the relationship between fashion, design, styling, visual identity, creative direction, apparel, beauty, culture, performance, or audiovisual experimentation.
Festival start: 23 November 2026
Festival end: 28 November 2026
CINEMODAE AWARDS 2026
CINEMODAE is a celebration and recognition platform dedicated to the new perspectives transforming the relationship between cinema, fashion, and contemporary art.
The CINEMODAE Awards honor the creative excellence of directors, photographers, designers, stylists, filmmakers, art directors, and visual artists who transform fashion into a powerful audiovisual language.
Through fashion films, audiovisual pieces, and conceptual editorials, CINEMODAE recognizes works that transcend aesthetics to build universes, evoke emotions, and tell stories through a distinctive visual identity.
Each recognition celebrates a different dimension of the creative process: creative direction, audiovisual direction, photography, styling, design, art direction, concept, storytelling, innovation, and the aesthetic construction of each project.
Being recognized by CINEMODAE means becoming part of a selection of works that represent a new generation of creators, where experimentation, artistic sensitivity, and authorial vision find a space to be celebrated and brought to a wider audience.
The CINEMODAE 2026 ceremony brings together the creative community for a gala conceived to celebrate the most outstanding works and talents of the edition, honoring those who demonstrate an exceptional vision and contribute to expanding the boundaries of fashion storytelling.
## A Recognition of Creative Vision
More than rewarding a technically flawless production, CINEMODAE seeks to recognize a point of view.
An idea capable of becoming an image.
An aesthetic capable of becoming an emotion.
A proposal capable of becoming an identity.
The CINEMODAE Awards celebrate those who understand that fashion is not simply worn: it is directed, photographed, interpreted, transformed, and told through stories.
**CINEMODAE — where cinema, fashion, and art find a new way to be seen.**
OFFICIAL AWARDS — CINEMODAE 2026
The CINEMODAE Awards recognize excellence behind every production, celebrating both the final work and the creative disciplines that bring its visual universe to life.
Selected works will be eligible to compete for the main honors of the 2026 edition.
## 1. THE ONE — Editorial of the Year
The signature and most prestigious award of CINEMODAE.
### THE ONE — EDITORIAL OF THE YEAR
**Editorial of the Year — CINEMODAE**
THE ONE is CINEMODAE’s highest editorial distinction.
It is awarded to the editorial that most exceptionally embodies the vision of the festival and stands out through the strength of its concept, creative direction, visual identity, styling, photography, narrative, and overall execution.
This award recognizes a proposal that not only excels within its category, but succeeds in creating a distinctive, cohesive, and memorable universe of its own.
THE ONE celebrates the editorial that transforms fashion into a visual statement: a work capable of transcending the image, evoking emotion, and establishing a unique creative perspective.
In selecting the winner, the jury will place particular emphasis on:
* Originality and conceptual strength.
* Creative direction.
* Narrative and visual storytelling.
* Photography and composition.
* Styling and fashion direction.
* Art direction.
* Aesthetic coherence.
* Innovation and creative risk.
* Quality of execution.
* Impact and memorability of the proposal.
Among all editorials officially selected for CINEMODAE, one will be recognized as:
**THE ONE — EDITORIAL OF THE YEAR**
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## 2. CREATIVE EXCELLENCE AWARDS
### Best Creative Direction
Recognizes the overall vision behind a production and the ability to bring together concept, aesthetics, fashion, narrative, and execution within a cohesive universe.
### Best Art Direction
Honors excellence in the creation of the work’s visual universe: set design, objects, spaces, composition, color palette, atmosphere, and artistic language.
### Best Concept & Visual Storytelling
Recognizes the strongest, most original, and emotionally resonant idea, as well as its ability to unfold through imagery and establish its own narrative.
### Best Styling & Costume
Honors the exceptional use of garments, accessories, silhouettes, and fashion codes as fundamental tools within the visual concept.
### Best Cinematography / Photography
Recognizes excellence in lighting, framing, composition, camera movement, visual treatment, and the photographic construction of the piece.
### Best Runway Direction
Honors the creation and execution of an exceptional runway experience, taking into consideration staging, rhythm, model direction, runway flow, narrative, and collection presentation.
### Best Makeup & Character Design
Recognizes makeup, hair, and character design proposals that enrich the concept and become defining elements of the work’s visual identity.
### Best Music, Sound Design or Original Score
Honors the exceptional use of music and sound as narrative elements capable of enhancing the atmosphere, emotion, and rhythm of a production.
