El Festival de Cine latinoamericano de La Plata, FESAALP, con una trayectoria de ocho ediciones se ha transformado en una vidriera para el encuentro, la difusión y la promoción del cine del continente.
Buscamos difundir, exhibir y problematizar el cine de América Latina como lenguaje creativo, artístico e industrial. Además de contribuir al desarrollo de nuevas posibilidades y perspectivas para los cineastas, artistas que se dedican a contar historias y relatos a través del cine.
Afianzar el encuentro entre el público y su cine es el desafío mayor que desde el 2006 nos propusimos, y hoy nos encontramos con un festival con más secciones, películas, invitados, actividades formativas y espectadores.
Creemos que un festival no sólo debe ser un espacio para la exhibición, sino también el lugar que promueva el encuentro e intercambio de experiencias entre los realizadores y ayude a que las obras encuentren nuevos espacios donde poder ser vistas.
Es importante destacar y agradecer que desde el inicio contamos con el apoyo del Instituto Nacional de Cine y Artes Audiovisuales (INCAA), el Instituto Cultural de la Provincia de Buenos Aires, la Facultad de Periodismo y Comunicación Social de la Universidad Nacional de La Plata, la Municipalidad de La Plata, y de otras instituciones y empresas privadas que se siguen sumando y depositando su confianza en el Festival.
El FESAALP crece y se afianza gracias al enorme talento de los realizadores latinos y a la siempre conmovedora pasión de los espectadores por el cine del continente.
Whitespace Gallery is proud to announce the 2015 edition of the Short Shorts video festival with the title Somebody Else’s Problem, and guest curated by Rachel Reese.
Selected video works will be shown at Whitespace Gallery in Atlanta, GA on August 13, 2015. A DVD anthology presenting the selected video works and their authors will accompany the exhibition.
The 2015 Short Shorts prompt uses the lens of the psychological effect known as “Somebody Else’s Problem,” or SEP, as a method to explore reactions and responses to recent American political and social events, particularly current, galvanizing American police brutality and racial discrimination cases. With protests and demonstrations fueling renewed national civil rights concerns, many of us are wondering what actions can make an impact, how to be involved, and how to transfer our individual passivity from SEP syndrome into collective forward action.
Are there connections between the ways we access and share information online, and individual civic engagement thresholds? Specifically, has instantaneous access to digital information and imagery contributed to a state of mere voyeuristic empathy, or even learned helplessness? Overload of visual information can create an environment of apathy and also a false sense of public engagement through passive forms. Does being able to see more conversely contribute to less experiential involvement by allowing screen viewing to stand in for actual bodies in real space? Does it overwhelm any desire for curiosity or engagement? We want to read, see, and learn more, but simultaneously we are restless: attention spans and comprehension rates are rapidly diminishing.
The images we see and share online are of real people in real time and space, happening “live”. Or are they? With the ever-rising influence of the media, questioning who owns and controls information is integral to discussing voice within our democratic system. Which platforms—social media, the Internet, traditional print media—do we believe to be reliable? How has the global ubiquity of smart phones, illuminated, or alternatively hindered, the distribution and perception of current political events – especially those most recently related to abuse of police power and structural racism.
How do we transfer collective energy and motivation into thinking about isolated or localized events as “somebody else’s problem” into collective societal motivations and wants? And then how do we fight against an oligarchal system masquerading as democracy in order to start real conversations and, ultimately, change?
We’re interested in representing video forms in all media, demanding a critical assessment of the systems of information and visualization we have established. What is the artist’s role in shaping public discourse, public outcry, public protest? What is the citizen’s responsibility to engage in radical political ideologies?
We seek short films and video works (no more than 10 minutes) from authors that explore and challenge ideas presented in this prompt, as well as works that open the conversation to include other related social concerns such as housing discrimination and food justice. We encourage submissions from a plurality of viewpoints, methods and forms, from artists, documentarians, students, citizens and amateurs alike.
フサガスガ国際映画祭（FICFUSA）は、フサガスガとスマパス地域の住民に、女性が経験する問題や問題についての批判的思考を促進するために、質の高い新しいスクリーン、視点、映画作品を紹介することを目的としています。 短期的には、ジェンダーと女性をテーマにした映画の国際的なプラットフォームとなり、これらのテーマに関心を持つプロデューサー、監督、配給会社を引き付けることを目指しています。
Filmmakers: You are the reason we do this. BendFilm puts its focus on filmmakers first, with awards, several of which will be CASH AWARDS.
