WORLDFEST NOW ACCEPTS ONLINE FESTHOME SCREENERS! WE HAVE LG & SHARP 110" DIGITAL BIG SCREENS FOR JURIES! WE DO ALSO ACCEPT DVD, BLURAY OR USB FLASH/PEN/JUMP DRIVE FOR JUDGING AND FOR THEATER SCREENING! Region Zero! (If you win a Remi, you may be screened on big Cinemark Theatre screens to 600+ theater audience!! So we need a BluRay, DCP or Jump Drive for the DCP screening! Large juries view your entry on a big digital screen, not a little laptop! We will personally confirm your entry's arrival.
WorldFest is the only film festival in the world that gives your entry a grade, a score! Your score can earn you a Remi Award! We do not believe that there can just be three winners in a category, a Gold, Silver and Bronze - so we assign your entry a score from the jury! An A+ wins a Special Jury Award and is considered for the Grand Remi! An A score wins a Platinum Remi, an A- wins a Gold, a B+ wins a Silver and a B wins a Bronze Remi. No Awards are made below a B level score. With more than 4,750 category entries, only about 10-15% actually win a Remi Award, but we feel it is the best possible way to run a festival awards system!
55th WORLDFEST-HOUSTON SETS FEST DATES, CALLS FOR ENTRIES!
“FORGET SUNDANCE! …WorldFest is one of the best conceived festival productions on the planet!” ~ Craig Outhier, film critic, Phoenix press; Tempe Times.
The 55th Annual WorldFest-Houston International Film Festival continues its totally dedicated Independent Film screening format for the upcoming April 20-24, 2022 unspooling. WorldFest will screen just 60-80 feature film premieres and over 130 Shorts with a total and absolute emphasis on the American and International Independent feature film and a continuing annual spotlight on award-winning short films and documentary films. Entries Officially Open Aug. 15, 2021. The EarlyBird Entry Deadline is Nov. 15th 2021 – A Mail-By/Enter By/Ship-By Deadline! Entries do not have to arrive by this deadline. The Main Entry Deadline is December 15, 2021. The Late Entry Deadline is Jan 15th 2022!
WorldFest Artistic and Program Director, Kathleen Haney, stated, “We are fiercely dedicated to the Indie Feature and Short Film and look for a quality selection of individual films to maintain a smaller, yet effective program rather than an overly large and unwieldy slate of 150-300 films. Haney continued, “For the 2020 WorldFest we continue to use ‘A good story, well told’ as our time-tested approach to film selection”. WorldFest-Houston now accepts Online, Thumb-Drive & DVD/BR format entries.
This year WorldFest presents its 8th Annual Panorama Asia, the largest survey of new films from all of Asia & China in the whole, wide world! More than 200 directors and filmmakers will attend from Beijing, Shanghai, Korea, Taiwan, Mongolia, VietNam, Cambodia, the Philippines & Japan. China is now the largest box-office and production revenue country in the world, surpassing the USA. There is a special Panorama Asia theater and a dedicated section of the program book.
WorldFest Grand Remi Award Winner, Ridley Scott commented “WorldFest is in the business of validating excellence!” We are delighted to agree! The mission of WorldFest is to recognize and validate creative excellence in film & video production in every facet and category of filmmaking. Many filmmakers report that a Remi Award from WorldFest opens doors to advance their careers.
WorldFest will continue with its annual Short Film Showcase, a special review of 130+ new short and student films...from the festival that gave first top honors to Spielberg, Lucas, Francis Ford Coppola, Randal Kleiser, The Coen Brothers, Ridley Scott, Robert Rodriguez, Spike Lee, Gavin Hood, John Lee Hancock, John Frankenheimer, Michael Cimino, Leslie Linka Glatter, Oliver Stone, Ang Lee, Atom Egoyan and David Lynch, among many others! Few other festivals have such a “Discovery” track record. WorldFest has emerged as the oldest continuous film festival management in the world with the same executive director, serving with a special vision for 53 consecutive years. A few other festivals are older, but they have had as many as ten different directors. It is the oldest film festival in The South, and the 3rd oldest International Film/Video Festival in North America, after San Francisco & NYC.