### Best Performance / Artistic Modeling
Recognizes an outstanding performance in front of the camera or on the runway, where physical expression, presence, movement, and attitude make a decisive contribution to the work’s narrative.
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## 3. CINEMODAE SPECIAL MENTIONS
In addition to the official awards, the festival may grant special distinctions to productions that stand out for their impact, innovation, or cultural relevance.
### Audience Award
Awarded to one of the audience’s favorite productions of CINEMODAE 2026.
### Award for Visual Innovation
Recognizes a proposal that stands out for experimenting with new languages, technologies, formats, or creative resources in fashion image-making.
### Cultural Identity Award
Honors works that meaningfully integrate cultural, territorial, heritage, or identity-based elements into a contemporary creative proposal.
### Conscious & Sustainable Fashion Award
Recognizes projects that incorporate principles of sustainability, circularity, responsible consumption, reuse, material innovation, or critical reflection on the social and environmental impact of the fashion industry.
# CINEMODAE CELEBRATES MORE THAN AN IMAGE
Every award represents a celebration of the people who create new languages at the intersection of cinema, fashion, art, music, and visual culture.
At CINEMODAE, we are not simply looking for beautiful images.
We are looking for concepts that have something to say, universes that can be remembered, and creators with a vision of their own.
Because behind every great image, there is an idea.
And behind every great idea, a new way of looking at fashion.
TERMS & CONDITIONS — CINEMODAE 2026
Submitting a work to CINEMODAE 2026 implies full acceptance of these terms and conditions.
CINEMODAE is a platform dedicated to recognizing proposals that explore the relationship between fashion, cinema, art, music, creative direction, and visual culture, with a particular interest in editorial fashion films and conceptual audiovisual productions.
1. GENERAL ELIGIBILITY
Creators, directors, production companies, agencies, creative studios, brands, designers, photographers, filmmakers, stylists, visual artists, and multidisciplinary teams of any nationality may participate.
The following will be accepted:
* Editorial fashion films.
* Audiovisual editorials.
* Narrative or conceptual fashion films.
* Experimental pieces related to fashion.
* Fashion audiovisual campaigns.
* Productions developed for designers or brands.
* Independent projects.
* Academic or student projects.
* Productions developed by agencies, production companies, or creative studios for third-party clients.
All works must have a clear connection to at least one of the following creative fields: fashion, design, styling, visual identity, creative direction, apparel, beauty, culture, performance, or audiovisual experimentation.
2. YEAR OF PRODUCTION
Works completed between January 1, 2021 and 2026 may participate.
The date considered will be the official completion date of the work, regardless of when production began.
3. PERUVIAN PREMIERE
To participate in the Official Selection of CINEMODAE 2026, the work must not have been publicly screened previously in Peru.
A public screening will be considered to include exhibition at:
* Festivals.
* Film screenings or showcases.
* Galas.
* Cultural screenings.
* In-person public exhibitions.
* Equivalent public events held within Peruvian territory.
Previous publication of the work on social media, digital platforms, brand websites, Vimeo, YouTube, or other online channels will not necessarily disqualify the entry, provided that the production has not previously had an in-person public screening in Peru.
CINEMODAE may request additional information regarding previous exhibition history whenever deemed necessary.
4. RUNNING TIME
Works must have a maximum running time of 20 minutes, including credits.
CINEMODAE accepts works of different lengths and does not establish a mandatory minimum duration.
Fashion films are encouraged to maintain a duration appropriate to their narrative, aesthetic, and conceptual approach.
Running time will not, in itself, be considered an evaluation criterion; however, the work must demonstrate coherence between concept, rhythm, and duration.
5. FORMATS AND SUBMISSION
For the initial selection process, works must be submitted through the Festhome platform, using the formats or viewing links accepted by the platform.
If selected, CINEMODAE may subsequently request:
* Exhibition master file.
* High-resolution version.
* Trailer or teaser.
* Official stills.
* Key visual or poster.
* Full credits.
* Synopsis.
* Director or creative team biography.
* Behind-the-scenes photographs.
* Promotional materials.
* Information regarding brands, designers, and collaborators involved.
Providing these materials within the indicated deadlines will be the responsibility of each participant.
6. language AND subtitleS
Works may be submitted in any language.
When a piece contains dialogue, narration, or verbal information necessary to understand the work, and such content is not in Spanish or english, CINEMODAE may request a subtitled version.
For proper international evaluation, english subtitles are recommended when applicable.
