Se realizará presencial con actividades on line.
En formato presencial se realizará en las ciudades de Lebu, Capital de la Provincia de Arauco, y en la ciudad de Concepción en la Región del Biobío, Chile, del 01 al 06 de abril 2025.
Con Sub sedes virtuales nacionales e internacionales de exhibición de competencias. Desde el 2018, CINELEBU es el único festival en Chile Calificador de Cortometrajes para los Premios Oscar® en tres categorías: Animación Internacional, Ficción Regional y Ficción Internacional y desde el 2023 Calificador para el premio Goya y Marca Chile.
Festival y muestra itinerante especializado en animación stop motion, que se ha convertido en una plataforma de vinculación que logra reunir estudiantes, profesionales, personas apasionadas y talento emergente. Durante todo el año desarrollamos actividades que promueven la apreciación cinematográfica, capacitación e interés por diferentes disciplinas que tienen como eje de acción la animación y la creatividad.
Te invitamos a participar en el concurso internacional de cortometrajes.
Es un festival de cortometrajes "mudos" (sin diálogos ni voces en off), abierto a la participación de profesionales y amateurs.
Es un proyecto sin ánimo de lucro, que cuenta con el apoyo de entidades sociales y patrocinadores privados, los cuales ofrecen productos y servicios como premios del festival.
El Festival Internacional de Cine de Camboya (12ª edición en 2023) es el evento cinematográfico más importante e impulsado por la industria del Reino de Camboya y el sudeste asiático. Cada año, el evento presenta imágenes destacadas y recibe a invitados de Camboya y del extranjero.
El CIFF se centra en inspirar al público a conocer la diversidad de películas, promover la cinematografía internacional innovadora en diversas formas y presentar producciones de calidad hechas en y sobre Camboya por cineastas nacionales e internacionales.
Desde 2015, el CIFF tiene una selección especial de películas sobre medio ambiente y acción climática.
El CIFF se celebra en los mejores cines de Phnom Penh (10 salas, más de 160 proyecciones, más de 130 películas) y respeta plenamente los derechos de autor.
La 14ª versión del Festival tiene como tema central la ¨ El Cine Comunitario como generador de Cambio y Progreso social ¨, el jurado prioriza los contenidos que tengan dicho enfoque, sin embargo la recepción de las piezas audiovisuales no está cerrada exclusivamente a dicha temática, por tanto se aceptarán de manera amplia otros tipos de contenidos.
¨El cine comunitario no solo es una forma de arte, sino también una herramienta poderosa para promover valores fundamentales de una sociedad progresista, como la equidad de género, la justicia social y la participación ciudadana. Facilita el debate, la pluralidad y la solidaridad, y ofrece un medio de expresión para los distintos colectivos e identidades que conforman el tejido social, cultural e identitario de Colombia, en niveles local, regional y nacional. ¨
Es por lo anterior que le Festival de cine y video comuna 13, La otra Historia en su versión 2024 ha decidido generar espacios de dialogo e intercambio de conocimientos alrededor del cine comunitario, propiciando la participación de los colectivos más destacados del país en esta modalidad a fin de compartir experiencias, metodologías y saberes con el sector académico de nuestra ciudad (Red de creación audiovisual, media técnica, escuelas de paz entre otras)
El festival internacional de cortometrajes Flor Azul se celebrará en el Centro Cultural 25 de Febrero (Caballito, Ciudad de Buenos Aires, Argentina) el día 25 de septiembre de 2021.
El festival es organizado por el Centro Cultural 25 de Febrero y la agrupación 25 de Febrero.
El Videofestival Imperia, organizado por Officine Digitali, está abierto a aficionados y profesionales. La inscripción es gratuita. El Festival se encuentra en su 14ª edición y tendrá lugar en Imperia del 05 de mayo al 09 de mayo de 2020. La fecha límite para las obras extranjeras es el 02 de diciembre de 2019. 21118 autores de 100 naciones participaron en la edición de 2019. Se proyectaron 88 películas.
CATEGORÍA INTERNACIONAL:
Reservado a autores extranjeros. Las secciones son: Cortometrajes, Documentales, Animación y Gráficos de duración ilimitada. Las obras deben estar subtituladas en uno de los siguientes idiomas: italiano, francés, inglés. A la primera obra seleccionada de cada sección se le otorgará un premio. El sujeto es gratis.
CATEGORÍA EXPLORER:
Abierto a autores nacionales e internacionales. Las secciones son: Documental de Viaje (duración máxima 30 min.) y Documental de Naturaleza (duración ilimitada). Sólo se otorgará un premio a una obra elegida por el jurado.
