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映画祭の開始: 09 10月 2015      映画祭の終了: 09 10月 2015

International short film festival

• FIRST PRIZE FOR THE AUTHORS
• FIRST PRIZE FOR BEGINNERS
• PRIZE “SETTIMO SENSO” FOR THE BEST MALE AND FEMALE INTERPRETATION
• PRIZE “BEST PRODUCTION FOR THE CATEGORY AUTHORS
• CRITICS AWARD
• PRIZE FOR THE BEST FOREIGN FILM
• SCHOOLS CATEGORIES PRIZE

REGULATIONS

Art. 1. To whom the contest is open
The contest is open to film directors, to schools of all levels and to creative beginners. The works can be realized in any format and should have a maximum length of 20 '. Short fiction pieces, documentaries and art videos can participate to the contest.

Art. 2. Draft work.
The theme is free

Art. 3. Material to be produced in order to participate to the contest
Participation is subordinated to the presentation of:

1) the application form filled in block letters and signed. (It can be downloaded from http://www.acsb.it/ or you can ask for at ariannadtmss8@gmail.com

2) Scripts in digital format (Vimeo)

3) Promotional material.

Art. 4. Deadline for applications.
The works must be sent compulsorily by September 10th 2015.

Art. 5. Selection of works
The committee will select the competitor works in order to choose those to admit to the public phase of the contest.
The results of the selection will be incontestable and will be communicated to competitors by e-mail and published on the following site:
http://www.acsb.it/ and on Settimo Senso facebook page.

Art. 6 . Committee
Qualified technical- representative committee formed by:
- Franco Scepi, Italian artist and film director.
Gillo Dorfles defined him a multi-purpose inventor and Serge Silberman, the filmmaker of Bunuel’s films, called him “danseur des images”. He experimented with all kinds of media and languages, from theatre to cinema, from advertising to picture and much more.
He has been architect and set designer at the Teatro alla Scala di Milano (he was a scholar of Nicola Benois) and on Tv ( in “L’amico del giaguaro”). Film director, Can Cannes and Packaging exhibited at the Biennale di Venezia in 1980 and in 1982, he realized short-films, video-performances, music promos and commercials.

A regular client of Andy Warhol, he defined his work Over Ad ’Art and he received an Oscar for advertising in 1987 in New York. Among his Over Ad’ Art events there is “Caffé ad Arte”, created and realized with the participation of the actress Brooke Shields.

Over Ad’ Art represents a form of expression which follows the Pop art. The artist doesn’t use the images created by other people anymore, but he re-elaborates the advertising images realized by himself in a later work, recovering the aesthetic elements from the original materials. Over Ad’ Art symbolizes and suggests aesthetics in the mass communication to raise the collective imagination.
- Giovanni Ammendola, writer and scriptwriter.
Among his works we find the script of the film director Damiano Damiani
- Gianfranco Di Fiore, writer.

He has dealt with film direction, script and editing at the Giffoni Film Festival for four years. He has collaborated to several productions in Paris and in Barcelona.
He made his debut in 2011with the novel “La note dei petali bianchi” printed by Laurana, which has been finalist for prestigious literary awards.

In the last two years he returned to work on productions and films. Among his most important works there are two Creative Directions for some projects realized in New York. One of these is the film THE VISIT, realized by the Skyframe, directed by Romina Schwedler; the other one is a commercial campaign (video and shooting) for the brand of the most famous hats in the world, Montecristi.
- Francesca Ferretti, production organizer for national and international commercials with experience in film and television. "Her working experience ranges from television shows like “LineaBlu "- RaiUno," Le vite degli Altri " for LA7, the Sitcom" Boris "for Sky and collaborations for Fox Channel, Rai Cinema and others.
- Peppe Melizzi, film director, essayist, author and producer of Italian and foreign cinema ads, with experience in national cinema. His publications include: "Astrazione e Silenzio del cinema d’Autore Dal linguaggio letterario al linguaggio filmico: le valenze semantiche del non detto” Armando Curcio Editore 2012

Art. 7. Awards
• FIRST PRIZE FOR THE AUTHORS
• FIRST PRIZE FOR BEGINNERS
• PRIZE “SETTIMO SENSO” FOR THE BEST MALE AND FEMALE INTERPRETATION
• PRIZE “BEST PRODUCTION FOR THE CATEGORY AUTHORS
• CRITICS AWARD
• PRIZE FOR THE BEST FOREIGN FILM
• SCHOOLS CATEGORIES PRIZE

Art. 8. Responsibilities
The authors will assume all responsibility for the material filmed and edited (audio and video), for the realization of the competitor work and for the truthfulness of the statements of what declared in the content application form.

Art. 11. Other uses
The works submitted will be used by the organizers in other areas (libraries, cultural centers, local broadcasting stations, etc) for proposals, meetings, debates for informational purposes of the festival and the proposed themes. The works will not be returned.

Art. 12. Acceptance Rules
Participation in the competition implies full acceptance of these Regulations.