Several of the categories are JURIED. A short list of some of our past amazing jurors:
· Sharon Badal, Tribecca Film Festival
· Christian Gaines, Withoutabox at iMDb.com
· Dana Harris, editor in chief & general mgr of IndieWIRE
· Tony Award winner, Gregory Jbara
· Jon Korn, Sundance Film Festival
· Betsy Sharkey, Los Angeles Times Film Critic
· Ondi Timoner, DIG! and We Live in Public
· Gus Van Sant, Filmmaker
· Neal Block, Magnolia Pictures
· Lisa Schwarzbaum, Critic and essayist
· Franklin Leonard, Founder of the Black List
Named one of MOVIEMAKER MAGAZINE's 20 Film Festivals Worth the Entry Fee, the event runs deeper than the marathon film-watching that fills guests' schedules from dawn until, well, dawn. Everyone you see on the sidewalks, in the restaurants and bars makes, cares, or has an opinion about film. It is the serendipitous encounters and ensuing discussions with the filmmakers and fellow passholders that makes the weekend so inspiring, affecting, and infectious.
With its headquarter in Mbombela, the Mpumalanga International Film Festival (MIFF) is strategically located, easily accessible to filmmakers from all over the world.
Mbombela is the capital city of Mpumalanga and a getaway to the province renowned for its fauna and flora such as the Kruger National Park, Panorama Route and vibrant townships. Mpumalanga offers prime locations for any shoot, from television commercials to movies. It also boasts perfect weather and climate conditions as well as solid infrastructure.
Since its inception in 2013, MIFF has provided a platform for filmmakers to showcase their craft in an enabling environment. To date, the festival has shown 139 films of which 89 were international.
The province, being home to the Big Five, Three Rondavels, Blyde River Canyon, God’s Window and world-class infrastructure, including an international airport, is ideally geared and best situated to meet the needs of filmmakers.
In Mpumalanga, Mother Nature and man have combined to ensure filmmakers create perfect filmic moments that last for years.
Mpumalanga International film festival is an annual event showcasing new independent films or recently produced films, high profile and undiscovered talent, established and upcoming filmmakers, student filmmakers, and films from around the world. Festivals normally have two or more screens or venues to showcase films. Accepted filmmakers’ hustle to get their film noticed in the hope of obtaining distribution or favorable media.
最長 15 分で、短編映画をオンラインで送信します。
写真はjpgフォーマットで4Mbを超えないようにしてください。 サイズは 1,600 ピクセル以上の幅になります。 ファイル形式は品質JPEG（10）になります。 以前のイベントに参加したかどうかは関係ありません。
運転、薬物消費、道路、旅行、睡眠であなたの仕事を@@
接続... または、あなたが考えることは、主題に関するあなたの視点を示すのに役立つでしょう。 創造的@@
になって、私たちを驚かせ。
ショートフィルムや写真は、2018年5月1日から2018年11月30日 23:59 までウェブに掲載されることがあります。 特定の製品に焦点を当てたり、特定の製品の処方箋を参照したり、特定の治療を促進したり、商業用医薬品（名前、ロゴ、ボックスなど）の画像を使用したりしないでください。
あなたが物理学者または薬学者@@
であれば、あなたの同僚の間で最高の短編映画と写真撮影のために競争し、あなたが勝った場合、あなたはNGO、患者協会、または健康関連の財団が賞を受賞したかを決定します。 また、国会議への支援のためにそれを交換することができます。 常に米ドルをマークするコードに従って (義務的監督の単位). 薬局や運転のセクション、またはDGTが提供する情報に@@
インスパイアしてください。
公的投票：検証されたメール投票のみがカウントされます。 一時的な電子メールサービス、奇妙な電子メールパターン、不審な電子メールまたは同じIPアドレスからの多くの投票の使用などの不審な行動は、自動的に競争中の作品を失います。
Alexandria Mediterranean Countries International Film Festival is an annual event held in Alexandria, Egypt. It aims to disseminate film culture and the progress achieved in various branches of film art and to strength the relations among filmmakers throughout the world in general and Mediterranean countries in particular.
