Welcome to the 3rd Edition of ABCDETC Int'l Arts Festival!
The Festival has been established in 2025 as an indie artsy event taking place in an exquisite location Bucharest, a powerful celebration of creativity and unicity.
For the second edition we are gladly accepting entries in the following categories: short movie (under 15 min), micro movie (under 5 min), student movie (under 15 min), music video (under 15 min), fashion film (under 15 min), smartphone film (under 15 min), TV/WEB episode (under 15 min).
Also we are accepting screenplays (feature, featurette, short, micro, student), theatre plays, short stories, novels, poetry, essays, movie reviews, photography.
Good luck in the contest!
UNTHINKABLE is a Hull based film festival now in its fourth year. We are a charity that creates unique viewing opportunities for the local audience in partnership with other arts organisations and charities, including Hull Truck Theatre and Hull Independent Cinema. We aim to encourage local filmmaking talent in the region and to provide a platform for films from around the world.
At our heart, we champion originality. We all know that film is considered the seventh art, so in addition to film, we celebrate all the other art forms that film touches upon, including, but not limited to—music, performance, design, and fine art. Keeping up the relationship between the gallery and the cinema. Our festival also coincides with Hull Fair, the largest travelling fair in Europe, providing all our attendees with a feast for their filmmaking senses.
SUBMISSIONS: There is no set genre or requirement for submissions, except that the project must be under 25 minutes. Production value is of absolutely no importance to us, we value simple original ideas that challenge people's opinions and expectations, embracing the absurd, the experimental and the all around wacky. Stories are always an asset, but alway necessary. We encourage filmmakers to submit in the category they feel best represents their film. Unthinkable may consider your film for additional categories if we feel it fits elsewhere.
PATRONS: The festival is honoured to have a selection of local creative experts involved as patrons, including Mark Herman (Director), Vincent Ragan (Actor) and Richie Culver (Artist and Musician). They will assist the judging panel and give performances.
Screenings will take place primarily between 7th - 11 October 2026, with additional festival events before and after.
Please follow our Instagram, @unthinkable.hull and website to receive updates on specific dates, times and locations closer to the Festival!
The only film festival in the world held in the impressive setting of the dome of the UNLP Planetarium.
The Gritos en el Planetario festival was born in 2022 with the conviction of promoting and disseminating Latin American production of genre films, while also bringing teenagers and young people closer to the world of scientific outreach, such as the university planetarium.
In its 2025 edition, the festival will take place from October 30 to November 1
at the UNLP Planetarium.
For more information, please visit https://gritosenelplanetario.com.ar/
"Georges Méliès rocket reached the moon, Felix the cat hit the road, and the great journey continues." Anthony Haden-Guest
WE HAVE ROLLING DEADLINES. If we are in between seasons on the FESTHOME platform
(PROJECT SUBMISSION IS FREE. We have ROLLING DEADLINES for project submission.) Please see our Rules & Terms.
EVENT DATES
- Aug - Jul | Animation Nights New York curated monthly screening events
- May | ANNY Cannes Program
- Nov / Dec | ANNY Best of Fest (Season Festival / Conference)
- Ongoing | Additional Opportunities
- Ongoing | ANNY Exchange Talent Connect (https://annyexchange.com)
(Please note: Animation Nights New York (ANNY) has ROLLING DEADLINES. If you have not received a notification it means your film is still in the running to be screened at one of our monthly events!)
Animation Nights New York is a competitive films festival. We host monthly screening events of our in-competition films in venues around NYC. Admission is Free.
The ANNY Cannes Program is an additional opportunity for our filmmakers. Working with the Cannes Marché du Film and Short Film Corner we shortlist qualifying films & filmmakers and then select 20 films to be showcased in our ANNY Cannes Program. Filmmakers receive limited festival accreditation and participate in both a market screening and industry events as part of ANNY Exchange.
ANNY Best of Fest is a conference held annually in NYC. The two day festival features animation screenings, virtual reality animation experiences, art installations, professional panels, and industry events.
ANNY Exchange connects animation talent to AR/VR/Traditional projects.
HISTORY
Animation Nights New York was founded by Yvonne Grzenkowicz. On September 9, 2015, Little Water Radio invited us to use their old space at 207a Front St in the back of Fulton Stall Market for our premiere “NY Independents” screening. The program was curated by Yvonne Grzenkowicz (Animation Nights New York) and Robert Lyons (ASIFA East). We had about 45 attendees. We soon outgrew the space! (Thank you, Little Water Radio and Fulton Stall Market!)
