The Cinema Monster is an international festival of films and animations, and it has become one the largest cinema event in the American East.
The Cinema Monster Film Festival is open to competitors from all-over the world with no exceptions. The Festival accept short films, animated films, experimental films and documentary films. All topics are welcome!
The Madrid International Film Festival is an English speaking film festival held in the capital of Spain, as the festival grows we will continue the film experience and work with filmmakers from around the world. We are unique group of International film festival and offer filmmakers the possibility of a wider experience as we have had great success for filmmakers for many years.
Part of one of the greatest festival in the world to help filmmakers find a market to support their aims with people attending that can give good solid advice to work with established film industry professionals if you wish, screening, meetings, networking, world famous international awards ceremony,
We have built a small but exceptional professional network of industry professional that will look at all films entered and will give business and commercial advice, in some cases the distributors attending will make offers to the filmmakers for their work and to work together to put your movies in the market place, we have the people and skills in our professional team to make this happen, if the professional attending feel there is a market for your movie, they will as with many films over the years of our other festival make it happen.
We are unique in the amount of platforms and festival we offer filmmakers, we can create a ripple for your movie to be seen around the world, it all starts here by entering your movie.
Carl Tooney
Festival President
Brainwash, since 1995, has delighted audiences with a selection of the bizarre, the unique, and just plain old well-made movies from independent producers all over the world. With an eye toward the abstract, the innovative and the weird, Brainwash saluted it's 25th Silver Anniversary in the 2019 season, and, we're still going strong. We have consistently attracted entries we curate to be able to display some of the most cutting edge cinema from up and and coming directors, actors, producers and crews consistently year after year. So please send us yours this year!
El Festival de Cine AVANCA obtuvo el primer lugar en el concurso de 2011 de los festivales de cine de apoyo patrocinados por el ICA/Ministerio de Cultura.
A lo largo de todos estos años, se ha desarrollado una programación temática adicional, que ha dado espacio a la proyección de obras importantes del cine contemporáneo, debidamente encuadradas en preocupaciones y/o objetivos bien definidos.
El AVANCA es conocido como un espacio para talleres impartidos por personalidades del cine mundial y, al ser más que una «clase magistral», ha permitido una práctica cinematográfica única. Todos los años organizamos talleres en los que participan participantes de toda Europa. Los medios de comunicación han escrito que esta es la mayor área europea de talleres profesionales en el campo del cine.
AVANCA es el único festival que reúne una competición internacional de cine, obras del ámbito de la televisión, el vídeo y nuevos soportes multimedia, con una preocupación especial por exhibir las mejores producciones mundiales realizadas en cada categoría.
Desde la primera edición, el festival solo acepta películas inéditas en Portugal.
La competición de estreno mundial es única en nuestro país y solo fue posible porque Avanca se convirtió en un punto de paso de autores inéditos y películas de gran calidad. Las películas que se estrenan mundialmente en el festival, independientemente de la categoría presentada, también participan en la Competición de Estrenos Mundiales.
AVANCA es el festival portugués con el mayor porcentaje de películas inéditas de todo el mundo que se proyectan aquí por primera vez.
Desde 2010, organizamos la conferencia internacional de cine AVANCA | CINEMA, convirtiéndose en la conferencia más importante en el campo del cine en la Península Ibérica. Esta conferencia reúne a ponentes y participantes de todo el mundo.
Las exposiciones temáticas, las ediciones de libros, las presentaciones bibliográficas y varios proyectos han marcado estos últimos 10 años de AVANCA con la calidad que el festival y los participantes, obviamente, exigen.
PANSPORT Cinema e Esporte Ltda. promotes and organizes the RIO DE JANEIRO INTERNATIONAL SPORTMOVIES FESTIVAL (FIFE), which will be held in Rio de Janeiro, Brazil, from September 9th to 15th, 2015, with free entrance for the audience.
Single Paragraph – The screening program of the FIFE can be exhibited in until 15 (fiftheen) other cities of the State of Rio de Janeiro.
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
17º Festival de Cine SiciliAmbiente - 14-19 de julio de 2025
El objetivo del Festival de Cine SiciliAmbiente es promover el cine independiente y documental, fomentando el intercambio creativo y la creación de redes entre los cineastas.
El Festival está organizado y patrocinado por Demetra Produzioni SAS y la Asociación Cultural CANTIERE 7, y es posible gracias a socios y patrocinadores públicos y privados que comparten los principios éticos del Festival.