7. PROJECTS CREATED FOR BRANDS OR THIRD PARTIES
CINEMODAE accepts projects created by:
* Agencies.
* Production houses.
* Creative studios.
* Audiovisual production companies.
* Photographers.
* Independent directors.
* Creative teams.
* Content production companies.
Projects produced on commission for brands, designers, institutions, or third-party clients may also participate.
The person, agency, production company, or entity submitting the project declares that they have the corresponding authorization, representation, or consent to submit the work to CINEMODAE.
When a work has been created for a brand or third-party client, the participant must have the necessary consent to:
* Submit the piece to the festival.
* Allow its evaluation by the jury.
* Allow its potential exhibition as part of CINEMODAE.
* Use images, logos, products, or identifying elements appearing within the project.
* Allow the promotional use of excerpts or graphic materials associated with the work.
CINEMODAE may request evidence of such authorization whenever deemed necessary.
Any dispute related to rights between an agency, production company, creator, brand, client, or third party shall be the sole responsibility of the party submitting the work.
8. COPYRIGHT AND INTELLECTUAL PROPERTY
By submitting a work, the participant declares that they possess the necessary rights or corresponding authorizations regarding the elements used in the production.
Submitting a work to CINEMODAE does not imply the transfer of intellectual property rights over the work.
Copyright remains with its respective holders.
9. MUSIC AND THIRD-PARTY MATERIAL
The participant shall be responsible for ensuring that they possess the necessary licenses, permissions, or authorizations regarding music and other protected materials used in their work.
CINEMODAE shall not be held responsible for claims arising from the unauthorized use of music, images, designs, brands, artistic works, or other third-party materials.
10. EXHIBITION AUTHORIZATION
By submitting a work, the participant authorizes CINEMODAE, if the work is selected, to exhibit it as part of the official activities associated with the 2026 edition.
These activities may include:
* Official screening.
* CINEMODAE Gala.
* Festival-related showcases.
* Educational or cultural activities.
* Official Selection presentations.
* Special exhibitions directly related to CINEMODAE 2026.
This authorization does not imply the transfer of intellectual property rights or independent commercial exploitation of the work.
11. PROMOTIONAL USE
Selected participants authorize CINEMODAE to use, for promotional purposes, brief excerpts, stills, photographs, trailers, titles, credits, participants' names, project logos, and other materials provided during the submission process.
This content may be used to promote CINEMODAE through:
* Social media.
* Website.
* Press.
* Digital advertising.
* Graphic materials.
* Official programming.
* Promotional audiovisual pieces.
* The festival's historical archive.
Such use shall be related to the promotion, dissemination, and documentation of CINEMODAE and its participants.
12. SELECTION AND JURY
Submitting a work does not guarantee its selection.
Works will be evaluated according to criteria that may include:
The decisions of the selection committee and jury shall be final.
CINEMODAE may decide not to grant a particular award if it considers that no work meets the standards established for that distinction.
13. CATEGORIES
A single work may be submitted to one or more categories, provided that it meets the respective criteria and the corresponding submissions established on Festhome are completed.
When deemed appropriate, the organization may suggest or transfer a work to a category it considers more suitable, informing the participant when applicable.
SPECIFIC REQUIREMENTS BY CATEGORY
1. CINE & FASHION
Cinema-Inspired Editorial
Editorial fashion films whose proposal takes cinema or elements of cinematic language as their point of departure may participate.
Inspiration may come from:
* A film.
* A character.
* A film genre.
* A period or era.
* An audiovisual movement.
* A director.
* An aesthetic universe.
* A narrative device related to cinema.
A literal recreation will not be required.
CINEMODAE will place particular value on works capable of reinterpreting their references and constructing an identity of their own, rather than limiting themselves to reproducing an existing cinematographic work.
The use of protected audiovisual material belonging directly to third-party films shall be the sole responsibility of the participant.
Maximum running time: 20 minutes.
2. MUSIC & FASHION
Music-Inspired Editorial
Editorial fashion films inspired by the following may participate:
* Music genres.
* Artists.
* Songs.
* Albums.
* Music videos.
* Musical scenes.
* Cultural movements associated with music.
* Lyrics or sonic concepts.
Music must function as a significant part of the conceptual, aesthetic, or narrative construction of the piece.
The work is not required to function as a music video.
The participant must possess the necessary rights or authorizations to use any protected composition or recording included in the work.
Maximum running time: 20 minutes.