Jan-April 2016 we were in residency with the Third Annual Out to See Festival at 192 Front St (Jan-Apr) in the South Street Seaport. We were the premiere event for this winter festival hosted by Little Water Radio and sponsored by the Howard Hughes Corporation. Animation Nights New York continued to grow.
In May 2016, Animation Nights New York relocated to the beautiful 180 Maiden Lane, New York, NY 10038 with support from Anderson Contemporary, MHP, Clarion Partners, and Maiden Lane Hospitality. We could finally accommodate our growing regular attendance!
Animation Nights New York now holds screening events around NYC. Besides 180 Maiden Lane, we’ve held screening events at the One World Trade Observatory, the Arts Brookfield Terrace at Brookfield Place, and The Gutter Spare Room in Williamsburg Brooklyn. We’ve held workshops and VR pop-up events at The Capitale and The Hideaway Seaport.
We’ve had over 11000 films submitted from all around the world. The work is beautiful and inspiring and the events have fostered a sense of community and exchange.
We’ve had tremendous support from ASIFA, NYC ACM SIGGRAPH, NYWIFT, Women in Animation, and the animation community at large. Animation Nights New York programs have included work by award winning animators such as Bill Plympton, George Griffin, Joanna Quinn, John Dilworth, Signe Baumane, Michael Sullivan, Dustin Grella, AthanassiosVakalis and Tiny Inventions among others.
Animation Nights New York had our First Annual ANNY Best of Fest on September 29-30, 2016. Our panel judges selected 20 films from the 200 screened Sept 2015-July 2016. The ANNY Best of Fest featured Animation Screenings, VR Animation Experiences, Art Installations, Industry Events, Artist Booths, and Professional Panels at 180 Maiden Lane and venues around the Seaport District of NYC.
Our goal is to strengthen the animation community and ensure filmmakers are rewarded for their efforts. We are looking to partner with companies who are naturally aligned with our mission to promote the arts. A huge thanks to everyone who helped us get this started.
Keep supporting independent animation. We hope to see you at our next event!
One of the main events dedicated to the promotion of contemporary production of Ibero-American animation cinema reaches its 18th edition punctuated with attractions, in addition to the already traditional parade of the main animated productions in Portuguese and Spanish.
At B-Retina Festival we want to become a platform for B-Movies of all kinds, from guerrilla trash cinema to unclassifiable cult masterpieces; therefore, emergent talents, consecrated artists and difficult to classify characters will show us how they understand and see the world around us using their inventiveness and boldness.
During the days of the festival, we will become a showcase for a variety of classic films, premieres, shorts, web series, talks, interviews, and many surprises.
The festival has several sections:
-International competition in the official FEATURE FILMS section
-International competition in the official SHORT FILM section
-Retrospectives
-Free outdoor shows
-Screenings for all audiences
-Talks
The Ya Casi No Quedan Canis Short Film Festival returns for its fourth edition on January 23 and 24, 2027, solidifying its position as an essential event on the Spanish independent and urban film scene. This year, the festival returns to the Río Ebro Civic Center in Zaragoza, a neighborhood cultural space that embodies the spirit of creation, community, and authentic cinema that characterizes YCNQC.
For two days, the fourth edition will offer an Official Selection comprised of 10 short films chosen for their narrative strength, originality, and ability to explore social, cultural, and urban themes with a direct and unfiltered perspective. In addition to the screenings, the festival once again features a format that combines film screenings, interaction with the filmmakers, and complementary experiences. This year, the festival returns to the Río Ebro Civic Center in Zaragoza, a neighborhood cultural space that symbolizes the spirit of creation, community and authentic cinema that characterizes YCNQC. For two days, the fourth edition will offer an Official Selection comprised of 10 short films chosen for their narrative strength, originality, and ability to explore social, cultural, and urban themes with a direct and unfiltered gaze. In addition to the screenings, the festival once again features a format that combines film screenings, interaction with the filmmakers, and complementary experiences.
DOCUMED - MEDITERRANEAN DOCUMENTARY CINEMA FESTIVAL
IN TUNISIA
9th Edition - 2026
DocuMed – Mediterranean Documentary Cinema Festival in Tunisia, organized annually by the Tunisian Documentary Cinema Association, offers screenings of creative documentaries from countries around the Mediterranean. It aims to promote the influence and dissemination of documentary films in Tunisia and to promote exchanges between professionals, creators and the public in a spirit of openness to anthropological, cultural and social diversity.
