The Association 400 Colpi is a non-profit organization created with the aim of promoting films that, thanks to their language, style, story, and themes, are intended for both young and adult audiences.
vvfilmf is synonymous with film quality and represents a window into the youth world. It is not just a film festival. It's an experience. It's a significant cultural moment for young people that unites and cultivates.
Over the years, vvfilmf has created events that discover spaces for young people, workshops for the study of new forms of visual expression. #vvfilmf presents itself as an initiative aimed at the entire country and internationally, with the intention of meeting the expectations of both a young population and adult viewers.
The goal is to bring the general public closer to quality cinematic forms. Despite the festival's programming having a preferential audience of children, school-age youth, and university students, it enthusiastically opens its doors to adults and all those interested in cinematic art, fascinated by artistic and visual culture, passionate about education, pedagogy, educational fun, and simple entertainment.
The festival represents an excellent opportunity to showcase new educational paths, offering a constantly renewed program of cultural activities, and to propose, through the cinematic medium, respectful skills and fruitful reflections open to all school members.
vvfilmf boasts the High Patronage of the European Parliament, the Patronage of the Italian Council Presidency, the Ministry of Culture, Labor and Social Policies, Tourism, and almost all Italian Regions, many Provinces, and Municipalities.
Among the multi-year collaborations developed by #VVFILMF are those with RAI Cinema, the Foundation for Entertainment, and Lancia Europa, as well as with RAI Radio 2 and RAI Educational.
Thanks to the high quality of the film selection in competition and the professionalism demonstrated over the years, vvfilmf has been chosen by the President of the Biennale Foundation, Paolo Baratta, and the Director of the Venice International Film Festival, to select a group of young jurors and accompany them into the world of international cinema during the Venice International Film Festival.
The 12th edition of the FICS will take place in Bucaramanga – Santander from September 27 to October 1, 2022. The call in all official competitive categories, will be open from June 24 to August 19, 2022. For this edition, the Festival will have prizes in effective, recognition support for audiovisual development.
The Social Education and Communications Corporation PRESS LIBRE, whose trajectory of more than twenty years, in the leadership of the development of the media in Santander, supports and qualifies the suitability of the FICS.
The FICS is made up of the presidency of the film director Sergio Cabrera and is headed by its director, Oscar Fonseca, in accompaniment of administrative partners.
Its main objective is to work for the formation of a public criticism and for the consolidation of spaces for discussion and appreciation around a real film culture in the region and in the country.
The department of Santander as the headquarters of the FICS, is among other
the department with the highest average economic growth annual and is promoted as one of the most popular tourist destinations
important, a cultural epicenter of enterprising people, who opens its doors to new markets.
The competitive sections of the FICS are windows to the development of the
culture and the film industry, with new looks towards Ibero-America, maintaining its strong commitment to cinema national, supporting the cinema made in Colombia and Latin America
Festival is an international unique project.
These days Khanty-Mansiysk becomes a TV and environmental capital of Russia, where you can see the most actual foreign and native ecological documentary.
Nowadays mass media devote special attention to environmental issues. Every year state of our planet is getting worse. Participants of the festival are calling to rescue the world. They are real professionals that live TV and films.
Their works are worth of recognition. The main award - the Golden Loon - gives to participants an opportunity to create new films that could affect people' world view. Today the importance to respect nature can be reveal through the TV screen. The main thing is to do it properly. And International Ecological TV Festival "To Save and Preserve teaches and promote this thing.
The festival’s mission is to spread the knowledge of film art, especially in the form of short films, in order to show the public all the different aspects of contemporary international cinema.
The Hollywood Academy supports Huesca International Film Festival by recognizing it as shortlisting for the Oscar Awards within Best Short Fiction Film category, also the Spanish Academy of Motion Picture Arts and Sciences recognizes it for the Goya Awards.
http://www.oscars.org/sites/default/files/88aa_shorts_festival_list.pdf
Revolution Me Film Festival brings you a new generation of filmmakers. It is important for every artist of every culture to stand for something in their own unique way, to creating stories that can change the world.
The world of film/TV is constantly changing and it will continue to grow. But who is leading this new change? Filmmakers, screenwriters, actors, producers, and directors have a voice and it is important to influence our communities with our stories.
Revolution Me Film Festival wants the new emerging filmmakers to come together and change the world. We need more diversity, we need more voices, we need more women behind the camera and sitting on the directors chair. This film festival is open to ALL!
Bucharest International Film Festival is a competitive festival, dedicated primarily to international feature-length films. The festival aims to promote copyright movies and low budget films.
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
Film is an international medium that has its roots in the American inventors and entrepreneurs. This spirit is felt in every word of a script, every frame, every cell and every pixel of film produced around the world.
The American Film Award is a recognition of what it means to have that founding motivating force. It is much more than a trophy, it is a message that the spirit of film is alive.