Visite nuestro sitio www.videofestivalimperia.org para más detalles.
The Film Festival "Artplay" is intended to prove that the cinema like a kind of art is alive and continues to be developed and served as the source of inspiration for people.
The idea of the Festival is to become the new creative platform for those ones, who are not frightened to open new corners of cinema, as well as, who with help of a certain film try to speak about the present day, just using the bright ideas and his or her inner world. Format of our Festival is short films, social advertisements, and animation films.
Today, any volunteer can become a short film director and show his film to the wide audience and the Elite of Russian film industry.
Panel of judges represents itself 6 judges, who are professional actors, known musicians, and artists, the people whose life is connected with the creativity as the profession.
Artplay Moscow Film Fest will be held from May 19-20, 2016 in the Moscow City, Russia.
Whitespace Gallery is proud to announce the 2015 edition of the Short Shorts video festival with the title Somebody Else’s Problem, and guest curated by Rachel Reese.
Selected video works will be shown at Whitespace Gallery in Atlanta, GA on August 13, 2015. A DVD anthology presenting the selected video works and their authors will accompany the exhibition.
The 2015 Short Shorts prompt uses the lens of the psychological effect known as “Somebody Else’s Problem,” or SEP, as a method to explore reactions and responses to recent American political and social events, particularly current, galvanizing American police brutality and racial discrimination cases. With protests and demonstrations fueling renewed national civil rights concerns, many of us are wondering what actions can make an impact, how to be involved, and how to transfer our individual passivity from SEP syndrome into collective forward action.
Are there connections between the ways we access and share information online, and individual civic engagement thresholds? Specifically, has instantaneous access to digital information and imagery contributed to a state of mere voyeuristic empathy, or even learned helplessness? Overload of visual information can create an environment of apathy and also a false sense of public engagement through passive forms. Does being able to see more conversely contribute to less experiential involvement by allowing screen viewing to stand in for actual bodies in real space? Does it overwhelm any desire for curiosity or engagement? We want to read, see, and learn more, but simultaneously we are restless: attention spans and comprehension rates are rapidly diminishing.
The images we see and share online are of real people in real time and space, happening “live”. Or are they? With the ever-rising influence of the media, questioning who owns and controls information is integral to discussing voice within our democratic system. Which platforms—social media, the Internet, traditional print media—do we believe to be reliable? How has the global ubiquity of smart phones, illuminated, or alternatively hindered, the distribution and perception of current political events – especially those most recently related to abuse of police power and structural racism.
How do we transfer collective energy and motivation into thinking about isolated or localized events as “somebody else’s problem” into collective societal motivations and wants? And then how do we fight against an oligarchal system masquerading as democracy in order to start real conversations and, ultimately, change?
We’re interested in representing video forms in all media, demanding a critical assessment of the systems of information and visualization we have established. What is the artist’s role in shaping public discourse, public outcry, public protest? What is the citizen’s responsibility to engage in radical political ideologies?
We seek short films and video works (no more than 10 minutes) from authors that explore and challenge ideas presented in this prompt, as well as works that open the conversation to include other related social concerns such as housing discrimination and food justice. We encourage submissions from a plurality of viewpoints, methods and forms, from artists, documentarians, students, citizens and amateurs alike.
Most Festival es un acontecimiento de alcance internacional que recoge la mejor producción audiovisual relacionada con la cultura de la viña, el vino y el cava. Asimismo, el festival brinda por el buen cine con la proyección de películas de grandes directores no estrenadas comercialmente y una buena selección de cortos.
Ubicado en el Penedès, una comarca muy cercana a Barcelona con una larga tradición vinícola y diversos atractivos enoturísticos, el festival quiere difundir las artes y las culturas vinícolas a través de la creación audiovisual, así como acercarse a la enología desde todos los ángulos posibles, potenciando valores como la calidad, la diversidad o la implicación con el territorio.
Català
Most Festival és un esdeveniment d'abast internacional que recull la millor producció audiovisual relacionada amb la cultura de la vinya, el vi i el cava. Així mateix, el festival brinda pel bon cinema amb la projecció de pel·lícules de grans directors no estrenades comercialment.
Situat al Penedès, una comarca molt propera a Barcelona amb una llarga tradició vinícola i diversos atractius enoturístics, el festival vol difondre les arts i les cultures vinícoles a través de la creació audiovisual, així com acostar-se a l'enologia des de totes les vessants possibles, potenciant valors com la qualitat, la diversitat o la implicació amb el territori.