DocuMed:
- Carries humanist values, based on openness to other cultures, freedom of creation and sharing.
- Demonstrates its belonging to the world, its openness to its Maghreb, Arab and Mediterranean geographical and cultural context.
- Allows documentary cinema, as a form of questioning the world, humans and art, to participate in debates on ideas, knowledge, representations and imaginations.
- Encourages the public for the documentary film genre and allows as many people as possible to access theoretical and practical knowledge of documentary creation.
- Promotes exchange, helps to think and gives food for thought by providing access to representations of Tunisian realities and the world.
MANIATIC- FANTASTIC INTERNATIONAL FILM FESTIVAL OF VALENCIA it´s a festival of fantastic genre to bring the world of the short film to the new generations of spectators who otherwise would not have access to the latest creations of the future directors of cinema.
KIZOKU Exchange is a curated cinematic Exchange focused on CAPITAL · INTELLIGENCE · SYSTEMS · VISIONARY VENTURES.
The Kizoku Exchange is not a traditional film festival; it is a Strategic Narrative Marketplace.
We evaluate narratives for their underlying intent—what a story is truly saying about power, strategy, innovation, or systems—not just plot. We provide a bridge between elite filmmakers and the worlds of capital, industry, and infrastructure.
THE FOUR TRADING FLOORS
We look for "Architects" who produce work—both modern and historical—that aligns with our four primary sectors:
CAPITAL | Markets & Geopolitics: The flow of wealth, mastery of risk, and how global power shifts affect the economy. Includes investment banking and capital market mechanics.
INTELLIGENCE | Strategy & Maneuvering: The art of outthinking an opponent. Includes military doctrine, espionage, geopolitical power plays, and high-level corporate strategy or espionage.
SYSTEMS | The Infrastructure of Order: Deconstructing the complex networks that run our world—financial systems, political frameworks, global logistics, and supply chains.
VENTURE | Innovation & Brand Heritage: The blueprint of achievement. Profiles of entrepreneurs, legacy brand stories, and pioneers who disrupt industries and build empires.
Held at Tokyo International Airport during Sakura season, this international film festival features a Red Carpet Opening Gala and Big Screen projections! Submit your trending Vertical Films and Fully Generative AI Films, and vie for the unique "Kawaii" Award. Your chance is here! This is Your Legendary Gateway to the Film World. Experience a festival of "Omotenashi" (Japanese Hospitality) symbolizing international peace.
Welcome to the Japan International Film Festival (JPIFF, pronounced "Jay-Pif").
JPIFF is more than just a festival; it is a global celebration of cinematic artistry bridging the East and the West. Located in Japan, a country with a profound history of storytelling and visual arts, we are dedicated to discovering and promoting visionary filmmakers from every corner of the globe.
The Ultimate Stage: Sakura & The Gateway to Tokyo
Imagine screening your film at the very gateway to Japan, during the legendary Sakura (Cherry Blossom) season. JPIFF offers an unparalleled cinematic experience at the exclusive TIAT SKY HALL, located directly within Haneda Airport Terminal 3. This is not just a venue; it is a world-class stage exclusively reserved for JPIFF, offering a dramatic and luxurious atmosphere found nowhere else in the world.
Why Submit to JPIFF?
* Unrivaled Location: Showcase your work in the heart of Tokyo's international hub. The combination of Japan's most iconic season—Sakura—and a state-of-the-art airport venue creates a once-in-a-lifetime backdrop for your film's Japanese debut.
* Prestigious Recognition: Winning an award at the "Japan International Film Festival" adds significant weight and prestige to your film’s biography. Our laurels are designed to stand out on your promotional materials.
* Connection to Japan: For international filmmakers, breaking into the Japanese market can be challenging. JPIFF serves as your bridge, bringing your work to the attention of Japanese audiences and industry professionals.
* Global Networking: We create opportunities for filmmakers to connect, share ideas, and foster future collaborations across borders.
Event & Screening Format:
JPIFF is a physical festival held at Haneda Airport, designed to respect the busy schedules of filmmakers while maximizing global reach.
* Live Screenings at TIAT SKY HALL: The festival culminates in a spectacular physical event with a live audience. On the main screen, we will feature Special Presentations (Director's Message & Film Highlights) for nominated films to showcase their essence to the audience and industry professionals.