The American Film Award is a mark of excellence in Film Craft.
Detroit’s Trinity International Film Festival. The festival takes place August 20-23, 2020 in beautiful Downtown Detroit at The Marlene Boll Theater, 1401 Broadway, Detroit, Michigan and The Carr Center Gallery. The 4-day event themed “FILM YOUR FUTURE” features an array of independent films, screenplays, workshops, The Future panel discussion and filmmakers from around the world. We are also hosting a Best screenplay competition, 2nd Annual Uncle Nearest Premium Whiskey 100 Proof! Red Carpet Award ceremony. We expect an audience of over 4500 people from diverse ethnic and cultural backgrounds to attend. This event will give your company a distinct marketing opportunity with this population in Detroit.
The TI Film Festival has hosted industry professionals locally and nationally to share their knowledge and expertise in various workshops and industry discussions. Special guests have included famed Actress and Producer, Tangi Miller, Syndicated Radio Host and Film Producer, Russ Parr, Former BET Executive Producer, Ralph Scott, currently with the Aspire Network (Owned by Magic Johnson), film segment producer/head of production for more than 100 episodes of SNL, Tanya Ryno and Writer, Director, Qasim Basir, “Destined,” and Actress/Singer Deborah Joy Winans of the acclaimed TV series “Greenleaf,” which airs on Oprah Winfrey’s OWN network.
The highlight of this event over the years has been all of the innovative work we've showcased by indie filmmakers and our audience that supports Detroit's TI Film Festival.
2020 Festival Schedule (Screening Schedule Coming Soon)
The International Afro Film Festival "Ananse" aims to make visible the cultural and social aspects about the black population. Working as part of a circuit that allows alternative movement be made known to new filmmakers to make videos about the Afro-descendants in the entire world.
"Ananse" is the first festival that invites filmmakers around the country the possibility to create spaces visible productions representing the views of the black communities.
The London International Animation Festival proudly showcases the whole spectrum of creative animation, showing that animation is for everyone.
Founded in 2003, LIAF aims to dispel the popular misconception that animation is just cartoons for kids by screening the broadest possible range of intelligent, entertaining and provocative current films on offer from all around the world as well as retrospectives and specialised sessions from countries and animators who don't normally elicit such attention.
Our annual 10-day Festival includes gala premieres, retrospectives, Q&A's with filmmakers, workshops, audience voting, and the Best of the Festival screening.
The Roswell Film Festival honors International Feature and Short Films of all genres. Special Sections include: General Entry, Sci-Fi/Fantasy, Independent, Documentary and New Mexico based productions.
Taking place May 19-21, 2016 the Annual Roswell Film Festival will host films, special events, panel discussions and you in the Alien Capitol of the World.
Finished films in the categories of Feature Films (running time over 60 minutes) and Short Films (running time under 60 minutes) may enter into the festival.
Entry Fee of $35. The fee for the Festival is for already completed films.
Our mission:
To recognise and honour experimental film
To educate the public in experimental film
To build a networking platform for experimental filmmakers
We support: the unrecognised, the progressive, the visionary. By submitting your film you: endorse our mission, embrace our philosophy, join our community, declare rightful ownership of your work, permit screenings, and the use of clips and images for promotion.
London Experimental Film Anti-Festival
Fluid and evolving
Promoting experimental film
Exhibits in a variety of alternative spaces
No programming
No competition or prizes
Random film selection
Free to watch
Unorthodox marketing
Any kind of video or movie produced by 2014, in any language (we need Italian subtitles). The final term for inscription is february 19th 2017. Info www.videomakerfilmfestival.com
CINESONIKA is the premiere international exhibition for works which make full artistic use of sound's contribution to the moving image, showcasing fascinating soundtracks, idiosyncratic sound design, eclectic scoring and innovative approaches to the sound-image relationship.
Since it's founding in 2010, the CINESONIKA website has averaged ~5000 unique visitors annually, a much larger audience than most boutique film festivals gain in actual screening attendees.
To take advantage of this established global exposure, CINESONIKA 6 will also have an online festival in the Summer of 2017, running in parallel to the Vancouver VFX Festival (www.vvfx.ca). Live screenings of both festivals will take place in downtown Vancouver, British Columbia.
Cinesonika is also partnering with the NW Film Center in Portland, OR for screenings of select films as part of our touring anthology.
We are open to works in any format, including narrative, documentary, animation, experimental, and uncategorizable styles. Videos will be reviewed on a rolling basis until the deadline, so earlier submissions will result in earlier notifications.
We accept in all genres (e.g. animation, narrative, documentary, performance, experimental, shorts, etc.)
HIGHLAND PARK INDEPENDENT FILM FESTIVAL (HPIFF) fosters emerging and established filmmakers by providing forums for screening projects, networking with industry professionals and mentoring student filmmakers in Northeast Los Angeles. All films will screen at the historic Highland Theatre on a DCP system
