CINETORO EXPERIMENTAL FILM FESTIVAL (19)

Cinetoro Expèrimental Film Festival



Dates limites

20 mai 2026
Appel à Inscriptions

10 juin 2026
Date limite précoce

15 juil. 2026
Date limite standard

31 juil. 2026
Date limite retardée

07 août 2026
Date limite étundue

1
moi

01 sept. 2026
Date de notification

13 oct. 2026
18 oct. 2026

Adresse

Carrera 63A # 2A-89,  760024, Toro, Valle del Cauca, Colombia


Description du Festival
Experimental
Festival d court métrage >1' 50'<


Exigences du Festival
 Festival de cinéma
 Fiction
 Documentaire
 Animation
 Fantastique
 Terreur
 Experimental
 Music Video
 Autres
 Genres
 Tous les thèmes
 A des frais d’inscription
 Festival International
 Lieu physique
 janvier 2024
 Pays de production: Tout
 Pays de tournage: Tout
 Nationalités des directeurs: Tout
 Premiers Films 
 Projets scolaires 
 Courts-métrages  >1' 50'<
 Outils d'IA 
 Toutes langues
 Sous-titres 
Spanish English
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Photo of CINETORO EXPERIMENTAL FILM FESTIVAL
Photo of CINETORO EXPERIMENTAL FILM FESTIVAL

Photo of CINETORO EXPERIMENTAL FILM FESTIVAL
Photo of CINETORO EXPERIMENTAL FILM FESTIVAL

Spanish
English
French ML


Début du Festival: 13 octobre 2026      Fin du Festival: 18 octobre 2026

CINETORO 2026
Converging Boundaries
#MIRAYESCUCHADIFERENTE

Under the concept of Converging Boundaries, CINETORO 2026 proposes a curatorial framework inspired by the force of tectonic collision. Just as, in geology, a convergent boundary is the space where two plates collide to destroy the old and raise new mountain ranges and volcanoes, this edition seeks films in which the impact between languages generates new ways of seeing and hearing. We move away from the static reading of maps — those arbitrary divisions of dots and lines — to focus instead on the energy that emerges within the zone of contact, where the friction between the human and the non-human, or between the here and the elsewhere, constructs new narrative geographies.

CINETORO 2026 calls for works that explore processes of collision and emergence. We seek films that use experimentation as a tool to blur political and social boundaries, proposing perspectives that recognize the continuity of the jungle or the vastness of the desert beyond geographical fictions. How does perception transform when cinematic form itself becomes the result of a clash of forces?

In this edition, the border is not an impenetrable wall, but a living zone of creation; a space of formal risk that challenges pre-established categories and allows us to understand, through cinema at the margins, what new unions emerge when we dare to inhabit the liminal state. We seek films that inhabit the interstice: the space that exists precisely in the middle of the line, inviting audiences into a cinematic experience where genres do not simply intersect, but transform one another. We are interested in a cinema of hybridization where documentary, animation, and fiction function like tectonic plates in constant motion.
This is an invitation to a cinema unafraid of crossing and dissolving boundaries; a cinema that inhabits the periphery and the frontier in order to raise, from the margins, new and necessary mountains of imagination.

#ConvergingBoundaries #TheLiminal #Cinetoro2026 #SeeAndHearDifferently #CrossTheBoundary #ExperimentalFilmFestival #HybridCinema #ExperimentalCinema #ExperimentalNarrative

Totem Awards for Best film in the follow categories:

Imagined Vector / National Official Competition
Interlined Curves / Emerging Official Competition
Vanishing Points / Mid-Length Competition
Geometry of Difference / International Official Competition

RULES & REGULATIONS

Films submitted to the 19th edition of CINETORO Experimental Film Festival must comply with the following requirements:

Films must be between 1 and 50 minutes in length (please check the duration requirements for each section).

Films must have been completed between 2024 and 2026.
International films in languages other than Spanish must include subtitles.

Submissions must be made online exclusively through Festhome.

Filmmakers must hold all rights to the artistic material included in the work.

The festival prioritizes national and international premieres.

Films not properly registered through the current open call will not be accepted.

Owners of selected films authorize in-person screenings during the festival dates.

CINETORO understands that the person responsible for the work (director, producer, distributor) owns the distribution and copyright rights. The festival operates in good faith regarding submitted materials and is under no circumstances responsible for disputes concerning music rights, image rights, authorship, or any elements composing the work.

The festival pays screening fees to national works.

Upon selection, Spanish-language films must include english subtitles. The festival does not provide subtitling services.




  Festhome responsabilise les festivals en retenant le paiement des droits de la plupart des nouveaux festivals jusqu'à ce qu'ils aient examiné les candidatures, organisé leurs festivals et d'autres méthodes.

  

 
  

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