Festival start: 04 September 2026
Festival end: 12 September 2026
Open from March 2 to May 1, 2026
Voces Contra el Silencio, Video Independiente A.C., the Universidad Autónoma Metropolitana, with the support of TV UNAM and the UNAM Film Archive, invite filmmakers to participate in the fourteenth edition of the Hispano-American Independent Documentary Film and Video Encounter: Contra el Silencio Todas las Voces, to be held from September 4 to 12, 2026, in Mexico City and in different states across the Mexican Republic, in a hybrid format.
The main objective of Contra el Silencio Todas las Voces is to serve as a window that brings together independent documentary cinema from Mexico, Latin America, and Spain, through free, accessible, and open spaces that embrace a diversity of perspectives, encourage collective action, and foster collaborative networks in support of the development of the documentary genre and the construction of a more just, equitable, and tolerant society.
Contra el Silencio Todas las Voces has explored new audiovisual exhibition alternatives, successfully reaching audiences it had never previously imagined. For this reason, in this thirteenth edition it has decided to maintain a hybrid format consisting of: in-person activities at various alternative film exhibition venues; on-demand content on the MXPLUS platform; and broadcasts on public television channels in Mexico City (Canal 11, Canal 21, Canal 22, and TV UNAM), as well as on public channels in other states across the country. Therefore, participation in this call implies acceptance that the documentary will be exhibited in these three formats during the fourteenth edition of the Encuentro Hispanomaericano de Cine y Video Documental Independiente: Contra el Silencio Todas las Voces
Will be awarded a Prize for the Best Documentary of each one of the categories that will consist of a work of a recognized artist and will be awarded the Honorable Mentions that the Official Jury considers pertinent.
1.Documentary films produced in Mexico, Latin America, and Spain that fall within any of the categories of the competition may participate.
2.Documentary films NOT produced in Mexico, Latin America, and/or Spain may participate provided that the content of the work addresses Hispano-American themes consistent with the categories of the competition.
3.The production date of the documentaries must be between April 16, 2024, and April 30, 2026.
4.Only independently produced documentaries may participate; that is, works that reflect the author’s vision and not that of an institution or entity that financed them.
5.Each participant may submit one or more documentaries.
6.Documentaries may be submitted in one of the following categories:
Culture and Social Change | Rights, Resistance, and Social Organization | Gender, Bodies, and Identities | Borders, Migration, and Exile | Indigenous and Afro-descendant Identities | Environment and Sustainable Development | Childhoods
7.If the original language of the work is not Spanish, the documentary must include embedded Spanish subtitles.
8.Documentaries whose original language is Spanish and that include embedded subtitles in another language will not be accepted.
8.1 In order to promote inclusion within the festival, whenever possible, applicants are encouraged to submit subtitles in SRT format in both Spanish and english, even if the work is in a single language.
9.Submission is free of charge.
10.Submissions to this call may be made through the digital platform Festhome (via only one platform).
11.If the applicant does not have access to the necessary electronic tools to apply through the selected platforms, they may contact the festival by phone at (+52) 55-92-99-75-90 or by email at festivalcontraelsilencio2000@gmail.com
12.The documentary must be available online for DOWNLOAD with an access password.
13.Documentaries will be accepted in 4K (3840 × 2160) / Full HD (1920 × 1080), digital format (.mp4), Codec H.264 / H.265, with a maximum file size of 4.5 GB.
14.Without exception, the version submitted upon registration must be a PROJECTION COPY, as all materials become part of the Ibero-American Videotheque of Independent Documentary Film and Video, whose mission is the dissemination of these works for educational and cultural, non-profit purposes. DOCUMENTARIES SUBMITTED AS VIEWING COPIES WILL NOT BE CONSIDERED REGISTERED, AND NO MATERIALS WILL BE RETURNED; SUBMISSION TO THE FESTIVAL IMPLIES ACCEPTANCE OF THIS CLAUSE.
15.The festival organization assumes that the person submitting the documentary holds the exhibition rights to the work, thereby releasing Voces Contra el Silencio A.C. and the festival from any civil or criminal liability.
16.The submission period will run from February 23 to May 1, 2026, at 11:59 p.m. (Central Mexico Time).
17.In order to enable exhibition through public television networks in Mexico and other cultural circuits that require special authorization, outside the official festival dates, optional authorization forms will be provided once the documentary has been registered through platforms such as Festhome.
18.A Best Documentary Award will be granted in each category, consisting of a diploma and a work of art by a recognized visual artist. Honorary Mentions may also be awarded at the discretion of the Official Jury.
19.The Jury will be composed of filmmakers, critics, cultural promoters in audiovisual media, and academic specialists in the subject matter of each category—three per category—all with proven professional trajectories and ethics. The Jury’s decision shall be final.
20.The awards ceremony and closing event will take place on September 12, 2025.
Any situation not specified in this call will be resolved by the Organizing Committee.
