The 2nd Calango International Environmental Film Festival aims to entertain, inform and educate the population of the region of Taguatinga, Águas Claras, Vicente Pires, Guará and Arniqueira.
film/Documentory/music vedio/Animation/VFX/CGI/2D/3D/other
*Mumbai Entertainment International Short Film Festival*
*Organized BY*
mumbai Entertainment
& Yogeshpatilfilms
*world all contries participated now*
The XV Film Festival: Childhood and Adolescence -2024, is a festival with spaces for circulation and audiovisual training for children, adolescents and young people, with exhibitions, recreational activities, workshops, panels and discussions, whose main objective is to promote Bogota as a pioneer city in Latin America in terms of a visible, protagonist and full of rights childhood and adolescence through audiovisual construction. Participation is free of charge to the activities of exhibition and circulation of audiovisual content.
The Contest will be held from September 7 to 13, 2024.
Children and adolescents will have access to an audiovisual program made up of national and international animation and fiction short films, television series and the "FESTICINE AWARD" category, which is given to audiovisuals made by Colombian children. They will be accompanied by playful activities of reflection on the thematic axis: "TERRITORIES OF KNOWLEDGE, BIODIVERSITY AND INCLUSION THROUGH FILM".
CineBH - Festival Internacional de Cine de Belo Horizonte fue diseñado para develar la nueva cadena de producción audiovisual nacional e internacional, establecer una conexión con la producción audiovisual de la Grande BH, exhibir y hacer puentes e intercambios con la producción latinoamericana y contextualizar el mercado audiovisual – perfil, posibilidades, alternativas y la realidad de exhibición en Brasil en intercambio con el mundo y con la presencia de otros países. Es un espacio de formación y reflexión sobre la sustentabilidad del cine nacional, su capacidad de seducción del público, las posibilidades y la factibilidad de la coproducción internacional, las tendencias, los nuevos medios y tecnologías. El programa es gratuito y ofrece proyecciones de largo, medio y cortometraje nacional e internacional, homenajes, debates, sesiones de cine-escuela, muestra de cine infantil, atracciones artísticas. Forma parte de Cinema sem Fronteiras - programa audiovisual internacional, concebido y realizado por Universo Produção Ltda, que reúne tres muestras anuales diferentes y complementarias: Muestra de Cine de Tiradentes; CineOP – Muestra de Cine de Ouro Preto y CineBH – Festival Internacional de Cine de Belo Horizonte.
El segmento latinoamericano de CineBH presenta dos muestras de cine latinoamericano, que se enumeran a continuación, una competitiva y otra no competitiva, enfocadas, en particular, el sesgo autoral, de ambiciones internacionales, mirando hacia un diálogo e intercambios de mayor efectividad entre los países de colonización portuguesa y española en las Américas, con el fin de ampliar sus redes de repercusión y circulación.
1 - Muestra Territorio, sección competitiva internacional del programa, compuesta por hasta ocho largometrajes latinoamericanos,preferiblemente inéditos en Brasil*, de directores (ras) independientes que estén dirigiendo, individualmente o en conjunto, hasta su tercer largometraje. El objetivo de esta muestra es estimular y ampliar debates, reflexiones y dar visibilidad a producciones con un sesgo más autoral, con ambiciones internacionales con miras a un diálogo e intercambios más efectivos entre los países colonizados portugueses y españoles de América, con el fin de ampliar sus redes de repercusión y circulación e invertir en profesionales que se encuentran en el inicio de su carrera. Las películas seleccionadas serán valoradas por el Jurado Oficial (integrado por hasta cinco profesionales del audiovisual invitados por la organización del certamen) que elegirá el mejor largometraje de dicha sección. La película ganadora elegida por el Jurado Oficial se dará a conocer al final del evento, el 29 de septiembre, y será galardonada con el TROFEO HORIZONTE – oficial del evento y un premio en efectivo por valor de R$ 10.000,00 (diez mil reales - aproximadamente 2 mil USD).
