ヒホン/XIXÓN国際映画祭（FICX）は、特に革新的な映画や新進気鋭の映画製作者に焦点を当てた、現在世界中で制作されている多種多様なオーター映画のセレクションを紹介することを目的としています。 クオリティの高い、個性的で若々しい、独創的なレベルでの、エッジの効いたインディペンデント映画。 映画祭は選考過程で、FIXで世界、国際、ヨーロッパ、スペインでプレミア上映される作品や、スペイン領内で商業的配給契約を結んでいない作品に優先的に取り組みます。
FIAPF（国際映画製作者協会連盟）から「スペシャライズド・フェスティバル」として認められています。
アントファガスタ国際映画祭「ANTOFACINE」は、国内外の映画製作者が集まるイベントです。この前提に基づいて、私たちは以下のことに貢献したいと考えています。
● フィクション、ノンフィクション、アニメーション映画を文化的および社会的変革のツールとして、またアントファガスタ地域のすべての住民に利益をもたらすためのプロモーションを行う。
● 地域および国におけるオーディオビジュアルプロジェクトの開発を促進し、地方、国内、および国際的なオーディオビジュアル作品を宣伝するためのプロフェッショナルスペースの創出を支援します。視聴者形成に貢献し、オーディオビジュアル業界のすべての関係者が必要な交流を行うための集いの場をアントファガスタに設立します。
アントファガスタ国際映画祭の第12回アントファシネ2023は、11月14日から18日まで、アントファガスタ市やその他の地域で開催されます。
La Associació Crear per la Identitat i la Memòria (ACIM) organiza la V Muestra de Cortometrajes por la Identidad y convoca a los autores a enviar sus obras. La Muestra tendrá lugar en Barcelona el 30 de noviembre y el 1 y 2 de diciembre de 2016, y reunirá cortometrajes que aborden el tema del robo de la identidad, su reconocimiento y recuperación, y las consecuencias personales y sociales. ACIM promueve actividades de denuncia del robo de identidad, especialmente la de ninos y está en estrecho contacto con la Asociación Abuelas de Plaza de Mayo. El secuestro de niños y cambio de identidad fue una práctica sistemática durante la última dictadura militar argentina así como durante la dictadura franquista y otros gobiernos de facto. ACIM considera fundamental luchar por la restitución de la identidad, que es un derecho inalienable. La Muestra tiene el objetivo de promover a través del cine un espacio que analice y debata el tema del robo de la identidad en todas sus dimensiones culturales, psicológicas, sociales y biológicas.
TRIFI映画祭の目標は次のとおりです。
-映画制作の芸術、メディア、技術における未来のアーティストや職人を促進し、奨励する。
・芸術としての映画鑑賞・鑑賞をさらに広めるため、
-年次映画展や講演会、セミナー、ワークショップなどの活動を主催し、これらの分野における一般市民の教育を支援するため。
TRIFIのモットーは、「無制限の想像力を使って限られた予算で独立した映画にスポットライトを当てる！」
2019年2月15日〜17日、パスコワシントン州ラドコンSF＆Fコンベンションで映画を特別料金なしで上映することもできます-シアトル・クリプティコン2019年5月3日～5日（2時間ブロック-ホラーショーツのみ）
TRIFI（TCIF3）は、ワシントン州の非営利団体です。 登録された501c3課税控除組織
映画祭「Seize the Film」は、障害/少なくとも1人の俳優が障害者をテーマにした映画の上映に焦点を当てており、ノヴィ・サド（セルビア）、リエカ（クロアチア）、コトル（モンテネグロ）で上映されています。
障害をテーマにした映画の上映に加えて、映画祭には文化空間、学校、その他のフェスティバルでの上映を含むフィルムキャラバンや、7歳から12歳の子供に適した映画の上映会である「Seize the film Kids」（セルビア）などの付随するプログラムやポストプロダクションもあります。
Forster Film Festival is an annual event, now in its 8th year, showcasing an inspired program of entertaining, thought-provoking and life-affirming short films.
