Cine Callejero: Narrativas del Borde Sur (2)

Street Cinema: Southern Edge Narratives



締め切り

26 6月 2025
申し込み可能な

10 7月 2025
閉映画祭

16 7月 2025
通知日

15 7月 2025
31 7月 2025

住所

TV 34 59 B 05 SUR BRR ARBORIZADORA BAJA,  110311 – 110321, La Mesa, Cundinamarca, Colombia


映画祭について
短編映画祭 >1' 40'<
長編映画祭 >60' 120'<


映画祭参加条件
 映画祭
 フィクション
 ドキュメンタリー
 アニメ
 ファンタジー
 ホラー
 実験映画
 Music Video
 その他
 任意のジャンル
 テーマ
 申し込み料がかかりません。
 国際映画祭
 物理的な位置
 制作日: 任意の
 制作国: 任意の
 撮影国: 任意の
 監督の国籍: 任意の
 デビュー作映画 
 映像専門学校のプロジェクト 
 短編映画  >1' 40'<
 長編映画  >60' 120'<
 任意の言語
 字幕 
Spanish
ソーシャルネットワーク上で共有する
 Facebook 
 Tweet




Photo of Cine Callejero: Narrativas del Borde Sur
Photo of Cine Callejero: Narrativas del Borde Sur
Photo of Cine Callejero: Narrativas del Borde Sur
Photo of Cine Callejero: Narrativas del Borde Sur

Spanish
English
Japanese (日本語) ML


映画祭の開始: 15 7月 2025      映画祭の終了: 31 7月 2025

A non-competitive showcase of community cinema and independent audiovisual work

Street Cinema is a traveling outdoor film screening series held in community-based, alternative, and publicly accessible spaces. The initiative aims to bring cinema and audiovisual creation to territories that have been historically excluded from traditional cultural circuits.

In its first edition, the showcase focused on the theme “Stories from the Southern Edge,” featuring local narratives, neighborhood memories, and voices from the periphery. The second edition explores narratives around transportation, reflecting on movement, transit, and the daily experience of living in the south.

The call is open to:

Community filmmakers

Audiovisual collectives

Individuals who create videos spontaneously as tools for storytelling, memory, or social reflection.

Street Cinema fosters filmmaking from and for the community, creating spaces for gathering, conversation, and reclaiming public space through the moving image.

Selected works will become part of the Street Cinema Network, allowing them to be screened in both rural and urban settings, reaching a broad and diverse audience from different contexts and geographies.

This recognition aims to amplify territorial voices, memories, and narratives beyond their place of origin, promoting community-based, free, and decentralized circulation.

PARTICIPATION GUIDELINES


Non-Competitive Showcase – Street Cinema
Stories from the Southern Edge / Narratives on Transportation

1. OBJECTIVE
To invite individuals, collectives, and audiovisual experiences—whether community-based, independent, or spontaneous—that narrate their territories, memories, movements, and ways of inhabiting the south, to share their work through public, community screenings.

2. WHO CAN PARTICIPATE?
Community filmmakers or independent audiovisual creators.

Collectives, grassroots media groups, educational labs, or territorial organizations.

People who create videos spontaneously or informally as tools for expression, memory, or social commentary.

No prior experience or academic background is required.

3. THEMES
The showcase includes two main themes:

Stories from the Southern Edge

Narratives from urban and rural peripheries: everyday life, resistance, memory, affection, and the experience of living in the margins.

Narratives on Transportation

Works that explore public transit, mobility, walking, biking, or commuting, and how these movements shape daily life and social relationships.

4. SUBMISSION REQUIREMENTS
Maximum length: 40 minutes.

Formats accepted: short films, documentaries, fiction, animation, experimental videos, music videos, archival footage, etc.

language: Spanish or with subtitles.

Works from any year are welcome.

Technical quality is flexible—cell phone or home videos are accepted as long as they are relevant and can be screened publicly.

5. SHOWCASE AND SELECTION
This is a non-competitive showcase: no jury awards or cash prizes.

Selection will be carried out by local community members living in the neighborhoods where screenings will take place, prioritizing relevance, connection to territory, and diversity of voices.

Selected works will be screened in public, open, or alternative spaces in the south.

When possible, screenings will include post-viewing discussions with creators (in person or virtually).

By submitting, you authorize the non-commercial public screening of your work as part of Street Cinema.

Screenings are free of charge and open to the public.

Dates, times, and locations will be determined by the organizing team in coordination with local communities.

Selected participants will be notified via email.


  

 
  

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