The Esseoesse Cultural Association announces the competition "CortoDino Film Festival Dino De Laurentiis 2024 - XIV Edition", a competition that stems from desire to remember and celebrate, in his native land and in commemorative and propositive terms, the figure and work of Dino De Laurentis. The Metropolitan city of Naples, Vesuvian areas, “Giorgio De Chirico’s Secondary School of Art and Communication”, the others secondary schools of the area and the main cultural associations of the Vesuvian and Campanian areas will collaborate in the event.
So, the main aim of the initiative is to create an opportunity for meeting, confrontation and knowledge of young filmmakers who enter the cinematographic sector, in which the influence left by the illustrious “Torrese” has certainly been significant, promoting cinematographic culture through the inclusion of disadvantaged people and the research and promotion of works by talents from Campania, and also national and international.
The presence of the world of solidarity, cultural associations and of school is the clearest sign of the purpose of connecting in particular with the world of young people.
Cortodino Film Festival XIV edition will take place in November 2024. Cities, places and days of the event will be subsequently communicated.
COSMOPOLIS FILM AWARDS, 1st edition, is a free film contest promoted by Detour Arthouse Cinema in Rome, aimed at artists residing in the territory of Italy, aged less than 35 years during the entire 2017 calendar year.
2nd generation artists, - filmmaker, screenwriters, authors, actors, etc. - are welcomed to attend and submit their audiovisual works.
Thematic lines & Topics: the discovery of the Other, new global cultures, relations between identities and communities of values, clash of cultures, daily life in urban/suburban contexts, etc.
Films will be selected on the basis of their aesthetique and language skills.
Winning films for each category will be screened to a public audience in the presence of the authors and members of the Selection Committee. Other screening events will be held at Public Libraries in the Municipality of Rome.
Contest is open to everyone !
Topic of the contest is "The Dream life".
You can submit your any type of film up to 15 minutes max.
Festival Atmospheres uses all kinds of art forms in order to arouse afterthought and commitment to an accessible and constructive sustainable development.
The Pacific Meridian is the annual International Film Festival of Asian Pacific countries, established in 2003. The festival is held annually in early autumn in Vladivostok, on the shores of the Sea of Japan.
The festival in Vladivostok
Vladivostok has a very unusual history: in the tsarist times it was an open port and the city-fortress, in the Soviet times it had the status of the military base and closed city, and today it is on the way to becoming a free port again.
Vladivostok is the city that is sure to become a hub, connecting Europe and Asia, a place where every year the international cinematic community meets to share its best films.
The Pacific Meridian is a significant cultural event in the Far East, a great excuse to explore the Pacific Russia. Cinema is the most powerful and accessible art form, through which the festival introduces the audiences to contemporary culture.
The festival supports the positive development of relations of local, national and Asian filmmakers. The festival always presents only the best and unique films. The Pacific Meridian venues are where new projects emerge, filmmaking professionals meet the audiences, and young directors and actors find recognition.
For 18 years of its work the film festival has shown about 2,500 movies, seen by more than a million spectators. Every year the festival brings together film professionals (actors, directors, producers and film critics) from around the world, attracting audiences from other Russian regions and enables young people to gain practical experience by participating in organizing the festival.
Throughout each year, the festival team works on organizing this international cultural event, and the preparation is carried out from the end of the current festival, and till the beginning of the next. By the time of the festival opening more than 100 people, including volunteers, participate in the work of different venues of the film forum.
The Pacific Meridian Mission
We provide access to the most powerful films of our time and develop the culture of shared viewing, making the audience connected with the development of the art of cinema of the Pacific Rim countries. With the help of the art of cinema, we are transforming the world around us, making the local community more informed and involved in the film festival movement.
In accordance with this mission the objectives of the festival team are the following:
1. To maintain the organization of the festival at the highest level, meeting the world standards in accordance with the recommendations of the FIAPF;
2. To promote the audiences’ understanding of the world culture through selecting and presenting the best examples of the art of cinema;
3. To ensure accessibility to the audience films and educational programs, involvement and informational awareness of the regional community;
The Pacific Meridian is the only Russian film festival, which focuses on the cinema of the APR countries. Actively participating in the development of cultural exchange, the festival brings together more than 60 countries in Southeast Asia, North and South America and the Pacific Rim. Every year the film festival opens and shows the audiences modern films.
The Pacific Meridian IFF remains open, accessible and friendly for a wide and diverse audience. The slogan of the festival is “Films for all, films for every one”.