*Es considerado película inédita aquella que, además de no haber sido estrenada comercialmente, no haya sido proyectada en ningún otro evento o festival, en sesiones competitivas o no competitivas, en territorio brasileño.
2 - Muestra Continente, sección informativa internacional no competitiva del programa, que presenta hasta 8 largometrajes latinoamericanos, centrado en un enfoque específico y/o en películas ya circuladas y repercutidas en otros festivales internacionales.
BASES FOR PARTICIPATION IN THE CALL
Menorca Doc is a film and documentary photography festival that aims to show aspects of society that are not disseminated in cinemas, the media or the usual audiovisual distribution channels. The festival aims to raise public awareness through the documentary genre, understanding it as a tool to reflect on socio-political, environmental and human changes. In short, about our situation in the world.
Based on these interests, a series of annual calls are proposed in order to configure the official program for the V edition of the festival, which will be held between October 4 and November 1, 2024 in Menorca (Balearic Islands).
ULLASTRE AWARD ·documentary short film.
AWARD Short Balearic documentary film.
The ACCIONS 3E Non-Profit Cultural Association is convening and organizing the 29th SUNCINE International Environmental Film Festival, to be held on November 2-10, 2023.
SUNCINE, formerly known as FICMA, was first held in 1993 and is positioned as the oldest Environmental Film Festival in the world; it is a reference in its genre.
SUNCINE is a multi-screen festival (in-person, online and televised). Its primary objective is to promote, disseminate and publicize environmental audiovisual works to raise awareness about the state of the environment, biodiversity and the planet’s sustainability.
Como al igual que en los veintidós años que nos preceden, el XXIV Certamen de Cortometrajes del C.M.U. Santa María de Europa es una iniciativa que pretende apoyar la producción de cortometrajes de estudiantes universitarios e incentivar el desarrollo profesional de los mismos.
Añadimos además a nuestra página principal los logos de nuestros patrocinadores de este año!!
India is a land of art and cultural heritage and it is spread in various forms in our society whether it's dance, drama, music, films, painting, sports, etc. Being a global enterprise, Indian Cinema (Bollywood) is a remarkable example of our cultural diversity and it has the greatest influence on India's national identity. We always celebrate our art and one of the best ways is to do so is film festivals. There are many film festivals in Asia where filmmakers and film lovers alike can celebrate the best and the brightest. We are adding one more precious feather to it and that’s the BOLLYWOOD INTERNATIONAL FILMFESTIVAL (BIFF).
Launched in January 2020, Bollywood International Film Festival–BIFF is founded by some of the best-known actors, directors and film professionals. BIFF intends to provide a place that connects the film lovers and makers around the world.
This film festival promotes new movie makers, looking to get publicity for their films, exchange of knowledge, information, ideas, the culture of India and other nations in their social and cultural ethos.
The festival will host various forums for academic interactions on Filmmaking, Film Appreciation like seminars, Workshops, Master classes etc., for the benefit of film professionals, discerning audience and students on unique aspects of cinema.
We invite filmmakers, people from the film fraternity, film critics, journalists, discerning cineastes from amongst the public & International and National film Institutes; distribution agencies/organisations, to witness the glorious start of BIFF. We sincerely hope the film lovers will use this opportunity to enroll as delegates and enjoy the contemporary world cinema and the classics.
LAZOS es un festival de cine surgido en la zona de Montes Torozos como una iniciativa para promover y divulgar el cine de provincias, alejándose del modelo industrial centralizado en las grandes ciudades.
ZINEBI- International Festival of Documentary adn Short Film of Bilbao
ZINEBI is the only Class A international festival in the documentary and short film category in Spain. It is accredited by the Hollywood Academy of Motion Picture Arts and Sciences as a qualifier for the Oscars, for the European Film Academy’s awards, for the British BAFTAs and for the Spanish Academy’s Goyas.