Strongly supported by local business and media, FFF is a stunning place to watch world class international short films. Sparkling lakes and gorgeous beaches serve as the backdrop for this exciting event, situated in a prime Australian vacation destination.
"A fantastic event in a spectacular location" Sue Milliken, former Chair of Australian Film Commission.
The Lookout Wild Film Festival is an outdoor adventure and conservation festival in Chattanooga, Tenn., that aims to celebrate what we call "wild" films. We are looking for projects that celebrate the wild places around the Southeast, North America and the world.
Topics of such films may include — but are not limited to — exploration, conservation, nature, wildlife, survival and outdoor activities such as adventure sports. Some sports/activities we hope to encompass are: rock climbing, cycling, paddling, hiking, hang gliding, skiing, running, mountain biking, fishing, birding, snowshoeing, caving, boarding (snow, wake, skate and others), horseback riding, surfing, multisport, slack lining, base jumping and whatever else people are doing outside.
We are looking for narrative and documentary films, feature-length, shorts and everything in between.
But beyond any specific activity or theme, the LWFF board is looking for films that share our love of the outdoors and storytelling. We want films that take us places we can't go — or haven't gone yet. We want films that help us see things with a new perspective.
Films will be shown over three days at the historic Chattanooga Choo Choo.
Chattanooga is a youthful, growing outdoor mecca drawing in top experts and athletes from around the United States. The city are also garnering attention from media outlets and tourism groups, headlined by Outside Magazine calling the Scenic City its "Best City Ever" in 2011 and the New York Times declaring that Chattanooga has the fastest Internet speeds in the country in 2010.
We believe that the Lookout Wild Film Festival will be key part of Chattanooga's continued growth as a destination for both outdoor enthusiasts and young, techie creatives. We hope to see you here!
6th CinemAvvenire Film Festival carries on and strengthens the International/European dimension of the Associazione Centro Internazionale CinemAvvenire, a project managed with enthusiasm and determination since 1992 through the starting idea by Gillo Pontecorvo.
Lumière 2015 signs a crucial step forward; the previous edition hosted 100 feature films and 200 shorts from 60 different Countries.
Each tool of the festival is at disposal for the discover and the exploration of new styles and talents, assisting and supporting the independent productions setting a European platform for their expectations. A look at the past won’t be ignored –bringing to light some unpopular zone of Cinema History – as it belongs to the logic of discovery too.
We have concluded many deals with several partners around Europe. This partnerships are planned to decentralize the event with the aim to promote young talents inside a European web allowing audiovisual works to get a broader circulation around EU.
This European direction led us choosing the platypus as logo for our festival. It unites different parts from different animals and this feature makes it unique. It has a duckbill, the tail as rodents, the paws as reptiles and it lays eggs notwithstanding it is a mammal animal. Its skills let it free form categorization and guardian of a precious metaphor: united in diversity.
「Segni nuovi」映画文化クラブ,「アルカモDoc」映画文化クラブと共同で,「コルティアモ」の第15版を開催します, 国際短編映画コンペティション.
セクション
「コルティアモ2020」祭は、以下の特別セクションに分かれている。
-アニメーション
-裁判所と権利-「エルネストディロレンツォ」出版社賞
-コルティッシミ（最大所要時間 3 分）
-ドキュメンタリー-「アルカモ・ドク」賞
-アンダー25-ACEC賞
-男女平等
-学校-「アルド・フィリッピ」賞
-ビデオクリップ
「ビデオクリップ」セクションの参加者は、曲の著作権者によって競争に参加することを許可されていることを明示的に宣言しなければならないことを明確にすることは良いことです。
各ショートフィルムは、複数のセクションに参加することができ、提出されたすべてのショートフィルムは、自動的に「最優秀映画」と「新しいサイン」賞の選考に参加します。
「最優秀映画」に選ばれるもののみが「公募賞」を競う。
Born in Barcelona in 1998 MECAL Pro, International Short Film Festival of Barcelona. Currently with 17 editions and recognition of Creative Media program of the European Union, Chile reaches its fourth edition.
