The International Festival of Children and Youth Film CALIBELULA, FICIJCALIBELULA - is created through a group of friends who love cinema, who see the need to generate new exhibition and training spaces, for a very special audience that is children and young people .
The purpose is to train audiences through cinematographic audiovisual material made by and for children, youth and adults that promotes conflict resolution and peaceful coexistence through the construction of values and principles.
Generate new exhibition alternatives that consolidate processes of formation and creation expressed in the production and audiovisual realization, with understanding and critical sensitivity, trying with this to involve from an early age this target population through the cinema as an artistic expression.
This Festival is a meeting place for the filmmakers, their works and the children's audience as well as a point of formation for young audiences, teachers and professionals of the area, making the Festival a promoter of reflection on the audiovisual media and the role they play with our children.
2026 Gyeongsangbuk-do International AI·Metaverse Film Festival
The Gyeongsangbuk-do International AI & Metaverse Film Festival (GAMFF) is an international festival dedicated to creative works produced using artificial intelligence and emerging technologies.
The festival features screenings, exhibitions, conferences, and an international AI video contest showcasing innovative storytelling from creators around the world.
2026 AI Content Creation Contest
The Gyeongsangbuk-do International AI·Metaverse Video Contest is organized to select entries for the Gyeongsangbuk-do International AI & Metaverse Film Festival, an online and offline festival exploring AI and metaverse technologies.
Purpose
A contest aimed at activating the AI production ecosystem and discovering outstanding creators and producers.
Participants
Anyone interested in creating content using AI, both domestically and internationally.
(No restrictions on individuals or organizations. Elementary, middle, and high school students, university students, graduate students, job seekers, designers, studios, production companies, etc.)
Pre-Announcement Period
Feb 13 (Fri) – Mar 15 (Sun), 2026
Official Announcement & Submission Period
Mar 16 (Mon) – Jun 30 (Tue), 2026
Deadline: 23:59 (KST)
Judging Period
July 1 (Wed) – July 30 (Thu), 2026
Winner Announcement
Aug 3 (Mon), 2026 | 10:00 (KST)
Verification Period
Aug 3 (Mon) – Aug 14 (Fri), 2026 (10 days)
Awards Ceremony
September 3 (Thu), 2026
(Held during the opening ceremony of the 2026 Gyeongsangbuk-do International AI·Metaverse Film Festival)
Hosted / Organized by
Gyeongsangbuk-do, Gumi-si, Pohang-si, Gyeongsan-si / Gyeongbuk Technopark
Festival Venues
GUMICO – Gumi, South Korea
Pohang Culturalspace – Pohang, South Korea
Gyeongsan Sports Park – Gyeongsan, South Korea
The CINALFAMA FILM OBSERVATORY, held in a historic neighborhood, emerges as a transformative cultural initiative that strengthens the community network. By showing independent films, the project not only widens access to alternative and innovative narratives but also stimulates cultural engagement among residents, fostering a sense of identity and belonging.
This regular event, which takes place at Museu do Fado Auditorium, becomes a meeting point where generations cross paths, sharing experiences and reflections that transcend mere film viewing. In addition, by being located in a neighborhood with a rich historical heritage, the observatory revitalizes the urban space, attracting visitors and enhancing the appreciation of the local heritage, generating a very positive cultural dynamic
The Cinalfama Film Observatory is a regular cinema competition in January, April, and October.
The winning films of each of the three editions (Jan, Apr, Oct), will be showcased in our annual outdoor cinema event, Cinalfama Lisbon International Film Festival, in July 2025.
8° NATIONAL RURAL FILM FESTIVAL OF AYACUCHO
The Rural Film Festival was created in 2016 as an initiative presented by Lic. Emilio Quiroga to the Department of Culture of the Municipality of Ayacucho, with the goal of promoting audiovisual production in our city.
Every year, we launch an open call at the national and international level for short films of fiction and non-fiction that address the concept of "RURAL" through their form and/or content. Our intention is to explore the perspective of this concept and enrich ourselves with productions from other places in our country and the world.
The Festival offers training programs and support with theoretical and practical audiovisual production tools to those who join this initiative locally. This includes teachers and students from schools and educational institutions, community centers, organizations, or simply groups wishing to participate and residing in the city of Ayacucho.
These are some of the central concepts we have implemented over the years and will continue to develop in this space:
Short film production as a powerful educational tool that strengthens cognitive skills, creativity, problem-solving, and teamwork, while motivating students in an innovative way.
Basic audiovisual production training, workshops for teachers on how to guide students in creating short films. This includes teaching them the basics of planning, shooting, and editing videos. Many teachers have no previous experience in these areas, so the training helps them lead these projects.
Integrated evaluation of student-made short films across different subjects, so that teachers recognize the relevance of these projects beyond their specific area of expertise.
Collaborative projects where teachers from different disciplines (such as arts, history, literature, science, and technology) work together to create an interdisciplinary short film. This could include combining thematic areas to address a common issue from different perspectives.