Created in 1959 by the Basque Institute of Hispanic Culture, attached to the Spanish Foreign Ministry, the International Ibero-American and Filipino International Documentary Film Contest (its original name) was devised to follow in the steps of San Sebastián, which had been set up six years earlier. It is the third oldest festival in the Spanish State, after San Sebastián and Valladolid, and the first amongst those in its field. Between 1972 and 1981, it became a platform to discuss Spanish short films and a space for the dissemination of productions from all over the world, and particularly Latin America. In 1974, it was recognised by the International Federation of Film Producers Associations (FIAPF) as a contest of the highest international competitive category. Between 1975 and 1980, it was the ideal forum to discuss the arrival of what would be known as Basque cinema.
In 1981, the festival passed to the hands of Bilbao City Council. Since the year 2000, it embarked on a new era under the ZINEBI brand, when it would consolidate its position as one of the most important international festivals in its speciality. It has strived to be a platform for Spanish and Basque producers and directors and has contributed, as one of its fundamental goals, to internationally promoting the quality and independent films made around the world: films whose creative ambition is not exhausted by merely repeating hackneyed stylistic characteristics. Thanks to these very free and exceptional works, ZINEBI continues to renew its commitment each year to formal experimentation, to the interdisciplinary and hybrid of the new audiovisual productions, to support for the up-and-coming producers, and to filmmakers’ aesthetic and ethical scrutiny of the increasingly more complex realities of our contemporary world.
Throughout its long history, the festival has welcomed to Bilbao some of the most prestigious professionals of independent filmmaking worldwide. The accolades of ZINEBI include the names of Jacques Demy, Richard Lester, Pierre Pérrault, Claude Lelouch, Gian Vittorio Baldi, Carroll Ballard, Fernando Birri, Estela Bravo, Santiago Álvarez, Valeria Sarmiento, Robert L. Drew, Felipe Cazals, Peter Watkins, Peter Mullan, Lourdes Portillo, Avi Mograbi, Sergei Loznitsa, Lászsló Nemes, Nele Wohlatz and Luise Donschen. Thanks to its critical debate and specialisation, the festival has been a test bed for the new trends of contemporary cinema and a useful platform for the most daring filmmakers.
A similar headcount of the ranks of Spanish cinema reveals that the Bilbao Festival has been the launchpad of several generations of filmmakers: Carlos Saura, Basilio M. Patino, Pío Caro Baroja, José Val del Omar, Javier Aguirre, Jaime Chávarri, Francesc Betriu, Nadia Werba, Imanol Uribe, Montxo Armendáriz, Pedro Almodóvar, Julio Medem, Fernando León de Aranoa, Juanma Bajo Ulloa, Javier Rebollo, Santiago Segura, Begoña Vicario, Jon Garaño, José María Goenaga, Virginia García del Pino, Neus Ballús, Koldo Almandoz, Isabel Herguera, Asier Altuna, Izibene Oñederra and Natalia Marín.
The festival’s guests, international jury members and winners of the Mikeldi of Honour, its top annual award, include Peter Greenaway, Ennio Morricone, Jean Rouch, Dino Risi, Luis García Berlanga, Hanna Schygulla, Anna Karina, Jane Birkin, Arturo Ripstein, Elías Querejeta, Richard Lester, Pavel Paulikowski, Márta Mészáros, Jeanne Moreau, Anthony Hopkins, Vannessa Redgrave, Emir Kusturica, Liliana Cavani, Carlos Saura, Manuel Gutiérrez Aragón, Jean-Claude Carrière, Patrice Chéreau, Cecilia Roth, Hirokazu Kore-Eda, Juan Ruiz Anchía, Aki Kaurismäki, Marco Bellocchio, Mariano Llinás, Apichatpong Weerasethakul, Wang Bing, Claire Simon, Márta Mészáros, and the Jean-Pierre and Luc Dardenne brothers.