* Full Feature Screening: As a highlight of the physical event, select award-winning films, such as the winner of the Japan International Peace Film Award (Grand Prix), will be screened in their entirety at the venue.
* Online Access (Judge & Industry): To ensure thorough evaluation, all nominated films will be available for viewing via our secure online portal for authorized judges and attendees leading up to the festival.
Power of Connection & Future Vision:
The founder of JPIFF holds a proven track record of extensive partnerships with the entertainment industry across Japan and Asia, as well as with leading Japanese corporations. We are constantly developing exciting new collaborations to elevate the festival experience. Please check our Official Website and follow us on Instagram for the latest updates on these expanding opportunities!
Exclusive PR Opportunities:
On our Official Website ([https://jpiff.com/](https://jpiff.com/)), films selected by the founder's unique perspective—regardless of award status or official selection—may be featured in special interview articles. We are dedicated to supporting your PR efforts and helping your work gain traction in the Japanese and Asian markets.
Hospitality & Benefits for Filmmakers:
We welcome filmmakers from all over the world with our spirit of "Omotenashi."
* Visit Support: Please note that travel expenses, accommodation costs, and VIP Passports are self-funded. However, we provide full support for your visit, including issuing official invitation letters for visa applications and offering recommendations for convenient hotels directly connected to or near the airport.
FAQ (Frequently Asked Questions):
* Q: Can I submit a work in progress?
A: Yes, rough cuts are accepted for submission.
However, the final version must be completed and submitted at least two months prior to the festival date. Please notify the organizer separately when submitting the final version.
* Q: Is a Japan Premiere required?
A: It is highly preferred but not mandatory. Films available online are also eligible, though premiere status may be a factor in the final selection.
* Q: What is the screening format?
A: We require digital files (Apple ProRes 422 HQ or high-bitrate MP4). DCPs are not required.
* Q: Are there specific requirements for Vertical Films?
A: Yes, please submit files with a native vertical aspect ratio (e.g., 9:16). Please do not add black bars (pillarboxing) to fit a horizontal frame.
Submit your film today and let your journey in Japan begin.
The Venue: TIAT SKY HALL (Haneda Airport International Terminal)
JPIFF offers a truly exclusive cinematic experience at the TIAT SKY HALL, located directly inside Haneda Airport (HND) Terminal 3, the gateway to Tokyo.
* A World-Class, Exclusive Setting: This is not just a screening; it is a red-carpet event held in a venue exclusively reserved for JPIFF. Situated within the international terminal, it symbolizes a direct connection between your art and the world.
* Impressive Screening Experience: Your films will be showcased on a massive 330-inch Cinema Screen with state-of-the-art acoustics, ensuring the highest quality visual experience for every attendee.
* Direct Access: International filmmakers can land at Tokyo International Airport Terminal 3 and walk straight to the festival venue. No trains or taxis required upon arrival. Furthermore, this is one of the world's premier locations, directly connected to prestigious Japanese hotels.
* Experience Tokyo & Sakura: The event is scheduled for late March, coinciding with Tokyo's breathtaking Cherry Blossom (Sakura) season. Experience the magic of spring in Japan at a location that is truly one-of-a-kind.
Event Schedule Overview:
* March 26, 2027 (Evening): Opening Gala Party. A glamorous networking night at the festival venue. Features include a Red Carpet Photo Corner, individual Nominee Stand Banners, and professional Photo Sessions for all filmmakers.
* March 27, 2027 (Main Event): Award Ceremony & Special Screening. The main festival day features Special Presentations (Director's Message & Film Highlights) for all nominees, followed by full-length screenings of select award winners, such as the Japan International Peace Film Award (Grand Prix), and concludes with the Award Ceremony.
* Tickets & Passes: Various ticket options will be available for purchase directly via Festhome, including exclusive 2-Day VIP Passports (for Nominated Filmmakers, granting special guest access to both the Gala and Main Festival) and General Admission Tickets (for Audience & Industry Professionals) for the screenings and ceremony.
#VIEWCONFERENCE is the premiere International event in Italy on Computer Graphics, Interactive Techniques, Digital Cinema, Animation, VR/AR, Games, VFX and immersive storytelling.
VIEW CONFERENCE è un evento internazionale a cadenza annuale incentrato sulla computer grafica, le tecniche interattive, il cinema digitale, l’animazione, i videogiochi, gli effetti visivi, Realta' Virtuale e aumentata e storytelling immersivo.