Online educational resources or YouTube tutorials for teachers on how to apply film to various subjects. This may include how to shoot a scene, how to light it correctly, or how to work with sound, all at a level accessible to educators with no cinematic experience.
Access to simple editing software or online platforms (such as InShot or CapCut) that students can use at home or in the classroom to edit their projects. They can also use sound recording tools or simple effects to help with content creation.
Scriptwriting talks and courses or storyboard models that teachers can adapt to their subjects. This helps students follow a proper structure when writing their scripts, ensuring that their stories are more consistent, regardless of the area in which they are working.
We promote and encourage the cinema room in our city and other alternative screening spaces.
We foster cooperation between rural and urban schools.
We generate socio-educational projects in schools, institutes, and training centers.
We offer talks, courses, and training open to the community.
We produce audiovisual content and resources for the departments of the Municipality of Ayacucho.
We produce local short films that address fiction stories and rural documentaries, as well as other themes of interest to filmmakers.
This experience has become a phenomenon that grows each year, surpassing its initial expectations. We are motivated to make our identity known, promoting the value of Ayacuchense culture and that of our country. We emphasize human relationships and the bonds that arise from this encounter for mutual benefit.
We strengthen alliances between our community and people and groups who come to the city of Ayacucho from nearby towns, other provinces, and cities across our country, drawn by the social event and the values that the Rural Film Festival represents.
It is necessary, through our intervention, to guarantee access to a symbolic language, which is essential to navigate the world around us and construct the images and sounds of our time. This is a fundamental task for the development of society, the strengthening of democracy, equity, and access to work. We approach audiovisual media as an object to be thought about and constantly transformed.
SECOND EDITION!!!
The Colli Albani or Castelli Romani area has been the setting for numerous national and international films, starting with "Inferno" in 1911, considered the first Italian feature film.
To then remember "The Leopard" by Visconti, "Nights of Cabiria" by Fellini, " quel pasticciaccio brutto di Via Merulana " by Gadda, many of Totò's films, up to "the stolen children" by Amelio, " il marchese del Grillo” by Monicelli, “il Vigile” by Zampa and many others until the recent “all you need is crime” by Giallini.
The Colli Albani Film Festival was therefore born from the need to honor this territory linked to cinema in the best possible way, giving space to Italian and foreign authors to present their works, creating concrete opportunities for professionals in the cine-audiovisual world.
Furthermore, it will be an opportunity for the local population to get closer to cinema to see and vote for the works selected at the festival.
LOCATION
Grottaferrata ALFELLINI CINEMA
Recently reopened and completely renovated thanks to the commitment of Davide Fontana in collaboration with the Municipality of Grottaferrata and with the support of Manuele Ilari and the Madison circuit.
Introductions, presentations and meetings for the selected works
Will be 4 out-of-competition screenings
2 of these screenings will be of old or recent films set in the Colli Albani area with guests and introduction.
2 instead will be current Italian or foreign films with guests and introduction.
It is planned to include the **SCHOOLS AWARD**, where selected works will be voted on by local schools.
Cortomontagna prize is exclusively dedicated to short films.
The prize’s main theme is Mountain life, told and documented through a video that expresses the author's point of view and interpretation.
Possible takes on the main theme can range from the narration of sporting activities (skiing, climbing, hiking - for example), to naturalistic-environmental themes, to facts and life stories of communities or mountain territories.
The award has two categories:
- Short Films from the World, reserved for short films with an international character, concerning facts, situations, people and places beyond the borders of Italy.
- Short Films from Italy, reserved for short films concerning facts, situations, people and places within the borders of Italy.
At the time of entry, contestants will choose their preferred option on the entry form.
Everyone can take part in this competition.
In 1981, André ABET and the city of Cabestany decided to create the First Encounter Short Film Festival of Cabestany. It is truly a encounter, more than a festival, because everything is planned to promote exchange between audience and directors, like the numerous “verre de l’amitié” (friendship toasts), offered after each screening. Always a fun and friendly moment!
Animation, documentary, experimental, fiction, musical clip and report with a maximum length of 30 minutes and French subtitles can take part in this international event.
The fourth edition of the Brugger Dokumentarfilmtage will take place from the 16th to the 19th of September 2027. The film festival was launched in 2021 and since then the city of Brugg shines a spotlight on the genre of documentary filmmaking every two years. Filmscreenings take place in both of the Brugg cinemas ODEON and Excelsior, as well as in the Salzhaus and the Zimemermannhaus. Every edition, the festival invites filmmakers from all over the world to be present at the numerous premieres and discussion rounds which take place at the different projection venues. With an elaborate supporting programme, made up of concerts, film discussions, exhibitions and panels the festival is a celebration of documentary film.