The Festival aims to provide and create a platform for Chilean Short Film Festival, which collaborates with other European and Latin American festivals level and serves as a showcase for Latin American filmmakers to project the European market. Mecal Chile is an opportunity for the Chilean public to watch quality cinema with all the art scene.
International programming Chile Mecal Mecal is in charge of Barcelona.
Mecal Chile Festival is organized and produced by the prestigious agency of Arts and Culture, Causes Agency, whose management involves the development of a cultural bridge between the cities of Barcelona and Santiago de Chile.
Welcome to Mecal Chile.
Jaime Carmona Daroch, Director.
In March 2004 the 1st international short film festival for films by artists was held in Gstaad, Switzerland, with the ultimate prize being 'The Golden Cow of Gstaad'. For the organisers of Gstaad Film, the event was a great success: Many artists made use of the possibility to present their works at the festival & the quality of the program was high, attracting many films from Switzerland and entries from as far away as Argentina. The three days of the festival gave many possibilities for interesting contacts, not only for we the organisers, but also for a numerous and interested audience who were left excited, enthralled and enriched by the experience.
The positive reaction generated over the three-day period encouraged us to start organising a second festival. To improve the organisation and to give the participants/entrants more time, we decided to organise the festival in a two-year cycle, as a biennale.
Films by artists, filmmakers, independent filmmakers and documentarians and / or community organizations, groups, local television and / or community college students and social production of Ecuador, Latin America and the world will be accepted.
The interest is to get audiovisual productions to places that are excluded from the film-culture in order to create spaces for reflection upon the awareness of community sectors, educational institutions, universities, neighborhoods and cities, and recover public spaces for the audiovisual in Ecuador.
Epic ACG fest is a unique event showcase animation, comics and games. Though screening, exhibition and competition, bring together the creative elements, the artists and the general public from worldwide.
During the festival, EACG is also hosting the Live Demonstrations, Networking Receptions, Master Workshops, Panel Discussions, Business Symposiums, Recruiting and the Professional Exhibits offered throughout the event as well as the One-On-One Personal Consultations with creative professionals from top studios and educational institutions both local and international. The Award ceremony is a red carpet event that provides recognition and great memories.
Epic ACG fest will screening animations from worldwide
One of the main events dedicated to the promotion of contemporary production of Ibero-American animation cinema reaches its 18th edition punctuated with attractions, in addition to the already traditional parade of the main animated productions in Portuguese and Spanish.
We hope everyone has fun and enjoys themselves at the festival but a few suggestions...
Please submit as soon as possible. The process goes a lot smoother if we are not sent a lot of films at the last minute. THANKS!
This is a short film festival for films 20 minutes or less in length.
This year, we are strongly encouraging entrants to submit a link to private YouTube or Vimeo screener not a hard-copy of the film. If you must submit a hardcopy please use a paper DVD sleeve. When packaging, protect the DVD in a padded envelope, or similar package. Please DO NOT send your dvd in a slim, jewel, or standard DVD case, they almost always break in shipping.
Please note that the ONLY difference in the early submission deadline versus the final submission deadline is the fee discount. The submission process and consideration by the Programming Committee is not affected by the date you submit your film as long as it is postmarked by our final deadline - your chances are equal regardless of the day your film makes it into our offices, as long as it is postmarked by the final deadline!
ALL films submitted to the festival are seen and scored by two or more different programmers. All films that have a higher average, or are a favorite of a programmer, go on to final deliberations. GeNerk selects its films by majority vote and nothing is offered early acceptance.
Film Submissions are non-returnable for any reason.
If a film is accepted, entrants will be solely responsible for delivering their exhibition video materials to and from the festival venue. Complete press kits will be needed as soon after notification as possible. GeNerk cannot be held liable for your exhibition print/video materials which are lost or damaged.
Please note festival dates are subject to change.
Unfortunately, GeNerk does not provide room, board or travel for filmmakers.