The 55th Annual WorldFest-Houston International Film Festival highlights include a Red Carpet Opening Night Gala, the Remi Awards Banquet with top honors presented to more than 1,000 up-and-coming attending filmmakers from over 75 countries from round the globe, there are 9 Master Classes in Film & Video Production, a nightly Festival Club at the HQ Westin-Memorial City Hotel, Indie Panels, a VIP tour of NASA with a special police escort and an exciting Houston Yacht Club Sailing Regatta & Texas BBQ. All offer superb networking opportunities!
WorldFest began in August 1961, as Cinema Arts, an International Film Society. It began screening Independent, foreign & art films. It became an officially competitive International Film Festival seven years later, in April 1968, and has been in continuous operation since. It is one of the original three film festivals in North America, with San Francisco and New York as the first two events. Following WorldFest was Chicago, Cleveland, Dallas, and Seattle. Then Sundance and SXSW, Toronto and Tribeca. Now there are more than 3,500 USA film festivals of various types, levels and quality, most being simply non-competitive screening events! WorldFest is international, competitive and invites filmmakers worldwide.
The 55th Annual WorldFest offers International Competition in; Features, Shorts, TV production, TV commercials, unproduced Screenplays & Teleplays, Experimental, Student, Documentary, Business & Industry, New Media, and Music Videos. You may enter the Feature, Short, Student, Experimental, Student, Music Video, and New Media-Websites via FestHome. You must go to our main website (worldfest.org) to enter the TV Production (100 series), TV Commercials (400 series), Film & Video Production (200 Series) and the Screenplay Competition (700 Series). WorldFest is the largest film & video competition in the world, in sheer number of actual category entries, with more than 4,750 category entries received in 2020. There are almost 200 sub-categories for competition, allowing each film to compete in its own individual genre.
WorldFest-Houston is sponsored by Memorial City Mall, Cinemark Theatres, Boxer Properties, the State of Texas, the City of Houston, HBU Fitness Center, Kodak, NASA, Lopez Negrete Communications, the Houston Yacht Club, Maggiano's Ristorante, Avis/Budget, The HQ Hotels Westin & Zaza, The Houston Chronicle, Regent University Film School, the Houston Yacht Club, and the Houston Film Society
The 55th WorldFest-Houston – 9898 Bissonnet, Suite 650, Houston, Texas 77036, 713-965-9955, Fax is 713-965-9960 – Email is – info@worldfest.org – The website is https://worldfest.org
In the Official Competition Programme of The Festival the right to participate have short fiction, animated and documentary films from film schools in the countries of the Balkan Peninsula and the Black Sea region (Bulgaria, Romania, Serbia, Montenegro, Macedonia, Greece, Turkey, Albania, Kosovo, Bosnia and Herzegovina, Croatia, Slovenia, Ukraine, Moldova, Russia, Armenia, Azerbaijan, Georgia).
The films should be directed by students in a regular form of education from the first to the last semester, regardless of their degree. The participation of students in the rest of the team or the cast is not a sufficient condition for selection.
The International Festival of painted birds is devoted to short films and feature films, fiction, documentary and animation MOVIES MADE FROM JANUARY 1, 2018 NOT HAVE PRESENTED IN PREVIOUS EDITIONS , with the aim of promoting among children intercultural dialogue, social cohesion and human rights, especially those of CHILDREN UP TO 12 YEARS .
Will disseminate quality films that hardly reach Spain, trying not to fall into clichés. Thus gradually the festival is intended as a field for meetings and discussions of projects of mutual interest.
Celebrating 13 years the Toronto Shorts International Film Festival is the largest short film festival in Canada.
Toronto Shorts is a non-profit organization that provides a showcase for the best short films and its creators from around the world, annually in the heart of Toronto.
We feel that short-form cinema and its creators should have their own premier film festival in Toronto deserving similar recognition given to the feature film and its creators.
Toronto Shorts is where films from all genres intersect. The heart of the festival is the quality and scope of extraordinary film programming which consists of a wide spectrum of categories from high to low budget films under 45 minutes.
The festival has become a career stepping stone, establishing a tradition of discovering and promoting filmmakers who have gone on to be Academy Awards Nominees, including :
2021 Oscar Nominee 'The Present' by Farah Nabulsi
2019 Oscar Nominee ‘Weekends’ by Trevor Jimenez
2018 Oscar Nominees 'Watu Wote - All of Us' (Germany) and 'The Eleven O'Clock' (Australia)
Toronto stands as the largest media market in Canada, it boasts the world-renowned Royal Ontario Museum, the massive Art Gallery of Ontario, the Soulpepper Theatre Company, the Toronto Symphony Orchestra, and now includes a premier international short film festival.