3. RUNWAY VISION
Conceptual Runway
Editorial fashion films, fashion performances, and audiovisual productions built around a runway, collection presentation, or fashion-related stage experience may participate.
The following will be accepted:
* Conceptual runways.
* Experimental fashion shows.
* Fashion performances.
* Audiovisual collection presentations.
* Fashion films built around a runway staging.
The work must demonstrate a creative intention that goes beyond the traditional documentary recording of a fashion show.
Particular value will be placed on model direction, staging, concept, movement, music, space, audiovisual direction, and narrative.
Maximum running time: 20 minutes.
4. AVANT-GARDE
Experimental Fashion
Editorial fashion films that explore unconventional languages within fashion and audiovisual creation may participate.
Projects incorporating, among other resources:
* Artificial intelligence.
* Animation.
* CGI.
* Virtual or augmented reality.
* Visual effects.
* Body art.
* Experimental design.
* Alternative materials.
* Mixed media techniques.
* Digital art.
* Performance.
* Abstract narratives.
* Hybrid audiovisual formats.
The use of artificial intelligence tools must respect the applicable rights of images, brands, artists, performers, and third parties.
CINEMODAE may request that the participant explain which technological tools or processes were used when these are relevant to the evaluation of the work.
Maximum running time: 20 minutes.
5. FASHION CAMPAIGN
Commercial Fashion
Editorial fashion films and audiovisual campaigns developed for the following may participate:
* Fashion brands.
* Designers.
* Collections.
* Products.
* Beauty brands.
* Accessories.
* Jewelry.
* Lifestyle.
* Companies or commercial projects related to the creative industry.
Both campaigns produced internally by a brand and works developed by agencies, production companies, creative studios, or independent professionals for third-party clients will be accepted.
When a work has been commissioned, the submission must be made with the knowledge and authorization of the corresponding rights holder.
Particular value will be placed on the ability to combine communication objectives, storytelling, creative direction, and brand identity.
Pieces may have been previously published as commercial campaigns, provided that they comply with the Peruvian premiere policy established by CINEMODAE.
Maximum running time: 20 minutes.
6. NEW TALENT
Emerging Creators
This category is intended for students, emerging professionals, and new talents who are developing their careers in cinema, fashion, photography, design, styling, creative direction, or related disciplines.
Editorial fashion films may participate if they are:
* Academic.
* Independent.
* Self-produced.
* Created as graduation projects.
* Developed for portfolios.
* Created for emerging designers or brands.
* Created by creative collectives.
The production budget will not be a determining factor in the evaluation.
A work may receive more than one nomination or recognition.
Selected projects may compete, as applicable, for awards such as:
* THE ONE — Editorial of the Year.
* Best Creative Direction.
* Best Art Direction.
* Best Concept & Visual Storytelling.
* Best Styling & Costume.
* Best Photography / Cinematography.
* Best Runway Direction.
* Best Makeup & Character Design.
* Best Music, Sound Design or Original Score.
* Best Performance / Artistic Modeling.
* Audience Award.
* Visual Innovation Award.
* Cultural Identity Award.
* Conscious & Sustainable Fashion Award.
Official Selection, nomination, or participation in CINEMODAE does not automatically imply the receipt of an award.
PARTICIPANT RESPONSIBILITY
The person submitting the work shall be considered responsible for the information and materials provided.
By completing the submission, the participant declares that:
1. The information provided is accurate.
2. They have sufficient authority to submit the work.
3. They possess or have obtained the necessary authorizations.
4. The participation of the work does not infringe upon the rights of third parties.
5. They authorize its evaluation and, if selected, its exhibition as part of CINEMODAE 2026.
6. They accept the decisions of the selection committee and jury.
MODIFICATIONS AND EXCEPTIONAL CIRCUMSTANCES
CINEMODAE reserves the right to make reasonable adjustments to its programming, categories, dates, exhibition format, or festival structure when production circumstances, force majeure, or organizational needs require it.
Any situation not expressly covered by these regulations shall be resolved by the CINEMODAE organization, seeking to preserve the principles of transparency, fairness, and artistic quality of the competition.
Submitting a work to CINEMODAE 2026 implies full acceptance of these regulations.
SUBMISSIONS, STAGES AND FEES
The CINEMODAE 2026 call for submissions will take place in three submission stages.
Fees vary according to the time at which each project is registered. CINEMODAE recommends submitting during the early stages of the call to access a preferential fee.
The submission fee covers the application, review, and evaluation process and does not guarantee selection, nomination, or an award.