1) VIEW AWARD: First Prize is 2000 Euros
2) ITALIANMIX: First Prize is a RenderMan license
www.viewconference.it
Facebook: https://m.facebook.com/viewconference
YouTube: https://m.youtube.com/channel/UChGdAnZQE6UcH_OQ5DNFW_Q
Twitter: @viewconference.it
Instagram: view_conference
Around International Awards ✈ Barcelona ✈ Paris ✈ Amsterdam ✈ Berlin.
Annual Independent event with 4 major programs for all Features, Shorts, Documentaries, Experimental, Commercial, Music Video, Animations, Student Films, TV, Series, and New Media. The international community evaluates the all-genre creations to serve ARFF Official Laurels and to certify the awarded filmmakers at the end of the annual festival run. Thus, all the ARFF Finalists will be mentioned multiple times to have the best out of the entire year altogether.
Submit today to participate in all 4 programs, regarding the unique system of ARFF International.
Submissions made via Festhome are getting evaluated and selected, directly for the yearly festival run and participating in the Official Certificate Program exclusively. Monthly selection is available on other associated platforms.
See you Around & Fest Regards
IA en Corto is an International Short Film Festival dedicated to exploring new forms of audiovisual creation emerging from the use of Artificial Intelligence.
The festival seeks works that research, experiment with, or integrate AI tools at any stage of the creative process, including image generation, animation, scriptwriting, editing, sound design, or narrative development.
IA en Corto was created as a space for filmmakers, digital artists, audiovisual creators, and experimental artists from around the world who understand artificial intelligence not only as a technical tool, but as a new creative language.
The festival celebrates innovation, diversity of perspectives, and the dialogue between cinema, technology, and the future.
It is not required for the entire short film to be generated using AI; however, its use must be relevant and creative, not merely technical or incidental.
Coming together to explore new cultures and celebrate creativity will always be important and VIFFMP is the perfect medium for that. Visual literacy is an aptitude for this century and VIFFMP brings together the highest-quality stories to learn from. VIFFMP exists to inspire audiences and keep the excitement alive for cinematic experiences.
VIFFMP is a meeting place for filmmakers and people who are interested in the world in its variety, different approaches to life, film as an art form, a medium and a tool of social expression. VIFFMP offers filmmakers a platform to introduce their work and discuss topics shown in the film as well as the filmmaking process. Helping at the frontline of an increasingly polarized world. Speaking multiple languages, VIFFMP gives the ability to hear a rich diversity of voices from the divided areas.
VIFFMP is not out there just for the sake of films. We enliven with an idealism that enables filmmakers and diverse communities to share their ideas in close personal contact.
Bonito CineSur – South American Film Festival – 2026
The heart of South American cinema beats in Bonito
Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Guyana, French Guiana, Paraguay, Peru, Suriname, Uruguay, Venezuela
Competitive screenings of new South American feature films and short films produced between 2025 and 2026;
Parallel exhibition of South American children’s animation films;
Competitive screening of environmental-themed films;
Competitive screening of films from Mato Grosso do Sul, produced between 2025 and 2026;
Awards, debates, and roundtable discussions aimed at international cooperation;
Workshops for professionals, film and audiovisual academics, and local residents;
Exchange with leading South American film festival directors.
VENUES
Bonito Convention Center and public squares.
ECOTOURISM, CULTURE AND CINEMA
In the heart of Brazil, the city of Bonito is part of the Serra da Bodoquena National Park and is one of the most important ecotourism destinations in the country.
Mato Grosso do Sul borders Bolivia and Paraguay, from where it has received strong cultural influences that shape the ethnic identity of its people.
Bonito has approximately twenty thousand inhabitants and, in this charming city, there are crystal-clear rivers, waterfalls, caves, and some of the most beautiful landscapes in Brazil’s Midwest. As a cultural hub of Mato Grosso do Sul, Bonito hosts literary and jazz festivals, as well as a winter festival.
Bonito CineSur is a space for meeting and integration of South American cinema and audiovisual production, presenting the most recent works and bringing together professionals from across the continent.
In 2025, its third edition enriched the cultural calendar of the city, the country, and the continent with the screening of 63 films from 10 South American countries, in 120 hours of free programming.