The Festival’s Juries
Since 2003, the international jury of the festival consists of the best representatives of the professional community of Russian and international filmmakers. The international jury determines the winners and awards prizes in the following nominations: Best Feature, Best Short Film, Best Director, Best Actor, Best Actress, and The Special Jury Award.
Since 2011, the Pacific Meridian IFF features NETPAC (Association for Promotion of Asian Cinema) Jury. NETPAC is an international organization that brings together 30 member countries, established with the support of UNESCO in 1990. This Pan Asian cinema and cultural organization brings together film critics, filmmakers, organizers and curators of film festivals, film distributors and teachers. NETPAC is considered a leading authority on Asian cinema; it participates in selecting films for Asian cinema programs of several international film festivals, introduces filmmakers from Asia to the world audience, publishes books, and organizes seminars and conferences. It has also established a special NETPAC Award, Best Asian Film, which is given at 44 film festivals around the world.
Since 2013, the festival features the international FIPRESCI Jury. FIPRESCI, the International Federation of Film Critics, established 90 years ago, brings together film critics and film experts around the globe. The main goal of the organization is to support cinema as an art and as a bright and independent way of expressing vision of the world. The award of this organization is of great importance in the cinematic world.
The Festival’s Program
During each festival about 200 films are screened in its venues. Films of all genres, length and formats find their place in its various programs.
COMPETITION program includes 8 full-length and 8 short films produced in the Asia-Pacific region this year. Each year, the number of incoming applications is increasing, but only 20 films are selected for the competition.
Non- competition programs present new world and Russian cinema. PANORAMA program is devoted to the most prominent film events in Russia and abroad. IN FOCUS program presents masterpieces from one of the countries of the Asia-Pacific region, or of one genre. Over the years the festival has acquainted its audience with the films from Australia, Laos, North Korea, Russia, China and South Korea, with spy thrillers and horror films. Great attention is paid to retrospectives of prominent filmmakers.
The festival also embraces different cultural and business events: round tables, discussions on specific films, lectures, workshops, art exhibitions, Cinetour and meet-the audience sessions.
Call for Submission – APFF-3/Feb/19
Asia Peace Film Festival - 3rd Edition
Theme:
Localizing Global Goals: Story Begins at Home!
September 2019
Pakistan
Executing Agency: Asia Peace Film Festival
https://asiapeacefilmfestival.com
https://www.facebook.com/AsiaPeaceFilmFestival/
Background:
The Sustainable Development Goals (SDGs) or the Global Goals for Sustainable Development, are a collection of 17 global goals set by the United Nations General Assembly in 2015. The Global Goals are broad and interdependent, yet each has a separate list of targets to achieve. Achieving all 169 targets would signal accomplishing all 17 goals. The Goals cover ecological, social and economic development issues including poverty, hunger, health, education, global warming, gender equality, water, sanitation, energy, urbanization, environment and social justice. The background and explanation are available in the Resolution Adopted by The General Assembly available at: https://sustainabledevelopment.un.org/post2015/transformingourworld
Localizing Global Goals: Story Begins at Home
The Global Goals provide an indicative agenda for sustainable development that is required to stimulate a series of collective actions to address areas of critical importance for humanity and the habitat. The Global Goals are a large, holistic and long-term set of goals, difficult to distil into simple and compelling messages.
While these Goals are global, their achievement will critically depend on our interest, intention, ability and resources to turn the global social contract based on pressing development commitments into a tangible reality in our homes, communities, neighborhoods, cities, regions, countries and so on. Consequentially, our immediate localities are the primary sites of the compliance of our commitments towards a universal development agenda. Therefore, the story of global goals begins at home and connects to the extended contours of universality. It becomes everyone’s business, leaving no one behind.
Locating Creative Communications: Awareness, Relatability and Reach
APFF believes that contextualization of meta-data is as much important for effective communication as much as localization of global goals are important for any meaningful delivery of development dividends. Policy makers have argued that, “we will only deliver on the SDGs if people know about the goals, demand action, and hold their leaders to their promises.”
From the communication perspective, delivery of development outcomes would largely be determined by the level of awareness, relatability, reach and influence towards global goals. Therefore, creative communications should be aimed at increasing awareness, explaining relatability, enhancing outreach and influencing investments towards Global Goals at immediate locality and beyond. Global Goals are a universal agenda, requiring progress at home and abroad. Experts have suggested that, “our communication should lead to developing political will, involving people to act for themselves locally, and aiming for the goals to become a universal reference guide.”