Since 2023, the Brugger Dokumentarfilmtage is hosting a short-film competition for young documentary filmmakers. The competition aims to give young filmmakers and their films a platform to be seen by a broad audience and is intended to create a stepping stone on the journey to professional filmmaking.
The KURSAAL-ART of the "Kursaal Film Festival San Sebastián" (KFFSS) is an international short film festival that stands out for promoting the talent of filmmakers.
The "Filmmaker's Dragonheart Award" is recognized as the award for the talent and courage of filmmakers who, through their efforts, have managed to realize their dream.
The purpose of the Bogotá Music Video Festival is to celebrate the art of music video, the joy of music and the passion for filmmaking.
We bring the music video art to different screens around Bogotá and top that with live music, exhibitions and academic and industry events. We want to showcase independent and fierce work to new audiences, focusing on the potential of awe brought by the communion between music and moving images.
Espai Montseny, with the support of Viladrau City Council, is convening the 7th edition of the "Environment and Sustainability Short Film Festival.
Montseny Natural Park and Biosphere Reserve". The Festival will be held from July 25th to July 26th, 2026.
The event was born in 2020 with the idea of showing audiovisual productions related to the environment and to encourage reporting, debate and awareness about the environmental crisis that affects both globally and in our immediate environment.
Established in 1985, the Warsaw Film Festival joined in 2009 the elite group of events recognized by the International Federation of Film Producers Associations (www.fiapf.org) as international non-specialised film festivals - next to Cannes, Venice, Berlin, Locarno, San Sebastian, Karlovy Vary, Tokyo, Mar del Plata, Shanghai, Cairo, Fajr, Goa, and Tallinn.
The WFF differs from other festivals in its programme, just as Warsaw differs from other cities. Selecting the films, we always remember about our audience - native Varsovians, those working or studying in Warsaw, and those in town for a short while, for instance only for the Festival.
We do our best to make sure that our audiences get to know the latest and most interesting trends in world cinema as soon as possible. In this way, WFF audiences - usually as the first people in Poland - could discover American independent cinema as well as Asian, Latin American, Iranian, Russian and Romanian cinema. Some of the most amazing directors, like Michael Haneke, Cristian Mungiu, Paweł Pawlikowski, Ari Folman, Ashgar Farhadi, Lenny Abrahamson and hundreds of others, had usually been guests of the WFF before they reached the top.
We have been expanding the professional part of the WFF for over fifteen years. We realize that film festivals are part of the giant mechanism that is the global film industry. We do our best to make sure that the world takes note of Polish films, that they get screened at leading festivals, that they find their way into international distribution.
We started off modestly, in 2000, with screenings of new Polish projects for barely a dozen foreign guests. Five years later, we held the CentEast Market for the first time: a meeting place for professionals interested in films from Eastern Europe, described by The Hollywood Reporter as “the go-to event”. From 2009 till 2016, together with our Russian partner TVINDIE we have been presenting - in Warsaw and Moscow - films that are still works-in-progress but in which we want to interest sales agents and distributors. Similar presentations we organised at the Beijing Film Market from 2013-2016, with our Chinese partner Film Factory, under the name China-Eastern Europe Film Promotion Project.
Catapult Horror Fest is an online home for independent, low-budget horror films. We champion filmmakers who do a lot with a little.
We don't just accept horror subgenres. We want to inspire you to explore them all. Body horror. Psychological terror. Supernatural. Found footage. Splatter. Camp. Creature features. Folk horror. Cosmic dread. Queer horror. Elevated scares. Push into genres you've never tried. Get weird. Take risks. Find your voice across the many faces of fear.
We celebrate both short films and features, including traditional widescreen and vertical formats. We especially love practical effects, bold ideas, DIY grit, and filmmakers willing to break boundaries.
Our mission is twofold:
Inspire creators to experiment across the full spectrum of horror. Try something new. Surprise yourself.
Give back. A percentage of our festival proceeds will be donated to support families in need, because we believe horror can build community and make a real-world difference.
Even if we can't give every film a cash prize, we aim to acknowledge as many filmmakers as possible through official selections, special mentions, curated spotlights, and subgenre-specific awards. This is your home as long as you're making horror.
At Corrosivo Film Fest, we are determined to give genre cinema the place it deserves in a country where an increasingly larger audience is open to everything that cinema from the other side of the spectrum has to offer. With this fifth edition, Corrosivo Film Fest consolidates itself as a space for those who enjoy genre cinema with popcorn on the big screen.
Our goal is to bring followers of the dark, bloody, and fantastic closer to new proposals that are not shown in commercial movie theaters, films that wander through the shadows of the best festivals to be exhibited in our country, at an event that everyone will remember.
Welcome to this festival, and let’s share together the love we have for these other stories through films, screenings, and activities.
POST MORTEM International Horror & Bizarre Short Film Festival is a meeting point for the darkest, strangest, and most provocative visions in cinema. A space where creators and lovers of the genre come together to celebrate, challenge, and expand the limits of horror and the bizarre.