Bonito CineSur received wide coverage in local and national media, with 1,665 published news pieces, reaching more than 619 thousand people on social media. It grew in size and relevance with the participation of 60 public and private institutions, reaching 9,000 people and fostering the local creative economy through the hiring of 250 professional services, including production, technical equipment, hotels, restaurants, and transportation, generating income and visibility.
In 2026, Bonito CineSur will continue to occupy venues throughout the city of Bonito and will further consolidate the convergence between culture, environment, and tourism, promoting South American cinematic exchange, highlighting environmental issues, and internationally promoting the tourist destination of Bonito and our beloved Brazil.
TEAM
NILSON RODRIGUES – Director
Producer of the films “O Outro Lado do Paraíso” (2015) and “O Pastor e o Guerrilheiro” (2022). Nilson served as director of the Festival de Brasília do Cinema Brasileiro (1995, 1997, 1998, and 2011) and of the Brasília International Film Festival (2012 to 2017), as well as Bonito CineSur (2023 to 2026).
ANDREA FREIRE – Coordinator
Coordinator of the Bonito Winter Festival (2000 to 2006, 2015, and 2016); coordinator of the Festival América do Sul (2004, 2005, 2015, and 2016); coordinator of the Vídeo Índio Brasil Showcase (2009); of the audiovisual production course Mídias Contemporâneas Narrativas Populares (2010); director, researcher, and screenwriter of the audiovisual series EVOÉ – Dramatic Stories in Campo Grande (2021). Coordinator of Bonito CineSur (2023 to 2026).
GUSTAVO DE ARRUDA CASTELO (Cegonha) – Coordinator
Cultural producer, coordinator of Temporadas Populares (1999 to 2002); General Director of the Mato Grosso do Sul Culture Foundation (2020 to 2022); Coordinator of Bonito CineSur (2023 to 2026).
JOSÉ GERALDO COUTO – Curator
Born in Jaú, São Paulo, in 1957, he is a journalist, translator, and film critic. He worked for more than twenty years at Folha de S. Paulo newspaper and currently works at the Moreira Salles Institute. He has translated works by Henry James, Norman Mailer, Truman Capote, Martin Scorsese, and Nelson Mandela, among others.
CECILIA DIEZ – Curator
University professor and general producer of the Mar del Plata International Film Festival (2021–2023) and Ventana Sur (2022–2023).
RODRIGO FONSECA – Curator
Curator, critic, and researcher of Brazilian cinema, known for his work curating film exhibitions and festivals, as well as for his work as a journalist and professor.
LUCIANA DRUZINA – Director of Druzina Content, where for over fifteen years she has produced animated series, films, fiction, and games distributed in more than fifty countries across various platforms and channels. Curator of the children’s parallel program of Bonito CineSur (2023 to 2026).
ELIS REGINA – Curator of the Environmental Film Section Journalist, has worked as a curator at several events, including Comitiva dos Chefs Festival Movie Showcase (2019); Making Of Showcase – O Cinema Está Aqui – Festcine América do Sul (2014); A Imagem do Índio – Vídeo Índio Brasil(2014 and 2015); Comida em Movimento Festival – Cinema and Gastronomy (2023); and the Bonito CineSur South American Environmental Film Festival (2023 to 2026).
MARCOS PIERRY – Curator of the Mato Grosso do Sul Film Section, Journalist, critic, audiovisual curator, screenwriter, short film director, and film professor. He holds a Master’s degree from USP and a PhD from UFMG. Member of the Brazilian Association of Film Critics (Abraccine). Curator of the Mato Grosso do Sul film section of Bonito CineSur (2024 and 2026).
BONITO CINESUR – South American Film Festival
Production – Associação Amigos do Cinema e da Cultura – AACIC
The Associação Amigos do Cinema e da Cultura – AACIC is a private, non-profit organization founded in 2007, which has been developing cultural, educational, and training projects for over fifteen years.
The association’s experience and technical capacity to develop and carry out activities in the field of cinema, as well as in education, training, and culture in general, have been officially recognized by the Education, Health, and Culture Commission of the Legislative Chamber of Brasília and by the University of Brasília.
VI International Short Film Festival "Make me visible in your memory" aims to promote reflection on death and the subsequent process on personal and family, social and historical memory.
The "Gulf of Naples Independent Film Festival" is an event intended to serve as an international showcase for films of various types and gender, in order to promote and spread the art, auteur and experimental films that are not released in cinemas playhouses, to foster dialogue between different experiences and to create a meeting point for the support of cinema culture.