APFF is seeking to engage creative community of Asian region including passionate storytellers, filmmakers, writers, directors, actors, artists, musicians, singers, social media champions, multi-media creators to develop a communication mix on Global Goals.
Why a Film Festival on Global Goals?
Experience has shown that “the exposure one can get through film and digital content, whether it’s at a film festival, a local cinema screening, through online distribution or educational channels, is magnified compared to many traditional ways we try to impact change.” Festival exposure and awards often bring press attention, which is considered the best amplifier of messages.
A number of studies suggest that “to inspire change, people need to ‘feel’ your story.” Data, research, statistics and trend indicators are important. Data supports and drives decisions every day in what we do. But as they say data alone typically doesn’t reach the part of our brains which can reach complex issues, intuit connections, engage lateral thinking, or move one to action: the emotional brain. ‘Story’ speaks to our emotional brain. Experts suggest: “We have to change the way we communicate. All action is emotional, and in order to get an emotional connection we need to understand what it is.”
APFF considers filmmaking and cinematography as an effective medium of communication to understand, inform, inspire and generate an individual and collective will to act for behavioral and perceptual transformations. Through a thematic cinema, a diverse and larger audiences can be engaged on issues related to SDGs making a complex message simpler, communicative and inspirational. With the extended outreach of digital content, filmmaking has become an effective tool of communication which can be used to strengthen rights-based social movements and development discourses infusing a culture of transformation in societies plagued with hierarchical structures, policies and instruments.
Against this backdrop, APFF dedicates its Third Edition to the Global Goals encouraging film makers to tell stories of their own soil – narrate local stories to the global audiences and bridge the communication gap. Tell others what story you feel for. Lens your own story! You have a space to inspire, now.
APFF is aimed to celebrate 3rd Edition by encouraging production and organizing public screening of the selected Asian short films, documentaries, animations and music videos narrating the stories of struggle and transformations on any of the seventeen Global Goals. However, a particular focus would be laid on subthemes related to: ecological, social and economic development issues including poverty, hunger, health, education, global warming, gender equality, water, sanitation, energy, urbanization, environment and social justice.
Reference Material:
• https://worldsbestnews.org/partners-projects/communicating-the-sustainable-development-goals-everyone/
• More than 700 filmmakers across the globe tackled these questions as part of this year’s Picture This Festival for the Planet, a short-film competition for emerging filmmakers hosted by Sony and the United Nations Foundation. These short films explore global goals like clean energy, access to education, and environmental sustainability through a variety of storytelling techniques, including comedy, animation, and documentary interviews. One submission even borrowed from the horror movie genre.
• https://unfoundation.org/blog/post/8-short-films-to-inspire-you-into-sdg-action/
• http://www.un.org/webcast/pdfs/160421pm-sdgs-com.pdf
• http://www.dentsu.com/csr/team_sdgs/pdf/sdgs_communication_guide.pdf
Key Components of APFF - 3rd Edition 2019:
I. Inaugural Session – High profile representation from multilateral, bilateral and governmental fora
II. Screening of selected Asian films (shorts, documentaries, animations, music videos) followed by discussions and Q&A
III. Panel Discussions – 17 parallel panel discussions on 17 Global Goals (moderating conversations between policy and communication communities)
IV. Inter-Governmental Policy Dialogue on Global Goals in Asia
V. Master Classes on A2Z of Filmmaking
VI. Art Exhibition on Global Goals
VII. Musical and Cultural Events
VIII. Networking Dinners
IX. Media Encounters
X. Grand Finale followed by Award Giving Ceremony
25 APR 2017 "White Nights Film Festival"
is now accepting applications for a second season.
Waiting for your movies.
Mission
In a world of huge amount of festivals held annually.
But in Russia, they are very few. "White Nights Film Festival" in St. Petersburg is designed for what would be at least as something to correct this situation.
We decided to give the opportunity to filmmakers from around the world to show their work at our festival. Special attention will be paid to students' works which provides significant discounts.
As our festival will be presented almost all film genres.
"White Nights Film Festival" will be held annually in April.
All films winners will receive awards.
Our second goal.
To enable our viewers to see a large number of interesting films from all over the world. As viewers will be able to participate in the award-winning.
Another good news is that we organize online movie viewing parties "White Nights Film Festival." As for the outcome of voting and number of views, will be the winners.
We are waiting for our festival.
Location
"White Nights Festival Film"
Will have a second season from 12 to 14 April 2018.
