“Diritto al Corto” aims at promoting a discussion about topics that play a central role in the public debate and that imply a strong relationship with juridical, conceptual and linguistic instruments.
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
Literally Short is an event initiated by our drive to bridge all cultures onto one collaborative stage that stimulates international artistic expression. Our mission is to promote innovative approaches to social change through the arts and cultural influences. Our passion for film lies in its exquisite capacity to merge a multitude of arts into one vision; thus, Literally Short Film Festival seeks to dissolve all geographical boundaries into one platform that equally voices all cultures.
CATEGORIES
Voices
National & International Short Films
All genres accepted for this category (see Rules & Terms).
Local & Fresh
Texas Short Films
Films eligible for this category must be written or directed by a Texas resident; or produced in the state of Texas. All genres accepted (see Rules & Terms).
México Lindo y Querido
Mexico Short Films
Films eligible for this category must be written or directed by a Mexicna resident; or produced in the country of Mexico. All genres accepted (see Rules & Terms).
Welcome the 2nd annual FilmQuest Festival!
FIlmQuest celebrates the majesty of genre filmmaking such as fantasy, horror, sci-fi, and the beyond. Awarding filmmakers in 2014 with over $30,000 in awards and prizes, including the coveted Cthulhu Trophy, the festival launched with great praise and fanfare . FilmQuest has been designed specifically to cater to the empowerment of the filmmaker through various events, awards, swag, connections, and more.
In creating the festival, we thought long and hard about what it is that makes a festival great. We asked ourselves the tough questions. What we’ve come up with is, we believe, a festival experience that is the kind most filmmakers dream about.
Major industry professionals took part in the first Grand Jury, including Doug Jones (Hellboy, Pan's Labyrinth, Silver Surfer, Hocus Pocus), Dameon Clarke (Borderlands 2, Dragonball Z), and Amrita Acharia (Game of Thrones). The New York Times bestselling author, David Farland, is already confirmed for the 2015 Grand Jury. The award juries will award our filmmakers in over 25 individual categories. Our selection committee is also made up of a group of industry professionals from various fields, such as directors, actors, producers, professors, writers, animators, casting directors, and more.
FilmQuest itself is the film festival branch of FantasyCon, a convention that puts the fantasy experience of the patrons first. It is an interactive convention, where dragons, magic and battle literally comes to life. Just as FantasyCon is a celebration of all things Fantasy, from horror to adventure, so is FilmQuest a celebration of all things Fantastic in film.
We will also be hosting parties, events, panels and more!
We encourage you to explore our website (www.filmquestfestival.com) for new information and updates as it comes, including who is on the Grand Jury, the Selection Committee, the Official Selections, venues, and more. As the year progresses, we'll be updating our website and this page with more info on what to expect, the celebrities who will be involved with FilmQuest, the official dates (2015 FilmQuest will take place in July, 2015), and more.
Prepare for Fantastic.
TWIFF is dedicated to showcasing new and innovative films while fostering the next generation of filmmakers. The festival also seeks to serve the community by presenting unique programs that educate, inspire, engage and challenge a diverse audience through the art of film. The festival provides a platform to introduce their films to the broadest possible audience. TWIFF is committed to providing opportunities to fellow filmmakers and all others in bringing cinematographic arts and other related entertainment products through high-profile community events, talent, productions and films from around the country and the world.
KFF는 2013년에 국제 단편 영화제로 시작되었습니다. 처음부터 우리 사명의 핵심적인 부분은 관객을 다양한 종류의 영화에 더 가까이 데려다주고 영화 예술에 대한 관심을 불러 일으키며 일상 생활에 미치는 영향을 이해하는 것이었습니다.
매년 9월에는 크랄레보 (Kraljevo) 시 (“왕의 마을”을 의미) 에서 열리는 축제는 7개의 세르비아 왕이 선정되었다고 전해집니다. 역사적인 유산으로 인해 우리는 축제를 “크랄예프스키 필름 스키 축제”라는 이름을 지정하기로 결정했습니다.
KFF는 지난 6년 동안 네덜란드, 스웨덴, 독일, 브라질, 홍콩, 핀란드, 프랑스, 스위스, 러시아, 몬테네그로, 크로아티아, 마케도니아, 불가리아에서 출항한 영화 제작자들이 캐주얼한 분위기로 영화 제작자 친화적인 환경을 제공하고 있습니다.