TEMAS ELEGIBLES
Podrán participar en el Festival películas que aborden los siguientes temas:
Medio ambiente, antropología, derechos humanos, biodiversidad, guerra, integración, derechos civiles, desarrollo sostenible, relación entre los seres humanos y el medio ambiente
SECCIONES DE FESTIVALES
El Festival se divide en las siguientes secciones:
• Concurso de cine documental (duración mínima: 31 minutos)
• Concurso de largometrajes de ficción (duración mínima: 70 minutos)
•Concurso de cortometrajes de ficción y documentales (duración máxima: 31 minutos)
• Concurso de cortometrajes de animación (duración máxima: 31 minutos)
• Resumen de documentales, películas de ficción, cortometrajes, homenajes, retrospectivas, seminarios y mesas redondas
El comité de selección evaluará las películas en función de la calidad de la escritura, las imágenes y el uso del lenguaje creativo que caracteriza al cine documental artístico.
Zapoteco Group: Cine, Música & Arte Independiente, Bad Taste Filmzine, TimeCode Media, Inferno Pictures y El Imperio Negro Revista, se complacen en presentar la Tercera Edición del Festival Internacional de la Música en el Cine (Rubber FIMC), próxima a realizarse del 29 de julio al 05 de agosto de 2016.
Festival Internacional de la Música en el Cine (Rubber FIMC) tiene por objetivo brindar un espacio para la promoción de películas de carácter documental y ficción sobre de la diversidad musical de las culturas en el mundo, la relevancia del soundtrack en el cine, así como la revisión de obra y vida de compositores clásicos y agrupaciones que han sido referente obligatorio de la cultura popular.
Para su Tercera Edición Rubber FIMC invita a cineastas y productores de cine nacional e internacional, a participar en su convocatoria oficial para Competencia y Exhibición.
The Reno Tahoe International Film Festival (RTIFF) is joining a long list of world class events hosted in northern Nevada, and showcases community support for filmmakers & screenwriters from around the globe.
The winning combination of superior world-class facilities, ground breaking cinema, savvy themed parties, and the dazzle of celebrities captivates thousands of willing visitors and locals alike. Along with an atmosphere aimed at making deals, attracts distributors and content producers alike, RTIFF has it’s sites set on becoming the next mega popular must-attend entertainment event. And you’re invited to get in on the ground floor.
In recent years, Reno has grown into a haven for anyone with an entrepreneurial spirit. As a result, companies such as Microsoft, Apple, and Tesla have selected Reno as a place to open up extensions of their companies. And with the launch of the film incentive fund, more and more filmmakers are discovering how easy and profitable it is to produce in northern Nevada!
So it only makes sense that we create a world class event to showcase you, the filmmaker, the screenwriter, the actor, the artist. RTIFF will screen 101 films over five days in the Reno Tahoe region. The films will be Narrative Features, Shorts, Documentaries, & Foreign Features. Some of our programs are: Silver State Sensations (featuring films, documentaries, and shorts filmed with Nevada talent - can be a local Director, Cinematographer, Actor, Writer, etc.), World Perspectives (films/documentaries that broaden understanding through storytelling), Thrill Seekers (featuring Thriller/Horrors features / shorts), Faith-based shorts, features, and documentaries & Leading Ladies (films with strong female characters leading the way), & Student Films.
Every film will be assigned their own Twitterati to get the word out during their screenings about audience reaction, stunning set pieces, and more to help build the filmmakers platform and attract film buyers.
In addition, the RTIFF offers screenwriters a screenwriting contest where the top ten winners will be shared with vetted industry producers and the top three winners will receive cash awards. So take advantage of the early submission and submit your screenplay today!
With a projected audience of over 7,500, RTIFF will attract an affluent, local, national and international consumer base, while attracting professionals in the entertainment industry in Los Angeles & San Francisco to come and experience the new Reno Renaissance that’s underway. They’ll come for the films & speakers and stay to play with all the fun filled actives aimed at the high impact tourist economy RTIFF will attract. Hotel discounts & special perks available to all flimmakers & screenwriters in the festival.
Cortos y música al aire libre. Esto es Korterraza, un festival de cortometrajes que celebrará su 16ª edición del 25 al 28 de Junio de 2025 en Vitoria-Gasteiz, y a lo largo del verano, la 11ª edición de Korterraza Araba.
“Diritto al Corto” aims at promoting a discussion about topics that play a central role in the public debate and that imply a strong relationship with juridical, conceptual and linguistic instruments.
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
Literally Short is an event initiated by our drive to bridge all cultures onto one collaborative stage that stimulates international artistic expression. Our mission is to promote innovative approaches to social change through the arts and cultural influences. Our passion for film lies in its exquisite capacity to merge a multitude of arts into one vision; thus, Literally Short Film Festival seeks to dissolve all geographical boundaries into one platform that equally voices all cultures.