In the conference hall of Hotel Park Inn by Radisson Nevsky St. Petersburg
Russian Federation St. Petersburg
4 lit. A, Goncharnaya Street , Nevsky Prospect
To indigenous and non-indigenous audiovisual filmmakers, of various nationalities and territories, to submit their works on indigenous and/or Afro-descendant themes, free style and extension, of individual or collective creation, to the 8th edition of the FicWallmapu Festival, to be held between on November 14 and 18, 2023, in the city of Temuko, Ngülumapu and surrounding communes of the Mapuche territory, Araucanía Region.
The nineth La Serena International Film Festival, FECILS, is a competitive audiovisual contest, which will take place from November 05 to 09, 2024, in the Coquimbo region. It seeks to support the production and dissemination of regional, national and Latin American audiovisual activity, and thus contribute to decentralization, promoting the meeting and training of regional filmmakers and producers. With these actions, FECILS seeks to establish itself as a cultural event that, in addition to generating film exhibition spaces in the Coquimbo region, applies its emphasis on generating new audiences. FECILS 2024 has an audiovisual extension program that will reach the different spaces of the communes of the region.
International Film Festival with the slogan "Cinema and Avant-Garde", Inspired by the figure of the Spanish filmmaker Luis Buñuel. This filmmaker was born in Calanda (Spain).
This festival is held in the first week of August in this place.
The SITGES - International Fantastic Film Festival of Catalonia is a specialized, competitive fantastic genre Festival in accordance with the regulations established by the FIAPF (International Federation of Film Producers Associations). The Festival has also been declared a “Qualified Festival” by the Academy of Motion Picture Arts and Sciences® in the United States. This means that those shorts winning the awards for “Best Short Film” in the Official Fantàstic Selection and “Best Short Film” in the Anima’t category will automatically be taken into consideration by the Hollywood Academy Awards® selection committee.
After 2 successful years, the Perth International QUEER Film Festival is back! Running from September 12 -18 and showing at the Backlot Perth we aim to bring a range of diverse and interesting LGBTQI films and documentaries to the Festival.
With an exclusive opening night event and the chance to see some of the best new Queer Films this is the only Queer Film Festival on the West Coast of Australia.
The purpose of the ZOOM FESTIVAL is to disseminate and promote audiovisual content regardless of format, distribution channel and audiences.
The Official Section of the 22nd edition is open to all producers, televisions, students, independent film makers from all over the world who present audiovisual content for all types of screens and that fit the bases of the Festival's official section.
Among the functions of the Festival is the welcoming meeting of the various professional sectors of the audiovisual industry, as well as that of students in the sector and be a platform for new talent.
In order to fulfill these objectives, the Zoom Festival will celebrate its 25th Edition in November 25th 2023 in Igualada- Barcelona.
The Elche Film Festival, organized by Mediterraneo Foundation's main objective is to offer a cultural space to filmmakers and moviegoers.
In a constant commitment to the promotion of culture and supporting emerging values of cinema, focusing on innovation, public conversation with the authors and the elimination of technological compete when barriers and vote.
XXVI the International Short Film Show of the Bay of Pasaia, IKUSKA 2024.
The festival has an international short film competition in 5 screenings, and other parallel non-competition sessions related to the development of Basque and language coexistence (MINTZAGUN projection in collaboration with Oarsoaldea euskaltegis), Gender Equality (BEKOZ BEKO award in collaboration with the Association against gender violence Bekoz Beko), the promotion of culture in Pasaia and its surroundings, etc.
New NAMES, new GENRES, new CINEMA LANGUAGES on a big screen in the middle of Siberia!
International Kansk Video Festival (Russia/Siberia) is not a conventional film festival. It is an experiment in time and space. The small Siberian city of Kansk, was found on the Internet by chance and selected as its name correlates with the Cannes Film Festival, Kansk in the Russian language is pronounced the same as Cannes.
*************
Since 2002 the festival has taken place annually in the depths of Siberia. Far away from the Côte d`Azur in the severe Taiga climate, 7000 km from London, 4500 km from Moscow and 300 km from Krasnoyarsk by the Trans-Siberian Railway formerly used to transport shackled contvicts. In this area, full of wonderful and brave Siberian people, pelmeni and cedar nuts, even buses seem reminiscent of the old school buses from a long lost Soviet place full of magic.
The Kansk Video festival has grown immeasurably from it’s 2002 beginnings. Each year it hosts an international jury from the industry and artistic communities, running international film and video-art competitions with a special screenings program and a bank of ideas big enough for the next 150 years. The festival promotes new names, new genres and new cinema trends of the independent and uncompromising video and filmmaking industry.