STAGE 1 — OPENING CALL
Launch Fee: USD 5
The first stage corresponds to the official opening of the CINEMODAE 2026 call for submissions and will feature a special launch fee of USD 5 per submission.
During this stage, there will be two official submission channels:
Through Festhome.
Through the official form available at cinemodae.com.
Participants may choose either platform during the corresponding period of this stage.
Submissions received through either channel will be considered under the same curatorial and evaluation criteria.
STAGE 2 — REGULAR CALL
Regular Fee: USD 7
Once the launch stage has ended, the regular submission period will begin.
During this stage, the submission fee will be USD 7 per project/category.
Submissions during this stage must be made exclusively through the official form available at cinemodae.com.
Submissions through Festhome will only be available during the first stage of the call.
STAGE 3 — FINAL / LATE CALL
Final Fee: USD 10
The final stage constitutes the last period for submitting projects to CINEMODAE 2026.
The submission fee during this period will be USD 10 per project/category.
Submissions must be made exclusively through the official form available at cinemodae.com.
Once the deadline established for this stage has passed, CINEMODAE may definitively close the call and will not be required to accept late submissions.
OFFICIAL SUBMISSION CHANNELS
To avoid confusion, only submissions received through the channels enabled by CINEMODAE for each stage will be considered official.
OPENING CALL — USD 5
Festhome or the official form at cinemodae.com.
REGULAR CALL — USD 7
Exclusively through cinemodae.com.
FINAL / LATE CALL — USD 10
Exclusively through cinemodae.com.
Submissions sent by email, social media, direct messages, file transfer services, or other means not officially established by the organization will not be considered valid.
SUBMISSION BY CATEGORY
Each submission corresponds to one work within a specific category.
If a participant wishes to submit the same work to more than one official category, they must complete the corresponding submission for each selected category and pay the applicable fee for each one.
For example, a fashion film that meets the requirements for CINE & FASHION and AVANT-GARDE may be submitted to both categories through two independent submissions.
Multiple submissions neither increase nor decrease a work's chances of selection. Each submission will be evaluated according to the criteria of its respective category.
SUBMISSION FEES
The official fees for CINEMODAE 2026 will be:
Opening Call: USD 5
Regular Call: USD 7
Final / Late Call: USD 10
When the submission is made through the official website, payment may be processed through the payment methods enabled by cinemodae.com.
When the submission is made through Festhome during the first stage, the payment conditions and mechanisms established by that platform will apply.
Any additional fees related to payment services, currency conversion, banks, or external platforms shall be the responsibility of the participant.
STUDENTS AND NEW TALENT
Participants applying to the NEW TALENT category may have access, when announced by CINEMODAE, to promotional fees, discount codes, or special calls intended for students and emerging creators.
When a student fee is requested, CINEMODAE may require documentation to verify the participant's current student status.
The availability of benefits or discounts will be subject to each submission period and will be officially communicated by the organization.
PAYMENT POLICY
Submission fees are intended to cover the processing and evaluation of entries.
For this reason, submission fees are non-refundable, regardless of whether the work is selected, nominated, or awarded.
A participant may voluntarily withdraw their work after submitting it; however, such withdrawal will not entitle them to a refund of the fee paid.
In exceptional circumstances directly attributable to the CINEMODAE organization, the festival may evaluate each case individually.
SUBMISSION CONFIRMATION
A submission will be considered complete only when:
1. The corresponding form or submission has been successfully submitted.
2. The applicable fee has been paid.
3. The work or viewing link is accessible to the selection committee.
4. The minimum requested project information has been provided.
5. The participant has accepted the CINEMODAE 2026 Terms & Conditions.
An incomplete submission may be considered ineligible if the outstanding information is not provided within the deadline requested by the organization.
FEE CHANGES BETWEEN STAGES
The applicable fee will be the one corresponding to the stage in effect at the time the submission and payment are effectively completed.
Starting a form during one stage does not guarantee the fee applicable to that period if the final payment and submission are completed later.
Once a stage has ended, the fee corresponding to the following submission period will automatically come into effect.
DeadlineS
The exact opening and closing dates for each period will be published through CINEMODAE's official channels and at cinemodae.com.
CINEMODAE reserves the right to exceptionally extend any submission period when the needs of the call for submissions so require.
Any extension will be announced exclusively through the festival's official channels.
