提出期限
01 10月 22
6.3$
Show us how magnificent is a place from unusual and surprising angles. ------------------------------------------------------ ???? Drone footage: 50% or more of film runtime ???? Max length: 5 min
01 2月 2022
申し込み可能な
01 4月 2022
早期締め切り
01 6月 2022
標準締め切り
01 9月 2022
後期締め切り
01 10月 2022
閉映画祭
17 12月 2022
通知日
16 12月 2022
23 12月 2022
映画祭の開始: 16 12月 2022 映画祭の終了: 23 12月 2022
▪ ▪ Welcome aboard Latin America's first drone film festival ▪ ▪
Thanks to the popularization of camera-mounted drones, independent filmmakers can now reach an aesthetics of mainstream productions, and break with image creation constraints such as never seen before in the history of digital cinema!
A whole new path in the art of moving images is yet to be explored!
NO AR Brazil showcases and awards artists who are resorting to this new device to create breath-taking imagery and innovative visual languages.
Submissions are curated by highly-recognized media professionals from TV, film and photography industries, besides scholars from Brazilian, Canadian, Mexican and French universities. Nominated filmmakers are invited to join the jury board for a debate during the awards ceremony.
Palácio das Artes, a public iconic art venue signed by Brazil’s foremost architect Oscar Niemeyer, located right at the heart of Belo Horizonte, is the regular host of NO AR.
But as Cine Humberto Mauro, the four-decade movie theater located within the palace, could not host our projections due to covid-19 pandemic, NO AR has switched to a joyful online ceremony, which allowed filmmakers from several countries to attend.
Its blasting success gave us a lot of energy to build up a hybrid format (with online and big screen). The effort it takes to deploy such a project , added to the importance the festival has gained, have led us to an important decision: to transform NO AR into a biannual event.
Our purpose is not to be a mere repository of beautiful drone footage. We are here to question the paths that drone can propose to art.
Submissions to NO AR IV are open!
▪ Visit our website and fanpage for more information ▪
▪ http://noar.ticotico.tv/
▪ www.facebook.com/NoArBrazil
▪ Category Winners and Honorable Mention can enjoy VIP pass during the awards ceremony and receive, in hands, an awards certificate - right before the film screening
▪ Official Selection and Finalist films receive digital laurels.
▪ Chance of a contract with NO AR partners, such as for inflight distribution of your film.
▪ Prizes from our sponsors
▪ Film
All films must be 5 minutes or under in length (time limit will vary according to category), including credits, unless when differently stated.
At least 50% of the film must be shot using a drone or UAV.
We also welcome films about drones or which bring drones as characters, in the "Documentary & Videojournalism","Fiction", and "Brazil" categories - in this case, at least 10% of drone footage is required.
▪ Language & subtitles
Films in any language are welcome.
ENGLISH subtitles in SRT format are required for any spoken or verbal film, no matter if the speeches are in English language or if there is an existing subtitle rendered over the video.
SRT format is mandatory, otherwise subtitles cannot be translated to PORTUGUESE.
Translation to Portuguese can be provided by NO AR Brazil production upon the charging of a fee.
▪ Categories
Films can be submitted in 1 (one) among all Regular Categories:
- Natural landscapes
- Urban & Architecture
- Art & Music
- Sports & Adventure
- Documentary & Videojournalism
- Fiction
- Show reel
- Concept
- Dronie
- Drone-lapse
- FPV First Person View
- 360-degree image
- Brazil
▪ Awards
Laurels and certificates will be sent digitally.
▪ Disclaimer:
By entering your film for consideration for NO AR International Drone Film Fest Brazil you authorize that your work is cleared for festival exhibition and accept full legal responsibility for the intellectual property therein. Entry into the Festival constitutes permission to exhibit your work at NO AR International Drone Film Fest Brazil.
NO AR International Drone Film Fest Brazil reserves the right to use excerpts of the film for promotional purposes only, including but not limited to broadcast on TV or the internet.
The person submitting the Film (hereafter called the "Applicant") acknowledges that he or she has obtained consent from any and all owners, creators, writers, actors, producers and/or other authorized representatives of the Film whose consent is required to submit the Film to the Festival.