"Corto Sordi", ovvero un premio dedicato al grande attore romano. Il concorso avrà il suo epilogo a luglio, ma già adesso la macchina organizzativa è partita.
Nato nel 2013, in occasione del 10° anniversario dalla morte del grande Albertone, il premio è promosso e coordinato dall'associazione Utopià di Grottaglie con l'intento di sostenere e incentivare quanti credono e vivono nel mondo della recitazione e dello spettacolo con capacità, talento e impegno professionale. Quest'anno, l'iniziativa vanta l'egida della Fondazione Alberto Sordi, ente morale nato nel 1992 proprio per volontà dell'attore romano, al fine di promuovere la ricerca scientifica sulle patologie dell'età avanzata e l'assistenza qualificata alle persone anziane, nel rispetto prima e nella valorizzazione poi della dignità della persona umana e del suo diritto alla vita e alla salute. L'evento ha inoltre ricevuto il patrocinio del Comune di Grottaglie e della Regione Puglia.
L'appuntamento per il premio “CortoSordi” è per il 19 luglio prossimo nell'atrio del primo circolo didattico “Edmondo De Amicis” di Grottaglie e sarà presentato dalla conduttrice di Telenorba, Daniela Mazzacane. Molte le novità in programma che saranno illustrate per tappe nella sezione "Comunicati Stampa" man mano che ci si avvicina all'apertura del bando.
Daazo - the European Shortfilm Centre proudly presents the 4th edition of the Friss Hús International Shortfilm Festival, which will take place at the end of March 2016 in Budapest, Hungary. The success of the last three years made it possible for Friss Hús to become one of the most important shortfilm events in Hungary.
The long term plan of the organisers of Friss Hús is to make sure that the event becomes an internationally acclaimed festival where the audience can watch entertaining and colourful short film selections and where the filmmakers can meet important professionals from the film industry as well as attend special workshops.
We hope to see you in Budapest at the Friss Hús screenings, for an all night long party or at one of the festival’s professional events!
El Cultural Británico los saluda cordialmente y abre la convocatoria al “XI FESTIVAL INTERNACIONAL DE CINE PARA NIÑOS, CINI 2025”, a celebrarse en Lima, Perú, del 12 al 16 febrero del 2025.
Este festival tiene como sede los auditorios del Centro Cultural Británico, ubicados en los distritos de Surco, San Miguel, San Borja, Pueblo Libre, San Martín de Porres, Santa Anita, San Juan de Lurigancho, Camacho, y Miraflores.
Todas las proyecciones a realizarse durante el “XI FESTIVAL INTERNACIONAL DE CINE PARA NIÑOS, CINI 2025” serán de ingreso gratuito para público en general.
El Taos Shortz Film Fest sigue trayendo a la comunidad el cortometraje de clase mundial y ofreciendo a los cineastas un lugar para mostrar su trabajo, participar en talleres, paneles y establecer contactos con otros cineastas, compañías de medios, productores y distribuidores.
Una vez más, estamos buscando cortometrajes destacados en el mundo. Estamos buscando historias convincentes, producción y cinematografía ejemplares y películas impresionantes en general! Votado como uno de los «50 festivales de cine que valen la cuota de inscripción» por la revista MovieMaker esta primavera, Taos Shortz se jacta de ser el festival estelar de cortometrajes en el país.
El Taos Shortz Film Fest vuelve a buscar cortometrajes destacados en el mundo. Estamos buscando historias convincentes, producción y cinematografía ejemplares y películas impresionantes en general! Votado como uno de los «50 festivales de cine que valen la cuota de inscripción» por la revista MovieMaker, Taos Shortz se jacta de ser el festival estelar de cortometrajes en el país.
Seguimos llevando a la comunidad el cine corto de clase mundial y brindando a los cineastas un lugar para mostrar su trabajo, participar en talleres, paneles y establecer contactos con otros cineastas, compañías de medios, productores y distribuidores.
¿Tienes una historia que contar? ¿Un secreto para revelar? ¿Una verdad que grita para ser escuchada? Si crees que tienes lo que se necesita, inscribir tu película.
Fechas del festival: 19 - 21 de marzo de 2021
www.taosshortz.com
Festival internacional de cine de horror con base en la ciudad de Guanajuato, México. Todas las actividades del festival son sin fines de lucro.