CATEGORIES
Voices
National & International Short Films
All genres accepted for this category (see Rules & Terms).
Local & Fresh
Texas Short Films
Films eligible for this category must be written or directed by a Texas resident; or produced in the state of Texas. All genres accepted (see Rules & Terms).
México Lindo y Querido
Mexico Short Films
Films eligible for this category must be written or directed by a Mexicna resident; or produced in the country of Mexico. All genres accepted (see Rules & Terms).
Welcome the 2nd annual FilmQuest Festival!
FIlmQuest celebrates the majesty of genre filmmaking such as fantasy, horror, sci-fi, and the beyond. Awarding filmmakers in 2014 with over $30,000 in awards and prizes, including the coveted Cthulhu Trophy, the festival launched with great praise and fanfare . FilmQuest has been designed specifically to cater to the empowerment of the filmmaker through various events, awards, swag, connections, and more.
In creating the festival, we thought long and hard about what it is that makes a festival great. We asked ourselves the tough questions. What we’ve come up with is, we believe, a festival experience that is the kind most filmmakers dream about.
Major industry professionals took part in the first Grand Jury, including Doug Jones (Hellboy, Pan's Labyrinth, Silver Surfer, Hocus Pocus), Dameon Clarke (Borderlands 2, Dragonball Z), and Amrita Acharia (Game of Thrones). The New York Times bestselling author, David Farland, is already confirmed for the 2015 Grand Jury. The award juries will award our filmmakers in over 25 individual categories. Our selection committee is also made up of a group of industry professionals from various fields, such as directors, actors, producers, professors, writers, animators, casting directors, and more.
FilmQuest itself is the film festival branch of FantasyCon, a convention that puts the fantasy experience of the patrons first. It is an interactive convention, where dragons, magic and battle literally comes to life. Just as FantasyCon is a celebration of all things Fantasy, from horror to adventure, so is FilmQuest a celebration of all things Fantastic in film.
We will also be hosting parties, events, panels and more!
We encourage you to explore our website (www.filmquestfestival.com) for new information and updates as it comes, including who is on the Grand Jury, the Selection Committee, the Official Selections, venues, and more. As the year progresses, we'll be updating our website and this page with more info on what to expect, the celebrities who will be involved with FilmQuest, the official dates (2015 FilmQuest will take place in July, 2015), and more.
Prepare for Fantastic.
TWIFF is dedicated to showcasing new and innovative films while fostering the next generation of filmmakers. The festival also seeks to serve the community by presenting unique programs that educate, inspire, engage and challenge a diverse audience through the art of film. The festival provides a platform to introduce their films to the broadest possible audience. TWIFF is committed to providing opportunities to fellow filmmakers and all others in bringing cinematographic arts and other related entertainment products through high-profile community events, talent, productions and films from around the country and the world.
KFF fue lanzado en 2013, como Festival Internacional de Cortometrajes. Desde el principio, la parte esencial de nuestra misión fue acercar al público a diferentes tipos de películas y suscitar interés por el arte cinematográfico y, además, comprender sus impactos en la vida cotidiana.
El festival se celebra anualmente durante el mes de septiembre en la ciudad de Kraljevo (que significa «la Ciudad del Rey»), donde se dice que siete reyes serbios han sido coronados. Debido a nuestro patrimonio histórico, decidimos nombrar a nuestro festival «Kraljevski filmski festival».
KFF ofrece un ambiente amigable con un ambiente informal, por lo que durante los últimos 6 años hemos tenido cineastas volando desde Holanda, Suecia, Alemania, Brasil, Hong Kong, Finlandia, Francia, Suiza, Rusia, Montenegro, Croacia, Macedonia, Bulgaria...
En 2019, el festival Kraljevski filmski tuvo cambios significativos tanto en el nivel de programación como en el nivel de gestión al evolucionar hacia el Festival de Cine de Post-producción. Nuestro principal objetivo, además de mostrar grandes cortometrajes, será promover el arte y la artesanía de la posproducción, así como la gente creativa detrás de la cámara. Para lograrlo, la KFF invitará a artistas de postproducción de todo el mundo a clases magistrales o talleres, y organizará reuniones de cineastas en KFF.
Black Alphabet Film Festival (BAFF) is Chicago's premier film festival for the Black LGBTQ community. Our tagline, Telling Our Stories Beyond the Rainbow, encompasses our mission to provide a platform and resources for the storytellers in our community.
BAFF has relationships with several filmmakers and festivals in the industry. What sets our festival apart is our incorporation of storytelling forms, including music and poetry during our event. In 2014, we had several performers and sponsors; We look forward to an even bigger year in 2015!