グランドラピッズ・フェミニスト映画祭（GRFFF）は、主流のメディアで歴史的に過小評価されたグループからの声を高め、才能を披露することに専念する祭典です。
私たちの使命は：
●カメラの前と後ろで多様な表現の欠如に意識を持参する
●過小評価と疎外グループのメディアクリエイターを感動させ、フェミニスト行為として映画制作に従事する力を与えます
●交差を通じてメディアを調べる 性別、セクシュアリティ、人種、能力、クラス、年齢などのレンズ
●異文化的理解を促進する歓迎の安全な空間を育成する
今、その6年目に、GRFFFはもともと独立出版社の発案でしたバンディットザイン彼らの雑誌の映画版として。 小さな夜のショーケースとして始まったものは、インタラクティブなワークショップやパネル、地元のアーティストによる公演、世界中から上映された映画を含む終日フェスティバルへと成長しました。
今年は、グランドラピッズの裕福な劇場で開催されます。 私たちはスピーカー、ドラッグショー、30のショートフィルム
を上向きにホストします。今年もフェスティバルの成長を見ることに興奮しており、進化し続けるGrand Rapidsフェミニストコミュニティの一員であることをとても嬉しく思っています。
GRFFFはボランティアによって運営され、コミュニティのパートナーシップやスポンサーを通じて可能になります。
The CFF is a festival dedicated to audiovisual theme environmental and natural. Aims to collect the most interesting images and reward the efforts and talent of the young, but not only, that invest their energy in telling the green that still surrounds us. The Festival through the art of film aims to focus attention on what is happening in our world, with particular reference to all that is now environment.
Place of complaint and reflection: the cinema on the environment as a medium of international communication, comparison as well as container criticism, development and promotion.
Never before, in particular in our region comes an obligation to advertise, support, advertise "material" that can move us to reflection, that can make us stop and think about everything that surrounds us. Environment stolen, but also regained. As a physical space but also spiritual.
The films must draw an unusual path that begins "from the works of the complaint and the testimony of brave men and women involved in the defense of their territories, to get to the proposal of new models of sustainable living or hypothesis of dire future scenarios" .
Festival films will follow two main criteria: great attention to the works of 'our home' and fictional stories, trying to put together the reality cinema, the documentary, which so far has been the 'official spokesperson' of environmental concerns. The Festival is held in Caselle in Pittari in Province of Salerno, enchanting landscape setting, historic, cultural and natural in the heart of the National Park of Cilento and Vallo di Diano on Bussento river.
Major players in the national cinema will participate in the event, meet the young protagonists actively debating with them giving valuable advice. Participation in the survey, the entrance to the screenings of films and events scheduled are free until all the seats available.
Bringing true indie films to Austin! The AUSTIN REVOLUTION FILM FESTIVAL was started by filmmakers who realized many festivals were only programming films with big stars. So they started their own fest, building a brand based on screening films and creating excellent networking opportunities for true indie filmmakers.
Our online festival for movie trailers includes trailers of all kinds: narrative fiction,documentary, book, web series, cameraphone. Trailers are displayed for your fans who can vote for the people's choice award. Trailers can be for a completed film or those in the dream stage.
Multivision Festival is an annual event in St.Petersburg, Russia, held at November. The festival includes competition in animation shorts and video installations evaluated by a professional jury.
The festival program explores the latest developments in international animation, its influence on other artistic practices, synthesis of animation art with other visual and performance arts.
Multivision’s 13th edition will be held in November 2015. The awards are:
The Grand-prix of the festival;
The Best Story
The Best Visual Imagery
The Best animated film for children;
The Best experimental animated film;
The Best animation video installation
and other awards and mentions.
Entry forms, regulations, contacts and the information on the previous editions one can find at the official site www.mutivision.ru
Multivision Festival aims to create an innovative dialogue with its audience, to integrate animation art in the environment of the modern megapolis. Multivision is known by its open-air summer projects: the public screening of the special competition programs at the erected parts of drawbridges on the Neva River in the center of St.Petersburg, from 2007. The festival program is projected on the giant screen 400 square meters attached to the bridge surface. From 2011 a street cinema competition is a part of main festival, it is held in summer, in the framework of Multivision’s public art project graFFFest, on evident weather reasons. In 2013 it gathered more than 30 000 spectators.
