/ . The video is cryptographically secured. In addition, we pay attention and promote films from our previous years that are released to the public on the Internet after their festival curcuit.

Nefiltravanae Kino involves theater, artists to interpret symbols and history. We work with the audience's reaction and participants' as well.

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The concept of the NEFILTRAVANAE KINO (NoFilter Kino):

ALIENATION PROBLEM

We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.

FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.

Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.

CELEBRATION OF INDIE CINEMA
So the NoFilter Kino tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.

Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.

Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/

Gran-Prix
Best fiction film
Best documentary
Best animation
Best experimental film
People's Choice

Films with runtime no longer than 45 minutes are allowed to participate in the festival. There is no limit on how many works one participant can send. The participant that sends the application must guarantee observance of copyright on the works sent. All responsibility for copyright observance lies on the contestant.

Each film must have English subtitles. In the case of the selection, the file should be attached separately. The subtitles (captions) must be in English and in SRT format. The use of any other format is allowed only after coordination with the organizing committee.

The film festival can share a press-kit, a trailer, a teaser of a submitted film for promotional purposes. Not more than 10 seconds of the submitted film in overall (and/or 65 seconds of audio) can be used for promotion on the Internet or TV.

Participants and members of film crews (the number is agreed with the organisers) have free access to all festival events (screenings, master classes, party, etc.).

Participants may withdraw their film before the official release of the festival programme.

The festival does not accept TV-films and films for children.