We showcase the best short films and its filmmakers from around the world.
New York City Independent Film Festival (NYCIndieFF) will hold a physical festival this year. We will celebrate the Independent Filmmaker, documentaries, short and feature-length films and animation. Whether a submission is comedic, dramatic, or something in between, The NYCIndieFF is eager to embrace fresh ideas and storytelling.
Home of the NYC Indie Awards the festival aims to discover the Artist Filmmaker, showcasing them to the entertainment industry and the NYC public. All NYCIndieFF screenings take place in the historic center of NYC, Time Square which is the perfect home for an event geared toward creating incredible opportunities for independent voices.
NYCIndieFF honors the Best in Category which includes Best Narrative Feature, Best Documentary, Best Short Documentary, Best Short Narrative, Best Super Short, Best Covid Diaries, as well as Best Director.
NYCIndieFF provides a showcase for the best in independent cinema, including short films, feature films, music videos, and animated works. With panels, parties and a week-long gathering of fellow indie filmmakers NYCIndieFF is the place to be June 3 to June 7, 2026 This dates may move to accommodate any and all government regulations.
Submit now to be a part of all the excitement and join our community of Filmmakers from around the world. See in this year in NYC in 2026!!
The RIOS - International Documentary Film Festival and Transmedia is defined as an activity platform for the creation and promotion of author projects within the scope of independent cinema and audiovisual and aims to:
a) give visibility, serving as a promotional platform, cinematographic and audiovisual works whose aesthetic approach is related to the reality of the river;
b) to serve as a work platform for a deep reflection on thematic documentary cinema;
c) encourage the creation of author projects that focus on the aesthetic deepening, the discovery of new territories, new styles and new supports that can define the reality Rivers;
d) create a creative platform linked to the Rios theme in the field of photography, plastic arts, literature and dramatic performance;
e) to contribute to the diffusion of first university works and documentaries in the thematic scope;
f) encourage the creation of inter-university partnerships in the field of documentary film and audiovisual.
The RIOS - International Documentary Film Festival and Transmedia, inserted in a region inevitably linked to the Douro, intends to explore and divulge the aesthetic potentialities linked to the river, making it a privileged space of cinematographic creation in the documentary scope. Vila Real, during the festival, will be an international cinematographic meeting point that will allow the exploration of the region and the gestation of new projects and new aesthetic creations.
Attention to all film talents: From 21 November 2017 until 31 January 2018, filmmakers will have the chance to apply for the LET’S CEE Short Film Competition 2018. Not only are two main prizes waiting to be won, moreover, ten finalists will receive an invitation to participate in the second edition of the LET’S CEE Talent Academy in Vienna!
Between 21 November 2017 and 31 January 2018, filmmakers up to the age of 35 from Central and Eastern Europe, the Caucasus region, Turkey and Austria will have the possibility to submit their short films to the Short Film Competition of the LET’S CEE Film Festival 2018.
However, filmmakers of all ages and from all over the world are welcome as well to send in thematically fitting contributions. Due to the festival’s geographical focus on CEE though, these short films will not be included in the main Short Film Competition, but will very well have the chance to win the Audience Award in the Short Film category and be screened at the festival in the section Short Films | Out of Competition. We furthermore cordially encourage international makers of virtual reality films, 3D productions and avant-garde pieces to apply as we will be offering these genres a stage at our festival as well.
The theme of the Short Film Competition 2018 is TOGETHER OR APART.