For further information:
festivalcontraelsilencio2000@gmail.com
or by phone at (+52) 55-92-99-75-90
Borders, Migration and Exile
Short and Feature Films (2024+)
No Fee
Submissions deadline
01 May 26
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The current border and immigration disputes highlight a number of unresolved dilemmas. Economic, political and cultural differences from nation to nation, define the border areas as a kind of social laboratory where relationships are constantly reinvented. The situation on the border of Mexico and the United States is a very specific case, in which transculturation is manifested not only in the border strip, but somehow permeates the culture of both countries. Meanwhile, international migration is the subject of increasing interest to scholars, given the complexity of the phenomenon that is increasing by socioeconomic factors and aspects of migration flows related to its incorporation into receiving societies and the vicissitudes that the newcomers have clashed with authorities and cultural practices of these societies. The exiles, in turn, are situations that have led to the integration of foreigners into social formations different to yours, through construction processes and, in some cases, destructive to both the individual and for the community that receives it. The works participating in this category will relate to the matters described above.
Environment and Sustainable Development
Short and Feature Films (2024+)
No Fee
Submissions deadline
01 May 26
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In recent decades man has damaged the planet on which he lives, destroying the flora and fauna, reducing forests, polluting rivers, seas and altering the functioning of ecosystems, regardless have into account that life itself depends on the human relationship with nature. Today we face the need to put a limit to the indiscriminate depletion of natural resources that are finite and is necessary preserve their delicate balance to is required to preserve existence. In this category participating the works that present both the severity of the problem, like as those described efforts to promote successful management of natural resources through activities that promote both conservation and sustainable development present and future, in issues like evaluated such as water, forests, waste and recycling; sustainable agriculture; climate change, energy; biodiversity and biosafety, sustainable agriculture; climate change, energy, biodiversity and biosafety.
Indigenous and Afro-descendant Identities
Short and Feature Films (2024+)
No Fee
Submissions deadline
01 May 26
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This category brings together documentary films that address the realities, struggles, and processes of resistance of Indigenous and Afro-descendant peoples, within the framework of their historical demands for autonomy, self-determination, self-governance, and respect for their social, cultural, and territorial systems.
Works that document conflicts, social movements, and community experiences shaped by relationships of domination, exclusion, and exploitation will be accepted, as well as those created by the communities themselves, which give account of their lives, memories, expectations, and forms of organization.
All documentaries that bear witness to, interpret, and accompany these processes of identity affirmation and collective defense from the communities’ own territories and voices may participate in this category.
Art, Culture, and Social Change
Short and Feature Films (2024+)
No Fee
Submissions deadline
01 May 26
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This category brings together documentary films that explore the role of art and culture as tools for reflection, expression, resistance, and social transformation. These works show how creativity contributes to building community, strengthening the social fabric, preventing violence, improving quality of life, and questioning the power structures that shape contemporary life.
It also includes documentaries that address everyday life and individual experience as spaces where the social, cultural, and technological changes of our time are manifested, exploring themes such as identity, beliefs, cultural practices, social relationships, and transformations of daily life.
All works that, from an artistic, cultural, or everyday-life perspective, reflect on processes of social change and do not fall specifically within the other categories of the competition may participate in this category.
Rights, Resistance, and Social Organization
Short and Feature Films (2024+)
No Fee
Submissions deadline
01 May 26
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This category brings together documentary films that address the defense, exercise, and violation of human rights, as well as processes of resistance, struggle, and social organization that arise in response to contexts of inequality, exclusion, violence, and development models that undermine human dignity.
Works that portray social movements, grassroots organizations, collective struggles, and experiences of community action will be accepted, as well as individual or collective stories that reflect the pursuit of the right to life, freedom, justice, peace, security, health, education, equality, diversity, freedom of expression, and a healthy environment.
All documentaries that, from different realities and territories, make visible processes of social resistance, the defense of rights, and the construction of alternatives through citizen organization may participate in this category.
Gender, Bodies, and Identities
Short and Feature Films
No Fee
Submissions deadline
01 May 26
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This category brings together documentary films that address struggles, experiences, and forms of resistance related to gender, bodies, and identities, as well as the social, cultural, and political processes that seek to transform structures of discrimination, violence, and exclusion.
Works that make visible the diverse ways of living and understanding the body, gender, and sexuality will be accepted, as well as stories of women and people whose experiences reflect processes of organization, autonomy, rights defense, and the transformation of social, economic, political, and cultural conditions.
All documentaries that, from individual or collective perspectives, question power relations, reveal structural inequalities, and document everyday struggles for dignity, justice, and self-determination may participate in this category.
childhoods and youth
Short and Feature Films (2024+)
No Fee
Submissions deadline
01 May 26
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This category brings together documentary films intended to be viewed by children and adolescents, addressing stories, issues, and experiences that are meaningful to childhoods and youth, from a respectful, educational, and context-sensitive perspective.
Works that portray their everyday lives, relationships, dreams, challenges, processes of growth, identity, participation, and creativity will be accepted, as well as those that encourage reflection, empathy, and critical thinking, without content that may be inappropriate for these audiences.
All documentaries that place children and young people as protagonists or intended audiences, and that contribute to creating spaces for dialogue, learning, and support through cinema, may participate in this category.