Date limite d’inscriptions
30 nov. 26
0€
Fiction feature films longer than 40 minutes, in any genre. Entries are also considered for relevant craft, thematic and special awards and the Berlin Gate Grand Prize.
23 juil. 2026
Appel à Inscriptions
30 nov. 2026
Date limite finale
2
mois
21 déc. 2026
Date de notification
24 janv. 2027
24 janv. 2027
Début du Festival: 24 janvier 2027 Fin du Festival: 24 janvier 2027
Berlin Gate International Film Festival (BGIFF) is an international platform for independent cinema, screenwriting and cinematic photography. Founded in Berlin, the festival supports filmmakers and visual storytellers with distinctive voices, bold ideas and an independent approach to craft.
BGIFF welcomes narrative and documentary films, animation, experimental work, music videos, student and debut films, web and new-media projects, screenplays, AI-assisted films, underground cinema and photography. Projects may come from any country and may be created in any language, provided that non-English films include clear English subtitles.
The festival looks for originality, strong visual storytelling, creative risk-taking, honest human or cultural perspectives and meaningful uses of new technology. Budget, celebrity and equipment are not deciding factors; the jury focuses on the strength of the idea, execution and impact.
A single entry is considered for its section award and any relevant craft, technical, identity or special-jury honours without requiring duplicate submissions. The first edition concludes with a live event in Berlin featuring screenings, celebration and the announcement of winners.
THE BERLIN GATE GRAND PRIZE
The festival's highest distinction is selected from outstanding work across all sections for originality, craft, creative courage and impact. The recipient receives the Berlin Gate trophy, an official Grand Prize title and laurel, a certificate and a dedicated feature on BGIFF channels.
CATEGORY AWARDS
Best Narrative Feature; Best Narrative Short; Best Low-Budget Feature; Best Feature Documentary; Best Short Documentary; Best Animation; Best Experimental Film; Best Music Video; Best Student Film; Best First Film; Best Web / New Media; Best AI Film; Best Underground Film; Best LGBTQ+ Film; Best Feature Screenplay; Best Short Screenplay; Best Cinematic Photography; Best Documentary Photography; Best Conceptual & Fine-Art Photography.
CRAFT AND TECHNICAL AWARDS
Best Director; Best Screenplay; Best Lead Performance; Best Supporting Performance; Best Ensemble Cast; Best Cinematography; Best Editing; Best Sound Design; Best Original Score; Best Production Design; Best Costume Design; Best Makeup; Best Visual Effects; Best Concept; Best Visual Storytelling.
IDENTITY AND THEMATIC AWARDS
Best Female Director; Human Rights & Freedom Award; Migration & Crossing Borders Award; Environmental Cinema Award.
SPECIAL JURY HONOURS
The jury may also present a Special Jury Prize, Best Emerging Voice, Artistic Courage Award, Narrative Innovation Award, Cultural Impact Award, Best Cross-Cultural Vision or Special Jury Mention.
Official selections, nominees and winners receive the relevant digital laurels and certificates and may be featured on the festival's website and media channels. Awards may be withheld when no entry meets the required standard.
1. By submitting, the entrant confirms that they have read and accepted these rules and are the owner of the work or an authorised legal representative.
2. Entries are accepted from every country and in any language. Films not in English must include clear English subtitles. Unless a section states otherwise, there is no restriction on genre, subject, style, premiere status or year of production.
3. The entrant must control all necessary rights for footage, music, sound, screenplay, performances, archive material, photographs and any AI-generated or third-party content. Responsibility for licensing, privacy and third-party claims remains with the entrant.
4. Submitted projects and viewing materials must remain accessible through Festhome until judging is complete. Broken links, incorrect passwords or inaccessible files may result in disqualification.
5. BGIFF does not charge an entry fee. Festhome may apply its own independent platform or file-handling service charge to filmmakers. Entering the same project in more than one section requires a separate submission.
6. The jury evaluates originality, storytelling, direction, execution, visual language, sound and overall impact. Budget, equipment, reputation and country of production do not determine the result. Jury and selection decisions are final.