Great Britain voted for the Brexit last year and in doing so decided against a EU membership; most recently thousands of Catalan people went to the streets demanding independence from Spain; under the presidency of Donald Trump, the USA is seeking to withdraw from the Paris climate protection agreement and renegotiate various other commercial treaties – these are only three of many examples demonstrating the recent shift of the political mood in numerous countries. A growing migratory pressure, an increasing gap between the rich and poor, as well as justified and unsubstantiated fears – of the consequences of digitalisation, of the loss of jobs and stability and of social change – have discredited globalisation and encouraged a comeback of nationalist and isolationist tendencies, which seemed utterly unfathomable only a few years ago. Even on a national scale, societal cohesion appears to be threatened more and more. How does the growing division of society influence both the community and individuals? Will political agitation, hatred, egotism and greed for profit become the new normal? Well, the situation is critical, but not hopeless, neither on an international nor a national level. There are still representatives of the civil society who make no effort to surrender to the threatening eroding solidarity. Fortunately, there are numerous instances proving how people still advocate for the poor and disadvantaged with great optimism, dedication and empathy – people who rather pay attention to what we have in common instead of what keeps us apart.
The competition’s theme, TOGETHER OR APART, may be manifested in the submitted material in various manners and methods. Interpersonal aspects, such as family and relationship dramas, trials and tribulations, moments of success and happiness or the joint overcoming of challenges can be taken into account just as well as social, political, juridical and/or cultural matters. In other words: everything is possible, as long as it touches on the topic and is done well!
An advisory board chaired by the renowned Austrian-Iranian filmmakers Arash T. Riahi and Arman T. Riahi will choose the best contributions from the submissions for the LET’S CEE Short Film Competition. The short films, which will be screened out of competition, will be selected by the Bosnian-Dutch producer Denis Mujović and festival director Magdalena Żelasko.
After the presentation of the participating productions at the festival, an international jury will decide on the winner of the competing short films and, thus, who will be awarded the main prize – 1,500 Euro and a Urania statuette – at the Awards Ceremony in the Urania Cinema on 20 April 2018. The remaining short films presented during the festival will have, without exception, the chance to win the 1,500 Euro Audience Award in the category Short Film.
All filmmakers who will take part in the main Short Film Competition will additionally profit from their participation. At the expense of the festival, one of the involved filmmakers of each short film will be invited as an official guest*) to Vienna in order to present their work. Those persons will, furthermore, have the opportunity to join the second edition of the LET’S CEE Talent Academy.
15 remaining free seats for the Talent Academy will be filled by Out-of-Competition filmmakers. The most important items on the one-week Academy agenda include the attendance of LET’S CEE Master Classes and LET’S CEE Industry Days, the collaborative finalisation of a short film about Vienna, and the once-in-a-lifetime opportunity to pitch a film idea to Raindance film festival director Elliot Grove (and win big!) at the Pitching Competition. Of course, all invited filmmakers will enjoy several Get-togethers, where they can get in touch with successful distributors, directors, producers, actors etc., exchange experiences and new ideas and thus strive to new projects and international collaborations. In order to enable as many filmmakers as possible to visit LET’S CEE and present their work to the festival audience, all participants of the section ‘Short Films | Out of Competition’ will receive free festival accreditations and discounts for the official hotel partner on request.
Experimental Forum is an international performance, film and video art festival showcasing experimental film and artists’ moving image from new directors and innovative video artists from around the globe, with the third edition taking place in Los Angeles in November 2018. Our aim is to provide a supportive platform for the exciting and challenging work that is outside the scope of mainstream film festivals and art galleries.
We welcome experimental cinema pieces (abstract, narrative or documentary), video art works, essay films, artists’ moving image and media art, as well as documentary and narrative films that seek to expand, redefine or reconfigure the means and ends of their respective fields. Experimental Forum exists to provide access to, and develop audiences for, artists’ moving image work and is committed to engaging local audiences with new and/or unheard voices in film.
We are particularly interested in works made by early stage filmmakers and artists whose work is underrepresented. We provide a collaborative platform for moving image works made for the gallery and for the cinema with the aim of building a community across disciplinary and institutional faultlines.
Our Films go from PIFF to CANNES! And some even win! Such as the films: "Tuesday", "Our Father" and "Til Then/Bis Gleich"! Or perhaps your film will be acquired by the SHORTS HD Channel! Who's it going to be for 2018?!
PIFF Attendees: Martin Sheen, Michael Gross, Doris Roberts, Jason Ritter, Clare Kramer, Mimi Kennedy, John Bowe, Kim Coates, Melissa Fitzgerald, James Marsters, Jay O. Sanders, Lee Meriwether, Sadie Calvano, Tom Lenk, Charisma Carpenter, Dee Wallace, among others
Many of our films garner distribution at PIFF. We host a selection of the finest distribution companies at the top of their game who find gems at PIFF and go on to acquire them.