La Municipalidad Metropolitana de Lima invita a los ciudadanos peruanos, a participar en el FESTIVAL NACIONAL DE CORTOMETRAJES “ASÍ ES MI PERÚ”
Welcome to Kino Manchester, we operate Kinofilm, the North West of England's longest running short film festival. The dates for our next Festival (16th edition) are provisionally 26th Feb - 1st March 2020. First read about our current offers:
*NEW SPECIAL OFFER for 2019 - open to all Kino Alumni filmmakers (directors) that have previously screened at Kinoflim. If you have previously had a film screened at Kinofilm you can submit for 20% off all entry fees - but you must submit to the Alumni section to get this discount. You will be asked to enter a code that you will receive after providing evidence of your previous film screened at Kinofilm. Please also put these details in a cover letter on your FilmFreeway entry to us stating the year, director's name (which should be the same), the film's title and the programme it was in (if you can recall). Fees open at just $10.00
* REDUCED ENTRY FEES for filmmakers from EASTERN EUROPE and the Russian Federation - apx 30% off, please submit under the Eastern European section to obtain this discount. You must first contact us to provide evidence of residence and country of production to obtain this code to submit to this section. Fees open at just $10.00 or $8.50 for Gold Members of FFW.
* REDUCED ENTRY FEES for filmmakers from GREATER MANCHESTER - 30% off, please submit under the GREATER MANCHESTER FILMMAKERS section to obtain this discount.. You must upload evidence to your entry of residence within Greater Manchester and the film must be produced within the region. Fees open at just $10.00
* REDUCED ENTRY FEES for STUDENTS anywhere - 30% off, please submit under the KINO EXPOSED "Student" section to obtain this discount. You must first contact us to provide evidence of student status to obtain the code to submit under this section. Please also attach evidence to your entry on FFW. Fees open at just $10.00
* REDUCED ENTRY FEES for MICRO SHORTS (5 Minutes and under) - 30% off, please submit under the MICRO SHORTS section to obtain this discount. Fees open at just $10.00
* REDUCED ENTRY FEES for MOBILE PHONE SHORTS (10 Minutes and under) - 30% off, please submit under the MOBILE PHONE SHORTS section to obtain this discount. Fees open at just $10.00
*****A special youth section dedicated to young people of 17 years old and under. Please contact us first providing evidence of age when applying for the code to submit to this section. Please note reduced fees start at just $10.00 for Youths and Community filmmakers where the film is produced with young people of 17 and under.
**SPECIAL OPENING EARLY BIRD OFFER. ok so you don't qualify for the Alumni offer or the Student and Youth offers? Fear not, we are now offering until the 14th APRIL 25% off to everyone else from 26th Feb - 31st March (now extended till 14th April). Just submit early to qualify for reduced entry. All standard entry fees are only $15 during this period.
***FREE ENTRY - Waiver code for Iranian filmmakers based only in Iran. We realise the difficulties Iranian filmmakers experience by Western imposed sanctions on their country. We also recognise the importance of new stories coming out of work by young filmmakers and we are thrilled to have the ongoing special section in the festival for Iranian Filmmakers. Therefor our only free waiver code this year is for entries from IRAN. Please contact us first providing evidence of residence for the code to submit under this section.
****1st and 2nd features being made by Kino Alumni that have moved on to features, We would like to screen a couple of features this year to show the progression of filmmakers from shorts to features. Similarly to above you must provide evidence in your application that you have previously had a short shown at Kinofilm Festival to receive a code to submit to this section.
Women in Film
Women play an important role in filmmaking and there are many talents out there and to celebrate Women in Film we have two categories. One programme is a focus solely on Women directors, the second programme category will focus the work of women practitioners in the roles of writers, actresses, producers and Directors of Cinematography but please note the film lead roles must be female led. If you have a film that has a strong female led role or strong female writer etc and you want to be considered for this sectin of the festival please submit to the Women Practitioners category. Film Directors should submit to the Women in Film (directors category).
General Information.
Established in 1995 the festival is now in it's 16th International Shorts edition. Kinofilm has a unique reputation for showcasing the best short films from around the world, whilst being renowned for seeking out diverse, challenging and groundbreaking new films. We welcome filmmakers that are pushing the boundaries of the short film art form. The festival maintains a high standard with many European & International award-winning shorts featured in the Festival. It includes special programmes in North West Shorts (UK), British New Wave, Euro Cine, International Panorama, Kino Exposed (student and youth shorts), low/no budget shorts, Animation and various themed programmes, giving new and emerging filmmakers the opportunity to have their work screened alongside that of critically acclaimed, established short filmmakers.
Please note for 2019, the festival will move dates to February 2020. We will further welcome short films and animations from Eastern Europe as we extend the Polish festival to include more Baltic countries. This year we welcome films for this section from Romania and Russia.