2019년, 크랄예프스키 영화제는 포스트 프로덕션 영화제로 진화함으로써 프로그래밍 및 관리 수준 모두에서 상당한 변화를 겪었습니다. 훌륭한 단편 영화를 보여주는 것 외에도 우리의 주요 목표는 포스트 프로덕션의 예술과 공예뿐만 아니라 카메라 뒤에서 창조적 인 사람들을 홍보하는 것입니다. 이를 위해 KFF는 전 세계의 포스트 프로덕션 아티스트들을 마스터 클래스 또는 워크숍에 초대하고 KF에서 영화 제작자 미팅을 주최합니다.
Black Alphabet Film Festival (BAFF) is Chicago's premier film festival for the Black LGBTQ community. Our tagline, Telling Our Stories Beyond the Rainbow, encompasses our mission to provide a platform and resources for the storytellers in our community.
BAFF has relationships with several filmmakers and festivals in the industry. What sets our festival apart is our incorporation of storytelling forms, including music and poetry during our event. In 2014, we had several performers and sponsors; We look forward to an even bigger year in 2015!
MISSION & OBJECTIVE
The Hell's Half Mile Film & Music Festival (HHM) is the perfect mix of independent film and live indie music. Still under the radar, but we’re starting to make an impact with our guests.
"I don't remember much of my two years going to Hell's Half Mile. That's how much fun I had." – Rider Strong, “Cabin Fever” and two time guest.
Our taste is eclectic, everything from quirky comedies to hard hitting documentaries to emotional drama. Our goal is to find "the little film that could" -- a bunch of them actually -- and bring the filmmakers together to take over Bay City, MI. Our primary concern is community, and the filmmakers who attend our long weekend walk away with lifelong friends and future collaborators.
"I’ve been to SXSW several times, San Francisco, a bunch of smaller festivals all over the U.S. It [Hell’s Half Mile] feels like the real deal. It’s people who genuinely love film, love the independent film community. The quality and lineup is incredible” – Ashley Spillers "Arlo and Julie"
Over the last ten years over 100 directors, producers, screenwriters and actors have joined our growing audience. We provide travel and accommodations to a select number of filmmakers, plus all-access passes and catered receptions. All of our venues are within a few block radius and hotels are within walking distance, making it super easy to get around. Visit hhmfest.com for links to the venues and video recaps of previous festivals. We schedule events to help you with other filmmakers, musicians, movie fans, and our supportive local community. Our goal is to provide you with a professional, casual and fun experience during your stay with us, including unique outings that give you a taste of the local flavor. It’s the least we can do in return for providing our festival-goers with great independent cinema.
Once your festival experience ends, Hell’s Half Mile looks to the future. HHM alumni receive fee waivers for future projects and all-access passes for subsequent year’s festivals, whether you have a film in our program or not. We continue to support alumni projects through social media and newsletters celebrating victories and other milestones through our growing network of filmmakers and film lovers.
“Hell's Half Mile gives me warm feelings in my heart. The warm feeling in my pants is possibly unrelated. It’s worth every minute and it's the kind of festival that you make movies for.” – Kenny Stevenson, writer and actor, "Love, Sex and Missed Connections".
Guests are not left alone to fend for themselves amidst our rabid audiences and interested community members. Programmers and organizers are ever present and ready with introductions, recommendations and the occasional swift exit from oversharers. Bay City nights are filled with raw rock and roll sounds giving us the moniker of “little Detroit”, especially into the wee hours at super-secret-after-parties. Daytime in Bay City is cool Fall days with sunny riverside strolls or bike rides past historic lumber baron mansions. Or, there are always plenty of great films to watch. Its up to you!
Filmmakers are also encouraged to participate in panel discussions, receptions and other events. We continue to foster student and local filmmaking, which provides opportunities for guest filmmakers to present a workshop or lecture focused on a specific topic or specialty. Other guests are invited to screen our student and local short films and give constructive feedback to the filmmakers. This type of mentoring helps to strengthen local filmmaking and continue our relationships with area universities.
Hell’s Half Mile, ranked 27th in Moviemaker Magazine’s Top 25 Coolest Film Festivals of 2016. Just a prediction.
ABOUT THE FESTIVAL
After ten years, Hell’s Half Mile organizers continue to strive to be an innovative festival for genuinely independent films and original music. This festival is about connecting the filmmaker and the festival-goer. Period. Well, and parties too.