"The Pasadena International Film Festival is an experience not to be missed by filmmakers. From the elegant black tie Great Gatsby Gala Opening night, to the diverse, informative panels, to the top quality screenings in an actual mainstream movie theatre… in over ten years of traveling the festival circuit with multiple films, this was, hands down, one of the best-run festivals, and the best times I have even had AT a festival. I wish I had another film ready to go so I could submit next year!"
-- Filmmaker, Heather Connell
"You guys really put on a show! I can't imagine doing what you did to pull things together. The organization and logistics… everything ran so smoothly, and looked so positively effortless, that it belied all the long hours and dedication you poured into this project. You also managed to assemble a marvelous group of volunteers and staff, all of whom are to be commended for their work. I heard nothing but superlatives from all who attended. Filmmakers and audiences alike felt welcomed and nourished by the experience, and I feel certain that the good words they take home with them will go a long way to put this festival -- and your hospitality -- on the map. My wife and I, along with our friends, are already looking forward to next year's festival -- and to watching it grow in your capable hands."
-- Michael Gross, actor, T.V.'s "Family Ties"
The Pasadena International Film Festival seeks to create a place for artists to come together. Sure, there are many festivals, but there can never be a cap on creating art, can there? We harken back to a time of Old Hollywood, before this world got crowded, and jaded, and super-saturated… the entertainment industry was fresh and new… before the stock market crashed...when there was enough space, and time, and money for everyone. Parties lasted all night, and friendships lasted a lifetime. Won't you join us?
Awards & Prizes
If accepted, winners receive All Access Passes, swag, Filmmakers receive a screening of their film at the beautiful Laemmle Playhouse 7 Cinema and a "Q and A" after every screening. Passes include access to our Filmmakers Lounge, Great Gatsby Gala, and Filmmakers Fiesta.
If you win an award, you receive a stunning Sculpture and Laurels for each award. In addition, our Jury is a cross-section of the best in the industry.
Our winning filmmakers go on to meet with top managers, agents, and other industry pros. For example, one of our jurors is part of Cannes Film Festival with the American Pavilion Emerging Filmmaker Showcase program, and has "discovered" films via PIFF. Our Jury are also in acquisitions and purchase films for their various outlets and platforms such as Shorts HD.
LA Underground Film Forum (LAUFF) is dedicated exclusively to independent, experimental, and auteur cinema. It focus on avant-garde, art-house, independent and no/low budget filmmaking.
Our program provides a venue for filmmakers to reinvent and explore new approaches, to foster new forms of media art and to build an audience for such work. We aim to present a wide range of work exploring the many definitions and interpretations of the concept of “underground”.
We’re looking for films made with passion, obsession and drive; films that go beyond expectations and genre; films, video and audio projects that strive to push the boundaries of accepted form and content. A strong sense of authorship is a must.
LAUFF accepts all forms and genres: from drama, documentary, experimental, cult, art-house, foreign language, comedy, horror, sci-fi, fantasy, animation, LGBT, indigenous, erotica to slow cinema and video art …
ATTENTION:
ONLY BRAZILIAN SHORT FILMS (UNDER 20 MIN) THAT HAS WOMEN DIRECTING OR AS A PROTAGONIST OF THE FILM. WE UNDERSTAND AS WOMEN ALL THOSE WITH A FEMALE GENDER IDENTITY.
Ladies and gentlemen,
The President of the Organizing Committee, Alvine KOUAMBO is pleased to announce that edition 9 of the International Independent Film Festival of Bafoussam (Cameroon).
-This event, initiated by Ecran for the Renewal of African Culture, abbreviated as ERECA will bring together, as in the past, Cinema Technicians from all over the world.
-The theme of this sixth edition is:
"Promoting the Values of Bilingualism & Multiculturalism through Cinema and Audiovisual"
Entries for films that will be competing and out of competition at the Festival are already open.
- For this festival, a gigantic platform called VILLAGE DU FESTIVAL will be set up. This is where the main activities of the festival will be concentrated. Spaces will be available, but very selective.
-The FICIB is placed under the high patronage of the Ministry of Arts and Culture of Cameroon, the patronage of S.E. Mr. Pascal NGUIHE KANTE and headliner S.E. Mr. Roger MILLA.
