Corvo de Gesso ()



Fechas Límite

15 may 2022
Convocatoria

15 jun 2022
Festival Cerrado

04 dic 2022
Fecha de notificación

03 dic 2022
03 dic 2022

Dirección

R. Barão de Jacareí, 122 ,  12300-000, Jacareí, São Paulo, Brasil


Descripción del festival
Festival de cortometrajes 20'<


Requisitos del festival
 Festival de cine
 Ficción
 Documental
 Animación
 Fantástico
 Terror
 Experimental
 Videoclip
 Otros
 Cualquier género
 Cualquier tema
 NO tiene tasa de inscripción
 Festival Nacional
 Online y Ubicación Física
 Fecha de producción: Cualquiera
 Países de producción: Requerido
 Países de rodaje: Cualquiera
 Nacionalidad del Director/a: Cualquiera
 Óperas Primas 
 Proyectos Escolares 
 Cortometrajes  20'<
 Cualquier idioma
 Subtítulos 
Portugués
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Photo of Corvo de Gesso
Photo of Corvo de Gesso

Photo of Corvo de Gesso
Photo of Corvo de Gesso

Portugués
Inglés


Inicio Festival: 03 diciembre 2022      Fin Festival: 03 diciembre 2022

15th CINECLUBE JACAREÍ® PRIZE – CORVO DE GESSO® EDITION 2022: Any short film that meets the characteristics of one of the 9 (nine) award categories and respects the 20-minute time limit of duration.

Sole Paragraph - To compete for the 15th PRIZE CORVO DE GESSO® EDITION 2022, films in a foreign language must contain subtitles in Portuguese.

Troféu

SUBSCRIPTION

To compete for the award, the competitor must register the films between May 15, 2022 and June 15, 2022 on the website cineclubejacarei.com, adding the link to the short on Youtube in the “public” mode. or “unlisted” or on Vimeo with the corresponding password, if any. Failure to comply with these requirements will result in the disqualification of the entrant.

§ 1: All material delivered for the selection of the prize will become part of the collection of CINECLUBE JACAREÍ, and may be used by it without any financial gain.

§ 2: Each director may participate with a maximum of 5 films, including partnerships, and may submit up to 2 short films in the same category.

§ 3: Films submitted in the previous year and which were not shown in the Cinema sessions on the 5th, automatically compete for the 2021 award, without the need for a re-registration and without prejudice to the submission of more short films by the same director, as per the previous paragraph. .

§ 4º It will not be allowed to resend or change the link/film after the submission of the short film is finalized, unless there is a problem with the original link.
§ 5º: CINECLUBE JACAREÍ reserves the right to anticipate or extend the end of entries in certain categories due to excess or lack of short entries.

§ 6: Any film that competed in previous editions of the award cannot compete in future editions.

CATEGORIES

§ 1 - The films that compete for the award must be registered in only one of the following categories, with only one statuette of CORVO WILLIAN® being delivered for each one:

1. ON AIR: Films that do not convey a linear narrative structure, being experimental, alternative or difficult to understand, with up to 20 minutes in duration, compete for this category.

2. GENERIC: Films that are parodies, spoofs, imitations and similar of TV shows, series, internet video, music clips, trailers and so on compete in this category. The film must mention the name of the original video that served as inspiration, up to 20 minutes long.

3. MINUTE: Films that do not exceed the limit of 60 seconds (1 minute) in duration, including opening and credits, compete for this category.

4. MUSICAL: Films whose motif or plot is based on music(s), in its entirety or edited(s), can also be video clips, with up to 20 minutes in duration. Must not contain copyrighted images or audio.

5. ANIMATION: Films that are video animations in 2D, 3D, CG, stop motion and etc., up to 20 minutes long, compete for this category.

6. REGIONAL DOCUMENTARY: Films in the format of documentaries, reports, interviews, biographies, with up to 20 minutes in length, whose footage are mostly original and produced in the cities of Vale do Paraíba Paulista and neighboring Jacareí, compete for this category (See Annex 1 ) and that part of the team is also natural or based in these cities (the person responsible for the registration must declare at the time of registration that the film is suitable and meets the requirements; Annex 1 contains the cities participating in the category), those registered in the present category are automatically participating in the NATIONAL
DOCUMENTARY category.

7. REGIONAL FICTION: Films that are fictional stories, fake documentaries or narratives based on real events, books, short stories, poems and other media, with up to 20 minutes in length and produced in the cities of Vale do Paraíba in São Paulo and neighboring cities, compete for this category. of Jacareí (See Annex 1) and that part of the team is also natural or based in these cities (the person responsible for the registration must declare at the time of registration that the film is suitable and meets the requirements), those registered in this category are automatically participating in the NATIONAL FICTION category and their respective technical categories.

8. DOCUMENTARY NATIONAL: Films in the format of documentaries, reports, interviews, biographies, with up to 20 minutes in length, whose footage is mostly original, compete for this category.

9. NATIONAL FICTION: Films that are fictional, documentary or based on real events, books, short stories, poems and other media, with up to 20 minutes in length, compete for this category.

§ 2 - TECHNICAL CATEGORIES: These are categories destined to the evaluation of the production of films registered in the NATIONAL FICTION category. the competitors
of these categories will be chosen from the ten selected from the NATIONAL FICTION category.

10. PHOTOGRAPHY: The films that present the best image treatment in a set of light, colors, filters and scenarios compete in this category.

11. EDITING: The films with the best editing, whose editing facilitated the understanding and final result of the film, compete for this category.

12. SCRIPT: Films with original or adapted screenplays compete in this category.

13. DIRECTOR: The films with the best direction compete in this category, whose decisions and experiences

  

 
  

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