Now in its 16th year, the OJAI FILM FESTIVAL continues to grow in importance and prestige as one of the country’s premier destination festivals. The seven-day event has a reputation for showcasing the best new films from emerging and established filmmakers, and has helped launch a number of careers over the last decade. Since 2000, 14 alumni have received Academy Award nominations, two have won an Oscar, and numerous others have gone on to gain distribution and win prestigious awards.
The festival makes the most of its unique location, only 75 miles from Hollywood - yet comfortably removed from the typical industry hustle and bustle. With its relaxed atmosphere and breathtaking beauty, Ojai is an ideal spot for filmmakers to mingle with visiting industry guests, artistic colleagues, and distributors.
Among other perks, attending filmmakers receive free lodging and passes to the Ojai Film Festival's Awards Ceremony, where winning filmmakers are presented with several prizes, including trophies, cash awards, best-of category honors, and a Panavision camera rental package worth $60,000 USD for the Best Student Film.
The fifth year of RIFE again showed the festival to be a must attend event complete with sold out screenings, packed networking events and incredible attendance from film lovers and filmmakers visiting from across the globe. We are eagerly anticipating topping our best year yet at our fourth annual Reel Independent Film Extravaganza. Continuing our partnership with West End Cinema, RIFE15 will once again be held in the prestigious and historic Georgetown sector of Washington, DC for a week long run from October 9 - 16.
The festival will continue to celebrate national and international independent films and filmmakers, with screenings at one of the city's top independent film theaters, West End Cinemas, and parties and events in the surrounding Georgetown area. RIFE15 will once again feature an awards ceremony as well as a filmmaker meet and greet for all attending filmmakers and pass holders.
This event is presented by Reel Independent Film Extravaganza, LLC.
Blissfest333 is a multimedia, cultural arts, film festival.
This festival is about the community and the arts. Getting together in a blissful, harmonious environment. Meeting new friends, artists and the community in a positive atmosphere. Blissfest is devoted to help and raise money for charitable organizations. This year we are helping the sick, the poor, the homeless, and the abused. We also donate and help rescue and save abused animals. We welcome the community with open arms.
Located just 50 miles north of the Golden Gate Bridge, the Wine Country Film Festival is wine country's original and longest running film festival. It features more spectacular Festival screenings under the stars - Films al Fresco™ - than any other festival in North America.
A top tier event, the festival is slow paced and friendly with time to enjoy a wonderful recreation region.
Praised for its carefully curated program, the Festival takes pride in the discovery and exposure of new talent and broadening the ‘film literacy’ of our audience. It is your film and your voice that create the tone of each edition.
There are seven main sections: World Cinema, U.S. Cinema, Arts in Film, Music in Film, CineLatino, Cinema of Conscience (humanity and social issues), and EcoCinema, plus a special mini-section of Food On Film. We program shorts, documentaries, animation and dramatic features.
Share your passion and unique vision with us. At the Festival your film will be received by an enthusiastic public. You may be invited to participate in Master Classes that are lively and informative. Often we feature Filmmaker personalized tours to wineries and local attractions.
Many supporting events bring a greater appreciation to the art of filmmaking such as performances, readings, exhibitions of paintings, sculpture and photography. Films are screened in local venues and outdoors under the stars in spectacular wine country settings such as the sheltered emerald arena at Muscardini Cellars Winery.
Awards include (partial list)
Rahway International Film Festival is an international film festival and networking event based in Rahway, New Jersey, U.S.A, only 40 minutes away from New York City. It was first held in June of 2013 in an effort to create a warm and welcoming home for independent filmmakers and fans of film in the Tri-State Area. We annually showcase short films, feature films and music videos while offering networking and workshop opportunities to those interested in the film industry.
This year’s event will take place over the course of a full weekend from Friday, August 28, 2015 - Sunday, August 30, 2015. As we enter our third year, we are expanding to a three-day weekend event. This means more films (including both features & shorts), more workshops, more seminars, more filmmaker Q&As, and much more!