We are honored to send you our warmest congratulations for all your efforts to promote culture. We would like, in our turn, to be able to fully count on your contribution to the events of the Bafoussam International Independent Film Festival (FICIB). This edition of the FICIB will feature the participation of the best professional film companies, dancers, craftsmen, cultural entrepreneurs, broadcasters, journalists, stage designers, observers from Africa, Europe, America and Asia.
As in previous editions, the FICIB will organize training workshops, conference-debates, caravans of indoor and outdoor screenings, exhibitions-sales of works of art, inter-school competition (musical interpretations, expressions on the theme of publishing, traditional dances and urban) with the end, the election Miss and Master Ficib.
These different activities will take place at the Village Festival.
The Opening and Closing Ceremonies will take place in the banquet hall of the HE Mr. Governor of Western Region "Bafoussam".
In order to enable us to achieve the objectives of FICIB which are to promote independent cinema, to encourage cultural and cinematographic diversity; to propagate cinematographic art by stimulating the development of quality cinema; promote opportunities for North-South co-production; discover and encourage new talent To encourage meetings between film professionals from all over the world, we respectfully request you to agree to participate in this event. You will find the general regulations here and we kindly ask you to download the Registration Form, fill it out, sign it and send it to the following addresses:
contact@ficib.info -BP: 1203 Bafoussam-Cameroon.
Let's start a new beginning with this new year and a season 2nd of this International Film Festival, We would like to introduce ourselves - We're Director's World International Film Festival (DWIFF), New Delhi, a traditional film festival and awards competition created to Encourage, Promote and Provide a platform to all Budding and Professional filmmakers all around the world with recognition for their film-making and screenwriting achievements. We are Inviting all aspirants Film-Makers to participate and submit their Films vie. our film submission Partner Festhome.com to send us your film
We at Director's World International Film Festival (DWIFF), has an aim to help you launch your professional life in film.
Apart from the Film Screening, our foreign delegates and the participants from the different states will enjoy the richness and diversity of the handicrafts, hand-looms and cultural fabric of India, also a large number folk artistes and cultural groups present day performances at the open-air campus.
Festival Venue -
University Of Delhi, New Delhi,
India,
Date and Time – 05th, to 09th February, 2018,
from 12:00am to 06:00pm
- FESCISA has the mission of giving publicity and projection to the independent production of short films and feature films; To bring independent filmmakers closer to the Ecuadorian public.
- Project the production of local, regional and world films in the city of San Antonio de Ibarra. Films of diverse genres, where subjects of humanity, social, solidarity, childhood, women, among others predominate.
In recent decades, and at one time to the emergence of new technologies that have ended up scanning most of the processes of the film, the documentary has known a notorious and systematic growth around the world. In our country, and for more than one decade, a production before linked almost exclusively to fiction has been swelling their ranks with new topics, new approaches, new geographies, new dilemmas.
It is in this context that FIDBA is proposed as the 1st. International Film Festival dedicated to this genre which films with the same fans - as long as we believe that the forms and the doings of the documentary film are different from those of the fiction - may meet and dialogue among them and with the public. If the documentary is a meeting point for the FIDBA, it is insofar as it proposes an interpellation to the little-known memoirs, disturbing present and (our) future in suspension. FIDBA will then be an approach not only among audiences, filmmakers and thinkers linked documentary but also in relation to the always stimulating possibilities that allow you to open this space to other border and heterodox expressions framed inside of what we would call "non-fiction" and that encourage us to dialogue with contemporary expressions that go beyond even the scope of the film.
FIDBA will pay special attention to those filmmakers for whom cinema is linked to a form of research and knowledge of the world that surrounds us as to the portrait of human beings whose conditions of life, in certain historical and social contexts, allow you to ask us about our. It is, therefore, authors who not only reflect reality but also ethical and moral relationship which involves filming the other.
FIDBA aims to become a point of support for filmmakers seeking to widen the perception of reality and to films which represent a step forward in the effort to understand it and anticipate it. So, it will make focus on films whose aesthetic originality put at risk not only an idea of the documentary but also a thought about the same film and its possibilities. Since this focus implies questioning the status of the real front of the camera or of the film in relation to reality, this is as inseparable from the mediations that arises.