In addition to relentless promotion of films, Hell’s Half Mile recognizes and rewards films with jury, programmer and audience awards, some with prizes. Prizes include a cash prize of $1000 for the Grand Jury Award, as well as other valued prizes. Grand Jury Winners include the controversial “Lamb” (2015), the Icelandic “Metalhead” (2014), and the acclaimed documentary "Remote Area Medical" (2013). Past jurors include Damien Chazelle (Whiplash), Adam Busch (Buffy the Vampire Slayer), Adam Schartoff (Filmwax Radio), Jasmine McGlade (Maria My Love), Joey Kern (“Super Troopers”), Geoff Marslett (Loves Her Gun), WAW Parker (Guy and Madeline on a Park Bench), Rider Strong (Cabin Fever), Leslie Raymond (Ann Arbor Film Festival), Mark Covino (A Band Called Death), Michael Dunaway (Paste Magazine), Joel Potrykus (Buzzard) and Jeff Meyers (Metro Times).
Each year we screen great narrative films, like the Midwest Premiere of Terry McMahon’s “Patrick’s Day” jury award winner for Best Feature at the 2014 Woodstock Film Festival, and winner of the Hell’s Half Mile jury award for Best Screenplay. Quirky comedies like James Westby’s “Rid of Me” and Neil LaBute’s “Dirty Weekend” have been big hits with HHM audiences. Co-director Mark Covino attended with the international hit "A Band Called Death" which won the HHM "Fest Best" award. Rider Strong has been a guest at HHM with four amazing films over two years, including “The Dungeon Master,” written and directed with his brother Shiloh and winner of the 2011 Tribeca Film Festival Best (Online) Short Film. Visit hhmfest.com for complete lists of all films presented.
Some of the great music we’ve had over the years connects our film and music events. Matt Pond PA joined us at HHM in 2010. This same year, screening at the festival was “Lebanon PA,” with original score by Matt Pond and Chris Hansen of Matt Pond PA. Another great band that performed at HHM in 2011 was The One AM Radio, led by Hrishikesh Hirway who also did the original music for the 2012 feature film “Save the Date.” Visit hhmfest.com for lists and links of previous music performers.
HHM, a partnership with the Bay Arts Council, utilizes a unique mix of venues including Bay City’s historic Mayan themed State Theatre, the Delta College Planetarium, and a turn-of-the-century red sandstone former Masonic Temple, saved from demolition by the Bay Arts Council. Likewise, the Hell’s Half Mile programmers are looking for the right mix of creative and challenging works, including those from underserved segments of the film community, to bring to our seriously appreciative audiences. We hope you’ll consider us.
What's with the name?
In the late 1800's, a stretch of Bay City's riverfront was lined with raucous saloons and two-bit hotels where turn-of-the-century loggers and shipmen would go to blow off steam and take in more than a little local color. This strip was known to locals as Hell's Half Mile. "'Hell's Half Mile' was the strip of waterfront where lumberjacks used to go boozing and whoring. Now, a bunch of us from Hollywood go there for a film festival. Not much has changed." – Rider Strong
Time has passed, but the same rough-and-tumble spirit of the day is reborn in the Hell's Half Mile Film & Music Festival. Today, the city boasts a beautiful downtown riverfront with boutiques, restaurants, theatres, pubs, hotel accommodations and other points of interest....a state of the art planetarium, art galleries, a thriving business community, and an active shipping lane for Great Lakes freighters...Downtown Bay City is alive with activity.
The Bluestocking Film Series is an exclusive showcase for Bechdel-Test, high-quality, provocative short fiction films featuring complex female protagonists driving the story and leading the action. This innovative screening series originates in the beautiful, culturally vibrant city of Portland, Maine and travels to other film-loving cities around the country and the world.
The only film event in the world to require female protagonists, submissions must also pass the Bechdel Test. We celebrate and promote talented, established and emerging filmmakers who take the creative risk of placing female protagonists front and center. We introduce audiences to those who are contributing to the art and craft of cinema and who have the potential to influence the future of filmed entertainment.
We encourage and promote production of narratives that reflect the diverse experiences of women. We have a marked preference for well-structured, highly visual, cutting edge, provocative films, especially ones that explore the plurality and variety of women’s relationships.
To be considered, your submission must feature a female protagonist and pass The Bechdel Test (film must feature at least 2 female characters who talk to each other about something other than a man). To find out more about the test, please Google it.
At this time, we invite submissions of short NARRATIVE FICTION films ONLY. Feature length films will not be considered. Straightforward documentaries will not be considered.
Our mission is to present films that place women and girl characters front and center, driving the story and leading the action, films that portray these characters as strong, capable, flawed, and complex as their male counterparts.
