San Francisco Documentary Festival (23)



마감일

10 10월 2023
출품 요청

01 10월 2023
조기 마감일

17 3월 2024
표준 마감일

07 4월 2024
늦은 마감일

07 4월 2024
영화제 마감

07 5월 2024
통지일

30 5월 2024
09 6월 2024

주소

530 Divisadero St #721,  94117, San Francisco, CA, United States


영화제 개요
단편 영화제 >1' 39'<
장편 영화제 >40' 120'<


영화제 참가요건
 영화제
 극영화
 다큐멘터리
 애니메이션
 판타스틱영화
 공포영화
 실험영화
 Music Video
 기타
 모든 장르
 모든 테마
 출품비 있음
 국제 영화제
 실제 위치
 제작일: 기타
 제작 국가: 기타
 촬영 국가: 기타
 감독 국적: 기타
 데뷔 영화 
 학교 프로젝트 
 단편영화  >1' 39'<
 장편영화  >40' 120'<
 모든 언어
 자막 
English
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Photo of San Francisco Documentary Festival
Photo of San Francisco Documentary Festival
Photo of San Francisco Documentary Festival
Photo of San Francisco Documentary Festival

English


영화제 시작: 30 5월 2024      영화제 끝: 09 6월 2024

We screen the best documentaries from around the world at the Roxie Cinema, the oldest art house theater west of the Mississippi. Many of our titles end up with calendared runs at the Roxie later in the year. We get great press coverage in San Francisco, the second largest film market in the country, plus industry reviews.

San Francisco is a very receptive town for documentaries and our fest has built a passionate following over the past 24 years.

LAST YEAR'S PRESS COVERAGE: https://sfindie.com/press-coverage

SF DocFest is an annual festival devoted to documentary cinema. Since 2001, this event has brought the most weird and wonderful aspects of real life to the big screen.

"What makes the scrappy San Francisco Documentary Film Festival a treasure to SF Bay Area filmgoers is its willingness to take that extra step to show films a little more out there than bog standard documentaries." - Peter Wong, Broke Ass Stuart

“Docfest offers a zippy blend of politics, music, social issues and youth-oriented subcultures. The good news is that DocFest promotes documentaries as a vibrant, irreverent form of entertainment to a younger demographic, blasting the notion of educational films to smithereens. There’s no room for anything approximating — watch it, I’m about to blaspheme – the obsessively measured and utterly somnambulant musings of Ken Burns.” – Michael Fox, KQED

“Since its inception, DocFest (May 31-June 15 at the Roxie and the Vogue, with opening night at Alamo Drafthouse) has compiled a colorful scrapbook of genuine characters in contrast to the current events survey, educational seminar or social-issue forum that defines many documentary series… There are one or two people in Off the Charts you won’t soon forget, which could be said about nearly every film in DocFest. That’s one of the pleasures of scrapbooks.” – also Michael Fox, KQED

Michael Fox just loves DocFest, here's another:

"Welcome to SF DocFest, the beloved annual compendium of odd, unusual nonfiction films from every nook and corner of our bizarro country and beyond. Waving off the pedigreed, high-profile docs that premiere at Sundance, get theatrical releases (or these days, national virtual releases) and chart a course for the Academy Awards, SF DocFest’s programmers opt for poignant, intimate works that miss the mainstream by dint of their iconoclasm and/or lack of a marketing hook." -KQED

"This week brings the kickoff to the 20th edition of SF Docfest, the rapidly-becoming-venerable nonfiction showcase that nonetheless continues to put the fun in documentary cinema appreciation. While other such showcases tend to be soberly issue-themed, focusing on the environment, activism, or some such, Docfest pursues—though not exclusively—colorful human interest stories, musician profiles, and other subjects on which there will not be a class quiz afterward." - Dennis Harvey, 48Hills

Audience Awards and Jury Prizes

Submitters understand that submission of their work authorizes the Festival to use the work for exhibition, education and/or publicity purposes related to the festival; that the Festival will handle the prints and drives with a maximum of care but cannot be held liable for any damage or loss during shipping, preview, or screening; and that the Festival is also not responsible for any claim involving copyright, trademark, credits, or royalty infringement related to the work. Submitters may receive future correspondence from the Festival. The festival will never publish your film online under any circumstances.


  

 
  

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