The Working Class Film Festival (2)



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17 Mai 2026
Aufruf zu Einschreibungen

31 Jul 2026
Frühe Frist

21 Nov 2026
Standard-Frist

31 Dez 2026
Späte Frist

01 Feb 2027
Verlängerte Frist

6
Monate

01 Mär 2027
Benachrichtigungsdatum

07 Mai 2027
09 Mai 2027

Adresse

Paternoster Row,  S1 2BX, Sheffield, Yorkshire, United Kingdom


Festival Beschreibung
Kurzfilmfestival 40'<
Spielfilmfestival >41' 120'<


Festival Anforderungen
 Filmfestival
 Fiktion
 Dokumentarfilm
 Animation
 Fantastisch
 Terror
 Experimental
 Musik-Video
 Andere
 Alle Genre
 Alle Themen
 Hat Einsende-Gebühren
 Internationales Festival
 Physischer Standort
 Produktionsdatum: Jede
 Produktionsländer: Jede
 Länder Dreharbeiten: Jede
 Nationalitäten Regisseur: Jede
 Debütfilme 
 Schulprojekte 
 Kurzfilme  40'<
 Spielfilme  >41' 120'<
 AI Tools 
 Jede Sprache
 Untertitel 
English
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Photo of The Working Class Film Festival
Photo of The Working Class Film Festival

Photo of The Working Class Film Festival
Photo of The Working Class Film Festival

English
German ML


Festival Start: 07 Mai 2027      Festival Ende: 09 Mai 2027

The 7th to the 9th of May 2027 will see the second Working Class Film Festival take place at The Showroom, Sheffield. Submissions for film and moving image of all types and lengths are invited from producers, directors and writers that hail from a working class background.

This year sees the addition of two submission categories aimed at elevating local talent and those from the North of England through a subsidised entry fee- Locals rule and the North Prevails.

The festival aims to highlight the talent of a wide and underrepresented demographic within the film industry; with only 8% of people working within the creative sector being born into a working class family. A key remit of the inaugural weekend is to highlight the many intersections of the working class paradigm, including gender, race and sexuality. The concluding aim of the first year is a will to recognise and journey beyond the kitchen sink into realms of the fantastic, horrifying and wonderful, with a strong encouragement for genre cinema to be submitted.

We welcome submissions in any and all languages.

We are keen to platform those in financial difficulties and waiver codes are available via email.

In the spirit of working class solidarity, no prizes will be given. All works included are presented as a lateral and vital part of the festival.

Work must only be submitted if the majority of the production team, writer or director are of a working class background. The definitions of this are wide and shifting, but for the purposes of this submission guidance, the following markers may be useful in you making a decision upon whether or not you would like to submit to the festival:

- Your parents had what would be classed as a working class job, such as a builder, cleaner, miner, nurse or postal worker.

- You currently or have previously been employed in a working class profession.

- You rely on a monthly salary from labour or freelance employment to survive.

- You have struggled or are struggling to purchase your own house.

- You were one of the first members of your family to attend university.

- You have or continue to receive benefits to subsidise your pay or you are in receipt of benefits because you are unable to/looking for work.

- You received free school dinners, milk or other subsidies whilst at school.

- You have at any point qualified for financial assistance, bursary or scholarship on financial grounds.

- Any film entered may be disqualified if inputted into the wrong category, so please choose carefully. Time sensitive categories take into account any titling or credits attached to the project.

- If you feel that your film fits into two categories, pick the one that is logistically of higher significance e.g. a 60 second documentary would be best submitted as a microfilm rather than a documentary.

- We reserve the right to close the entries early. In the spirit of working class solidarity, no prizes will be given, everyone included is presented as a lateral and vital part of the festival.

- Works must remain legal.

- All intellectual properties must be owned or licensed to the producers of the film, in keeping with UK copywrite law.

- If selected for the festival, the film must be submitted with hard-coded, legible English subtitles.

- Working Class Film Festival reserves the right to utilise stills and excerpts of any works submitted for publicity of the event.

- At this time we are not accepting work wholly generated using Large Language Model AI.








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