The Bluestocking Film Series was founded by filmmaker Kate Kaminski and is produced with partner Betsy Carson (Gitgo Productions).
라이프 애프터 오일 국제 영화제는 환경 및 인권 영화제입니다.
포스트 석유 시대를 준비하면서?
이 페스티벌은 단순한 노출을 넘어서겠다는 의도에서 시작되었습니다. 화석 연료 생산에 사용되는 천연 자원 개발 및 이용과 관련된 위험에 대한 대중의 인식을 높이는 것도 중요하지만, 에너지 부족, 특히 물 공급과 관련하여 세계 인구와 매우 관련이 있는 재해로 인한 심각하고 극적인 문제는 여전히 남아 있습니다. 따라서 축제의 주요 목적은 화석 연료 사용과 관련된 문제를 강조하는 것뿐만 아니라 현재의 과학적 지식에 따라 잘 알려진 몇 가지 생산 방법을 고려한 대안을 찾는 것입니다.
By You, For You, About You”
Mission
Welcome to the 11th Annual World Music and Independent Film Festival (WMIFF) 2019. WMIFF was established to celebrate and provide a platform of achievements for international cinema artists. Dedicated to building a global film community and supporting emerging filmmakers, WMIFF offers all selected artists exceptional exposure with an inclusive vibe that has won over alumni, attendees, and industry members alike. WMIFF festivities are open to all, featuring some of the most talented artists in both film and music.
멕시코시티의 국제 동물 및 환경 영화제 (FICAA) 는 매년 5개 대륙의 영화를 상영하는 제6회를 맞이합니다.
페스티벌에서 우리의 사명은 예술을 통해 가치, 대의와 활동가들의 투쟁을 홍보하고 재능 있는 영화 제작자들의 작품을 선보일 수 있는 다양한 기회의 창을 여는 것입니다. 일 년 내내 우리는 폴리테치코 나시오날 인스티투토 폴리테크니코 나시오날 (Instituto Politécnico Nacional) 과 제휴한 필름 디베이트 (Film Debates), 모바일 시네마, 그리고 이러한 홍보를 위해 문을 여는 정부 기관과의 콜라보레이션 등 다양한 문화 행사를 개최합니다.
약관에 동의하는 수상자는 자신의 영화를 IMCINE의 플랫폼 “Nuestro Cine MX”에 한 달 동안 소개하여 전국적으로 공개할 수 있습니다.
올해의 세 가지 주제는 다음과 같습니다.
동물
환경
페미니스트 영화
다음을 수락합니다.
애니메이션
단편 영화
장편 영화
다큐멘터리
마이크로필름
뮤직 비디오
동물 및 환경 문제에 대한 인식을 높이는 데 전념하는 페스티벌로서, 올해의 초청 대상은 “페미니스트 시네마”이며, 최종 쇼케이스에 포함되지 않았더라도 모든 프로젝트에 관련된 예술과 노력을 인정하는 참가 월계관이 수여됩니다. 또한, 오피셜 셀렉션에는 공식 셀렉션 월계수와 디플로마가 이메일로 발송됩니다.
최종 우승자에게는 FICAA 2025 트로피와 디지털 수상자 및 디플로마가 수여됩니다.
시상식은 12월에 열릴 예정이며, 멕시코의 여러 국가 및 지역에서 온 손님들이 모여 조각상을 모을 예정입니다.
해밀턴 국제 영화제
분류: 2020년7월 26일
특집, 코미디 쇼트, 공포 쇼트, 드라마틱/스릴러 쇼트, 다큐멘터리 쇼트 및 캐나다 쇼트 카테고리
**** 뉴욕주심장부의 글로벌 시네마
“... 그런 위대한 마을과 멋진 축제, 그래서 환영. 수많은 젊고 재능있는 영화 제작자를 둘러보는 것은 너무나 감동적이었습니다.
-핀 테일러, 언리시드 감독 & 3 시간 감독 선댄스 영화제
“SBE의 해밀턴 국제 영화제가 얼마나 훌륭한지 충분히 말할 수 없습니다. 영화 “나의 영웅”을 포함시킨 것을 정말 영광으로 여기며 그랜트 & 토드 슬레이터를 비롯한 훌륭한 경험을 쌓아 주신 모든 분들께 감사드립니다. 그냥 멋져요.
내년에 우리를 다시 가질 수 있기를 바랍니다!”