The different ZINEBI directors down through the years have been: Pedro de Ybarra (1959-1968), José Ignacio Uruñuela (1968-1970), Felipe Alfonso Araico and Adolfo Lafarga (1970-1972), Roberto Negro (1972-1981), Manu Pagola (1981-1985), the Executive Committee made up byr José Julián Bakedano, Ernesto del Río, José Antonio Mingolarra y Santos Zunzunegui (1985-1987), Iñaki Acarregui (1987-1988), Luis Iturri (1988-1998) and Ernesto del Río (1999-2017). Vanesa Fernández Guerra has been the director since 2018.
The festival is currently sponsored and institutionally funded by Bilbao City Council – through the Arriaga Theatre – as the organiser, by the Basque Government’s Department of Culture, by the Spanish Ministry of Culture – through the Institute of Cinematography and Audiovisual Arts (ICAA)-, and by Bizkaia Provincial Council. ZINEBI is also supported by private and public entities including Basque Public Television (ETB), Azkuna Zentroa, Golem-Alhóndiga Cinemas, the Fine Arts Museum, Guggenheim Museum, the Sala BBK, the Campos Elíseos Theatre, the University of the Basque Country (UPV/EHU), the French Institute, the Goethe Institute, the SGAE Foundation-Basque Council and the FAS Film Club.
ZINEBI- Festival Internacional de Cine Documental y Cortometraje de Bilbao
ZINEBI es el único festival internacional de Clase A de España en la categoría de documental y cortometraje. Está acreditado por la Academia de Hollywood como calificador para los premios Oscar, para los premios EFA de la Academia del Cine Europeo, para los premios BAFTA de la Academia Británica y para los premios Goya de la Academia Española.
Creado en 1959 por el Instituto Vascongado de Cultura Hispánica, dependiente del Ministerio de Asuntos Exteriores, el Certamen Internacional de Cine Documental Iberoamericano y Filipino de Bilbao (su nombre inicial) fue concebido como hermano menor del Festival de San Sebastián, que había nacido seis años antes. Es, tras el de San Sebastián y el de Valladolid, el tercero más antiguo del Estado y el primero entre los de su especialidad. Entre 1972 y 1981 se convirtió en una plataforma de debate sobre el cortometraje español y en un espacio para la difusión de las cinematografías más variopintas, en especial la latinoamericana. En 1974 obtuvo el reconocimiento de la Federación Internacional de Asociaciones de Productores (FIAPF) como certamen de la máxima categoría internacional competitiva, y entre 1975 y 1980 fue el lugar de debate idóneo para el alumbramiento de lo que empezó a conocerse como cine vasco.
A partir de 1981 el festival fue asumido por el Ayuntamiento de Bilbao y desde el año 2000, bajo la marca de ZINEBI, emprendió una nueva época en la que ha consolidado su posición como uno de los festivales internacionales más importantes de su especialidad, desde la que intenta servir de plataforma a realizadores y directoras de Euskadi y el Estado y ha contribuido, como uno de sus objetivos fundamentales, a la promoción internacional del cine independiente y de calidad que se realiza en los cinco continentes: películas cuya ambición creativa no se agota en la repetición de rasgos estilísticos estereotipados, obras muy libres y singulares que permiten a ZINEBI renovar anualmente su apuesta por la experimentación formal, por la condición híbrida e interdisciplinar de las nuevas producciones audiovisuales, el apoyo a los realizadores emergentes, y la indagación ética y estética de los cineastas en las cada vez más complejas realidades de nuestro mundo contemporáneo.
A lo largo de la dilatada historia del festival, han pasado por Bilbao algunos de los más prestigiosos profesionales del cine independiente mundial. En el palmarés de ZINEBI destacan los nombres de Jacques Demy, Richard Lester, Pierre Pérrault, Claude Lelouch, Gian Vittorio Baldi, Carroll Ballard, Fernando Birri, Estela Bravo, Santiago Álvarez, Valeria Sarmiento, Robert L. Drew, Felipe Cazals, Peter Watkins, Peter Mullan, Lourdes Portillo, Avi Mograbi, Sergei Loznitsa, Lászsló Nemes, Nele Wohlatz, Luise Donschen o Fern Silva. El festival, desde el debate crítico y la especialización, ha servido de banco de pruebas de las nuevas tendencias del cine contemporáneo y una plataforma útil para los cineastas más arriesgados.