It is the sole responsibility of the Applicant to secure authorization and permission from the copyright owner(s) of any and all copyrighted content or materials included within the submitted Film. It is the sole responsibility of the Applicant to secure authorization and permission from the owner(s) of any and all trademarked content and materials included within the submitted Film.
▪ Exceptions:
Festival organizers reserve the right to make exception to any of the rules at their discretion.
提出期限
01 10月 22
Show us how magnificent is a place from unusual and surprising angles. ------------------------------------------------------ ???? Drone footage: 50% or more of film runtime ???? Max length: 5 min
提出期限
01 10月 22
Drones can give poetic sense to urban landscapes and architectural forms. ------------------------------------------------------ ???? Drone footage: 50% or more of film runtime ???? Max length: 5 min
提出期限
01 10月 22
Inspiring views of dance, concerts, painting and other forms of art. ------------------------------------------------------ ???? Drone footage: 50% or more of film runtime ???? Max length: 5 min
提出期限
01 10月 22
Drones can capture incredible images of [extreme] sports and adventures! ------------------------------------------------------ ???? Drone footage: 50% or more of film runtime ???? Max length: 5 min
提出期限
01 10月 22
Drones are a powerful tool for witnessing events from the real world, such as mass demonstrations or expressions of the force of nature. In this category, we are interested in real stories told through drone imagery. Both documentary and video journalism languages will be considered. ------------------------------------------------------ ???? Drone footage: 50% or more of film runtime (if film about drones, 10% or more) ???? Max length: 10 min ???? Language / subtitles ⚠️ Subtitles to English must be sent as a separate SRT file, no matter if the language of the film is English or if subtitles are directly rendered on the video file. If you wish to submit a non-verbal poetic documentary, we encourage you to consider other categories related to the subject, or to the photographic technique.
提出期限
01 10月 22
With longer duration allowed, we are interested in fictional narratives based on drone imagery. Films do not necessarily have to be spoken or verbal, but the existence of a narrative is fundamental in this category. ------------------------------------------------------ ???? Drone footage: 50% or more of film runtime (if film about drones, 10% or more) ???? Max length: 10 min ???? Language / subtitles ⚠️ Subtitles to English must be sent as a separate SRT file, no matter if the language of the film is English or if subtitles are directly rendered on the video file.
提出期限
01 10月 22
A compilation of your prettiest footage with involving dramatic sound! Advertising and branding not welcome. ------------------------------------------------------ ???? Drone footage: 50% or more of film runtime ???? Max length: 3 min
提出期限
01 10月 22
Experimental, original, eventually a visual experiment or textures. ------------------------------------------------------ ???? Drone footage: 50% or more of film runtime ???? Max length: 5 min
提出期限
01 10月 22
A drone-powered video selfie, preferably single shot. ------------------------------------------------------ ???? Drone footage: 90% or more of film runtime ???? Max length: 1 min
提出期限
01 10月 22
Being able to fly through almost any part of 3D space, in smooth, precisely automated movements, drones can create countless hyperlapse possibilities. ------------------------------------------------------ ???? Drone footage: 50% or more of film runtime ???? Max length: 5 min
提出期限
01 10月 22
We are very excited about how FPV can create immersive cinematic experiences! ------------------------------------------------------ ???? FPV drone footage: 50% or more of film runtime ???? Max length: 5 min
提出期限
01 10月 22
Drones have started their path on 360-degree cameras, combining the tridimensional mobility through air with the immersion brought by 360-degree image that can be interactively watched with VR sets. We are deeply interested in this format, which can be used as an Art Installation. ------------------------------------------------------ ???? Please submit a regular 16:9 cut and send us a separate link for the 360 VR video. ------------------------------------------------------ ???? Drone footage: 90% or more of film runtime. ???? Max length: 15 min.
提出期限
01 10月 22
NO AR Brazil está em busca dos grandes talentos nacionais na cinematografia de drones. Nesta categoria são aceitas obras 100% filmadas no Brasil e cujo diretor ou piloto/cinegrafista de drone sejam de nacionalidade brasileira. ------------------------------------------------------ ???? Imagens feitas com drone: 50% do tempo do filme ou mais ???? Duração máxima: 5 min ======================================== NO AR Brazil is searching local drone film masters! Project must be 100% filmed in Brazil. Either director or drone pilot must be Brazilian. ------------------------------------------------------ ???? Drone footage: 50% or more of film runtime ???? Max length: 5 min
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