1. CINEMA & FASHION — Cinema-Inspired Editorial
Short Films 20'<
Fee-8%
Early5$4.6$
18 Oct 26
Standard6$5.52$
26 Oct 26
Late7$6.44$
31 Oct 26
Extended8$7.36$
01 Nov 26
Submissions deadline
01 Nov 26
Save up
0.4$
Submit
For proposals that establish a dialogue between fashion and the language of cinema.
This category welcomes editorials and fashion films inspired by films, characters, cinematic movements, genres, or recognizable visual universes, whether through reinterpretation, homage, or a completely contemporary approach.
Particular emphasis will be placed on the ability to take a cinematic reference and transform it into a proposal with its own creative identity.
Example: reinterpreting the visual universe of The Great Gatsby through a contemporary perspective on luxury, youth, and excess.
2. MUSIC & FASHION — Music-Inspired Editorial
Short Films 20'<
Fee-8%
Early5$4.6$
18 Oct 26
Standard6$5.52$
26 Oct 26
Late7$6.44$
31 Oct 26
Extended8$7.36$
01 Nov 26
Submissions deadline
01 Nov 26
Save up
0.4$
Submit
A category dedicated to projects where music serves as the starting point for building a visual identity.
Proposals may be inspired by artists, songs, musical movements, music videos, lyrics, eras, or subcultures connected to music.
The jury will value the way sound, aesthetics, styling, movement, and narrative converge within a unified creative proposal.
Example: a fashion film inspired by the aesthetics of experimental pop, club culture, or the visual universe of a contemporary musical movement.
3. RUNWAY VISION — Conceptual Runway
Short Films 20'<
Fee-8%
Early5$4.6$
18 Oct 26
Standard6$5.52$
26 Oct 26
Late7$6.44$
31 Oct 26
Extended8$7.36$
01 Nov 26
Submissions deadline
01 Nov 26
Save up
0.4$
Submit
This category recognizes proposals that transform the traditional runway into an artistic, narrative, or performative experience.
It is aimed at fashion shows, collection presentations, and performances where staging, movement, music, model direction, space, and the aesthetic concept come together as part of an integrated narrative.
The jury will reward the ability to transform a fashion presentation into a scenographic experience with a clear concept, creative statement, and distinctive identity.
Example: a runway conceived as a narrative about transformation, identity, the body, or evolution.
4. AVANT-GARDE — Experimental Fashion
Short Films 20'<
Fee-8%
Early5$4.6$
18 Oct 26
Standard6$5.52$
26 Oct 26
Late7$6.44$
31 Oct 26
Extended8$7.36$
01 Nov 26
Submissions deadline
01 Nov 26
Save up
0.4$
Submit
A category for proposals that challenge the traditional codes of fashion.
It is aimed at creators who explore new forms of representation through unconventional materials, technology, artificial intelligence, visual effects, body art, speculative design, hybrid formats, or experimental artistic languages.
Particular emphasis will be placed on innovation, creative risk-taking, and the ability to propose new possibilities for fashion imagery.
5. FASHION CAMPAIGN — Commercial Fashion
Short Films 20'<
Fee-8%
Early5$4.6$
18 Oct 26
Standard6$5.52$
26 Oct 26
Late7$6.44$
31 Oct 26
Extended8$7.36$
01 Nov 26
Submissions deadline
01 Nov 26
Save up
0.4$
Submit
This category recognizes fashion campaigns and content that successfully balance strategy, storytelling, and visual excellence.
It is aimed at productions created for brands, designers, collections, products, or commercial concepts that demonstrate a strong aesthetic identity and consistent creative direction.
The jury will value the ability to create a piece that not only communicates a product, but also conveys a recognizable, aspirational, and emotionally engaging brand universe.
Special Category — Emerging Talent
Short Films 20'<
Fee-8%
Early5$4.6$
18 Oct 26
Standard6$5.52$
26 Oct 26
Late7$6.44$
31 Oct 26
Extended8$7.36$
01 Nov 26
Submissions deadline
01 Nov 26
Save up
0.4$
Submit
Special category dedicated to discovering and showcasing the new generation of talent in the creative industries.
Open to students, emerging creators, new directors, photographers, stylists, designers, visual artists, and filmmakers who are currently developing their professional creative language.
Beyond production resources, this category will place particular emphasis on each participant’s vision, sensitivity, artistic identity, direction, and creative potential.
CINEMODAE seeks to discover the perspectives that could shape the future of fashion imagery.
Festhome holds accountable fees festivals by holding the payment of the fees of most newer festivals until they have viewed the submissions, held their festivals and other methods.