Un recuento similar entre las filas del cine español, permite señalar que en el Festival de Bilbao han emergido realizadores de varias generaciones distintas: Carlos Saura, Basilio M. Patino, Pío Caro Baroja, José Val del Omar, Javier Aguirre, Jaime Chávarri, Francesc Betriu, Nadia Werba, Imanol Uribe, Montxo Armendáriz, Pedro Almodóvar, Julio Medem, Fernando León de Aranoa, Juanma Bajo Ulloa, Javier Rebollo, Santiago Segura, Begoña Vicario, Jon Garaño, José María Goenaga, Virginia García del Pino, Neus Ballús, Koldo Almandoz, Isabel Herguera, Asier Altuna, Izibene Oñederra o Natalia Marín.
Entre sus invitados, jurados internacionales o galardonados con el Mikeldi de Honor, su máxima distinción anual, están Peter Greenaway, Ennio Morricone, Jean Rouch, Dino Risi, Luis García Berlanga, Hanna Schygulla, Anna Karina, Jane Birkin, Arturo Ripstein, Elías Querejeta, Richard Lester, Pavel Paulikowski, Márta Mészáros, Jeanne Moreau, Anthony Hopkins, Vannessa Redgrave, Emir Kusturica, Liliana Cavani, Carlos Saura, Manuel Gutiérrez Aragón, Jean-Claude Carrière, Patrice Chéreau, Cecilia Roth, Hirokazu Kore-Eda, Juan Ruiz Anchía, Aki Kaurismäki, Marco Bellocchio, Mariano Llinás, Apichatpong Weerasethakul, Wang Bing, Claire Simon, Márta Mészáros y los hermanos Jean-Pierre y Luc Dardenne.
Desde su fundación, ZINEBI ha tenido los directores siguientes: Pedro de Ybarra (1959-1968), José Ignacio Uruñuela (1968-1970), Felipe Alfonso Araico y Adolfo Lafarga (1970-1972), Roberto Negro (1972-1981), Manu Pagola (1981-1985), el Comité de Dirección formado por José Julián Bakedano, Ernesto del Río, José Antonio Mingolarra y Santos Zunzunegui (1985-1987), Iñaki Acarregui (1987-1988), Luis Iturri (1988-1998) y Ernesto del Río (1999-2017). Desde 2018 la directora es Vanesa Fernández Guerra.
Actualmente el Festival cuenta con el patrocinio y la financiación institucional del Ayuntamiento de Bilbao –a través del C.A.C. Teatro Arriaga- como organizador, del Departamento de Cultura del Gobierno Vasco, del Ministerio de Cultura –a través del Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA)- y de la Diputación Foral de Bizkaia. Además, colaboran con ZINEBI entidades públicas y privadas como la Televisión Pública Vasca (ETB), Azkuna Zentroa, Cines Golem-Alhóndiga, el Museo de Bellas Artes, el Museo Guggenheim, la Sala BBK, el Teatro Campos Elíseos, la Universidad del País Vasco (UPV/EHU), el Instituto Francés, el Goethe Institut, la Fundación SGAE-Consejo de Euskadi y el Cineclub FAS, entre otros.
ZINEBI
INTERNATIONAL FESTIVAL OF DOCUMENTARY AND SHORT FILM OF BILBAO
It got started in the year 1.959 and organized by the Cultural Department of Bilbao City Hall, ZINEBI will celebrate its 66th edition from the 8th up to the 15th of November, 2024.
It is the only international Class A festival in Spain in the documentary and short film category recognised by FIAPF since 1974, recognised by the Hollywood Academy as a qualifier for the Oscars among the short films from the official palmares and qualifier as well by the Spanish Academy for the BAFTA Awards and the GOYA Awards.