7. Official Selection, Nominee and Award Winner are separate statuses. Only projects formally granted a status by BGIFF may use the corresponding laurel, without misleading alteration.
8. Official Selection does not guarantee a public or online screening. The final programme is determined by the festival, and no complete work will be screened publicly without coordination with the rights holder.
9. Entrants permit BGIFF to use submitted posters, stills, synopsis, trailer or teaser and brief excerpts solely to promote and editorially present the programme, nominees and winners. Ownership is not transferred.
10. Music rights, including synchronisation and master rights, must be cleared. Selected projects may be asked for a cue sheet. Entrants remain responsible for claims arising from music in their work.
11. AI-related work must disclose the tools used and their role. Deceptive use, impersonation and non-consensual deepfakes are prohibited.
12. Underground Film entries must demonstrate an independent or unconventional vision, form, subject or production method; a low budget alone is not sufficient.
13. Screenplays should be submitted in English, or with a complete English translation, preferably as PDF files. Submission creates no production or representation obligation.
14. Photography entrants must own or license the submitted images and disclose AI-generated content. Documentary work may not use misleading manipulation, and obtaining any required consent from depicted people is the entrant's responsibility.
15. BGIFF may revoke a selection or award for false information, rights infringement, false ownership claims or threatening or abusive conduct. The festival may adjust dates, format or programme when necessary and will announce significant changes through its official channels.
Date limite d’inscriptions
30 nov. 26
Fiction feature films longer than 40 minutes, in any genre. Entries are also considered for relevant craft, thematic and special awards and the Berlin Gate Grand Prize.
Date limite d’inscriptions
30 nov. 26
Documentary feature films longer than 40 minutes, on any subject. Entries are also eligible for relevant craft and thematic honours.
Date limite d’inscriptions
30 nov. 26
Feature films produced with a budget below €250,000. Judging prioritises the strength of the idea, craft and impact over production scale.
Date limite d’inscriptions
30 nov. 26
Fiction short films up to 40 minutes, in any genre. Entries are also considered for relevant directing, writing, performance and craft awards.
Date limite d’inscriptions
30 nov. 26
Documentary short films up to 40 minutes, on any subject, also considered for relevant craft and thematic awards.
Date limite d’inscriptions
30 nov. 26
Animated films of any length and technique, including hand-drawn, 2D, 3D/CGI, stop-motion and mixed media.
Date limite d’inscriptions
30 nov. 26
Non-narrative, avant-garde and visual work that explores new forms and pushes the language of cinema.
Date limite d’inscriptions
30 nov. 26
Music videos of any style or genre where image and sound work as a unified creative form.
Date limite d’inscriptions
30 nov. 26
Films made while the director was enrolled in an educational programme. Proof of student status may be requested.
Date limite d’inscriptions
30 nov. 26
A director's first completed short or feature film. Eligible for the Best First Film award.
Date limite d’inscriptions
30 nov. 26
Films centring LGBTQ+ stories, characters, creators or perspectives, in any genre or length.
Date limite d’inscriptions
30 nov. 26
Series, episodic work and audiovisual projects created for online and emerging media platforms.
Date limite d’inscriptions
30 nov. 26
Unproduced feature-length screenplays, approximately 60–120 pages, in English or with a complete English translation.
Date limite d’inscriptions
30 nov. 26
Unproduced short screenplays under 60 pages, in English or with a complete English translation.
Date limite d’inscriptions
30 nov. 26
Films in which artificial intelligence played a meaningful and transparently disclosed role in visuals, animation, sound, editing or writing.
Date limite d’inscriptions
30 nov. 26
Independent and unconventional work with a distinct vision, form, subject or production method. Low budget alone is not sufficient.
Date limite d’inscriptions
30 nov. 26
Single images or series with cinematic light, atmosphere and visual storytelling. Submit the work as a PDF or supported document file.
Date limite d’inscriptions
30 nov. 26
Documentary and street photography capturing real people, places or moments. Misleading manipulation is not permitted.
Date limite d’inscriptions
30 nov. 26
Conceptual and fine-art photography in which idea, form and visual authorship lead the work.