As part of out 16th anniversary we are introducing a features section called Transitions for those short filmmakers that have successfully made the transition from short film to feature. This section is for previous entrants of Kinofilm Festival and can only be entered if you have previously had a short film at Kinofilm Festival. You must provide the name of the short film and year of the festival it was screened in advance of submitting..
All short films should have been completed since January 2018 to present and be no longer than 20 mins (accept documentaries which can be up to 23 mins including credits). PLEASE NOTE FILMS SHOULD NOT BE ONLINE FOR PUBLIC VIEWING. ANY FILMS THAT ARE SEEN TO BE IN THE PUBLIC DOMAIN WILL FACE DISQUALIFICATION.
WE ARE OFFERING STUDENTS (world wide) , GREATER MANCHESTER FILMMAKERS, Youths and community groups, Eastern European Filmmakers and Alumni Filmmakers 20% OF ALL SUBMISSION FEES (please see offers at the top of this entry). The discount is automatically applied when you submit your film to the relevant sections, entry fees start at just $10.00 Please note PROOF OF ELIGIBILITY MUST BE SHOWN in all these categories in advance of submitting the film, you will then receive a code to submit your film.
IRANIAN Filmmakers can submit for free (see above details).
Please note, if your film is selected for screening in one of the cinema screenings you must be able to provide either a DCP or high-quality Bluray of your film. Please contact us if any issues with this and we will try to resolve it by showing the film in one of the other programmes not requiring either of these formats. If it playing in one of our other venues then we will require a digital version, details supplied if your film is accepted.
REFUNDS GIVEN ONLY IN THE FOLLOWING CIRCUMSTANCES: Please note if you make a genuine mistake and submit your film to us not realising that it does not fit all of the criteria, or you have to withdraw it for other reasons, we will refund your fee if the request is made only within the first two weeks from the date of submission. Films withdrawn later for other reasons such as you wish to withdraw it as your film has been accepted in another festival that requires premier status, will not receive a refund. (Please note that any refunds will be after FFW (8%) and PP (3.5%) commission fees already deducted from your fee, you will only be refunded the net amount that the festival receives).
Aims of the Festival:
1. To deliver a film festival of regional, national and international significance.
2. To nurture new talent and support the work of culturally diverse, emerging filmmakers.
3. To attract an industry base of filmmakers and media industry professionals, to encourage the exchange of ideas and development of partnerships.
4. To attract cinema goers and diverse audiences that would not normally experience the short film art form or film festivals.
5. To focus on the needs of the regions filmmakers, visiting filmmakers and the region’s audiences.
ACME Comedy Theatre was founded in 1989 as a place for comedians to perform and be discovered. Since then, ACME has helped launch the career of hundreds of comedy writers, directors, producers, and actors.
Today, ACME continues to be a place for comedy performers and writers to be discovered. These days though, new talent is more often discovered through online videos, so ACME developed a new screening series. The screening series is dedicated to bringing the upcoming stars of comedy video to the big screen via ACME Comedy’s own film festival.
In the Summer of 2017 we will be screening films in June, July, August
We are excited to bring a whole new class of comedic talent to the ACME Comedy Theater.
Realizar exibições gratuitas de cinema com temática sobre o meio ambiente nas praças das cidades de Assis Brasil, Brasiléia, Epitaciolândia, Xapuri, Capixaba, Acrelândia, Plácido de Castro, Rio Branco, Porto Acre, Bujari, no Estado do Acre e Guajará Mirim, Porto Velho no Estado de Rondônia com o objetivo de difundir gratuitamente a produção de cinema latino-americana e sensibilizar a população sobre a importância do cuidado do meio ambiente, assim como intercambiar experiências e boas praticas de conservação e gerar conteúdos e informações a nível local sobre o meio ambiente e a biodiversidade.
ROFFEKE se pronuncia «rafiki», que es una palabra swahili que significa «amigo». 'Friendship, Fun, Freedom' es el lema del Festival de Cine Rock 'n' Roll, Kenia.
Los principales objetivos de ROFFEKE son:
1) Mostrar películas y videos musicales de rock «n» roll locales e internacionales con fines educativos y de entretenimiento.
2) Organizar talleres, foros y seminarios relacionados con diversos aspectos de la música rock y la industria cinematográfica.
3) Proporcionar una plataforma para bandas de rock emergentes y establecidas, locales e internacionales.
La misión de ROFFEKE es promover la música rock 'n' roll en Kenia mediante la eliminación de mitos y conceptos erróneos del rock 'n' roll a través de los medios de comunicación del cine.