- 로링 무르타, 배우/감독 내 히어로
“SBE의 해밀턴 국제 영화제는 뉴욕 해밀턴의 매력을 경험하면서 다른 야심 찬 영화 제작자와 소통하고 아이디어를 교환하고 모금 전략을 모금할 수 있는 놀라운 기회를 제공합니다. 해밀턴 극장은 화려한 장소이며 그랜트 슬레이터는 영화, 음식, 현지 맥주와 함께 5성급 축제를 열었습니다. 이 축제는 영화 제작자들에게 경솔한 월계수뿐만 아니라 영화 제작과 시청에 대한 다른 관점을 제공하는 새로운 친구들과 해밀턴을 떠난다고 할 수 있습니다.”
- 디제이 히긴스 감독, 작가/프로듀서 만나기 마리오
“해밀턴 국제 영화제의 매력과 친밀감은 모든 영화 제작자에게는 반드시 필요합니다. 그랜트와 토드 슬레이터 그리고 해밀턴 커뮤니티 전체가 더 친절할 수 없었습니다. 또 다른 영화를 만들고 싶어서 다시 돌아올 수 있어요!”
-더그 디어스, 프로듀서/감독 약자
“그렇게 존경받는 영화제의 일원이 되는 것은 절대적인 영광이었습니다. SBE의 도움, 노력과 헌신 덕분에 영국에서 내 경력은 힘에서 힘으로 나아졌습니다. 내 싱글, 걱정 iTunes 다운로드 차트를 치고 번호 6에 정점에. 제가 최근에 발표한 후속 트랙은 Spotify에서 바이러스 성 영국 톱 50에 도달했으며, 이제 유럽 투어를 함께 진행했습니다. 그랜트 (Grant) 와 같은 사람들이 제가 발전한 초기 단계에서 저를 믿으며 지금 제가 있는 곳으로 가는 데 도움을 준 덕분입니다.”
바슈타 페스트는 서부 세르비아 바지나 바슈타에서 열리는 국제 단편 영화제입니다. 7 월 첫 주말에 열리는 연례 행사이며 4 일 동안 지속됩니다. 창립자 (배우 Jovan Jelisavčić 및 Maja Šuša) 의 직업으로 인해 축제의 주요 관심 지점은 감독과 배우 간의 협력입니다. 우리는 이러한 공동 예술적 노력의 품질에 초점을 맞추는 것이 단편 영화제 중 바슈타 페스트의 포지셔닝에 긍정적인 영향을 미칠 것이라고 믿습니다. 바슈타 페스트 (Bašta Fest) 는 다양한 영화, 음악 및 프로그램을 이 아름다운 지역으로 가져왔기 때문에 문화의 분권화에 매우 중요합니다. 축제의 우선 순위 중 하나는 수많은 방문객에게 놀라운 자연의 아름다움을 홍보하는 것입니다. 그럼에도 불구하고 우리의 주요 목표는 이 축제를 흥미 진진한 문화 오아시스로 전환하는 것입니다. 이 오아시스는 현지 및 국제 젊은 예술가들을 지원하고 단편 소설 영화에 진실성을 부여합니다. 주요 선택은 경쟁 단편 영화 프로그램이며, 두 영화는 비경쟁의 일부로 상영되며, 매년 개막식 중 하나, 개막식 중 하나는 특별 프로그램으로 상영됩니다. 마지막 상영은 세르비아 데뷔 장편 영화로, Bašta fest 팀이 전년도에 가장 성공한 영화로 선정되었습니다. 바슈타 (Bašta) 의 모든 상영 입구는 무료이며, 밤하늘 아래에서 항상 개최됩니다. 현재 두 개의 공식 축제 장소가 있습니다: 보리치 공원과 페루차크 호수.
VIVA FESTIVAL is a permanent event in the field of culture and art, the founder and organizer is the VIVA Association from Sarajevo, Bosnia and Herzegovina. At the same time domestic and international competitive film festival artistic achievements in the field of documentary film and video (electronic).The festival is held in Sarajevo, once a year, takes a maximum of four days.
The Festival reserves the rights of final decision on the program in which the film will be shown.
Movies can be short and medium length feature.
Competition has four categories:
1. Religion (its themed films that promote the specifics of religion, in order to rapprochement, understanding and inter-religious tolerance);
2. Ecology (films that its theme promote the natural heritage of their countries in order to encourage the development of environmental awareness);
3. Tourism (films that its theme promote the tourism potential of country of origin).
4. Youth BiH (Films produced by the youth and young filmmakers from Bosnia And Herzegovina)