ZINEBI is a festival which holds all the most current forms and formats, innovative and suggestive and that is making a steady bet for the emerging authors. The line-up of the international schedule (documentary, animation and fiction) and its section ZIFF-ZINEBI FIRST FILM, dedicated to first works, are their really distinguishing mark. Honour Mikeldis are also remarkable, which recognise the prestigious career of distinguising international directors and the strict selections of its sections BEAUTIFUL DOCS, dedicated to the most relevant contemporary features and BERTOKO BEGIRADAK, a section dedicated to the Basque documentary feature films from a recent production. Besides, every year it´s celebrated the profesional encounter entitled ZINEBI INDUSTRY- NETWORKING, dedicated to promote the audiovisual Basque industry.
OUTDOOR CINEMA FESTIVAL.
Non-traveling film festival that takes place annually thinking about the exhibitions to Covid-19 distancing and free face to Covid-19.
The second edition has free entries and submissions for Angolan territory only.
The general regulation defines the rules for registration, selection, exclusion, winners,
awards and honorable mentions.
Originating in the AIFF, the Amazon Horror Intl Film Festival is a horror festival that takes place in the heart of the Amazon rainforest in the city of Manaus, Amazonas, aiming to reward the best of world horror cinema. 30 awards focusing on horror, horror, gore, thriller and related horror films. In addition to the official awards, AHIFF will award films with the best popular vote award and with honorable mentions granted by the festival.
To indigenous and non-indigenous audiovisual filmmakers, of various nationalities and territories, to submit their works on indigenous and/or Afro-descendant themes, free style and extension, of individual or collective creation, to the 8th edition of the FicWallmapu Festival, to be held between on November 14 and 18, 2023, in the city of Temuko, Ngülumapu and surrounding communes of the Mapuche territory, Araucanía Region.
Origin is an International Audiovisual Festival, which takes place in the small Granada town of Orce, known for its archaeological sites cradle of the first settlers of Europe, as well as for the peculiarity of its landscapes, its history and gastronomy.
PHILOSOPHY
What drive us:
A contest dedicated to transcendental cinema, at its several meanings, including philosophic, psychological, scientific, anthropological, spiritual and poetic cinema.
Because transcendence in the man and the world, might be eventually ineffable and, on this, cinematographic art has certain advantages, and a huge responsibility.
FREE CINEMA
All cinematographic possibilities are welcome, with a major interest on rareties
WITHOUT TIME
Cinemística as an open space-time, with non restrictive features, enabling the authors to develop their own language: all formats, duration, nationality, year of production, etc. are accepted.
A REFUGE
An international refuge for films that intend, technically or with the plot, an approaching to the big mystery of world representation, in the art and in the man. Without dogmas, under any individual or collective perspective, from faith, but also from agnosticism, spiritual atheism and scientific thought.
A POETIC CINEMA OF CONTEMPLATION
Filmmakers' looks, in all their socio-cultural diversity, interested in any film as a result of personal discovering, researching or experimentation, inspiration and work, from revelation or introspection of the authors. Quotidian, ecstasy and disparity as structures to create depth on the film treatment.
ASCETICISM
Mysticism and asceticism in film production represent, probably, a more absolute estate compare to others, because a cinema with huge budget and more technical complexity could be done, but sometimes the most humble and simple film is, however, universal.
THE STILL
Impermanent cinematographies, from the still, from 'amateur' cinema (from French verb aimer), define directors not only by what they show and how they do it on screen, but by what they decide not to show.
PHENOMENOLOGY
What appears and disappears, topologies emergence, materials or conscious, and their invisibility or subsequent expiration. The sequential surroundings of emptiness, of matters and time. Shafts at the discourse, eloquent, everyone can understand it by himself. Absence and miracle: Mystic as a possible cohabit together.
CORDIALITY, COMMUNICATION & COLLOQIUMS
Great importance of the colloquiums and live interaction between spectators and filmmakers. maximum communication, respect, sympathy and closeness from the organization to the filmmakers, artists and directors who come to present their films.
