The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
The Green-Go International Short Film Contest aims to gather environmentally and socially conscious youngsters to organize the contest and the festival on one hand, and on the other hand, to inspire youngsters to creatively express their ideas in a
short film format. With the shorts, we aim to raise awareness on environmental and social problems at global, European and national level. With Green-Go festival, we wish to create the basis of a sustainable green film event that activates both youngsters and the civil society, attracts interested people and stakeholders and generates dialogues within the whole society about key eco-social questions.
Within the film contest, we accept shorts in three categories to reflect on European awareness, global environmental and social problems and the connection between biodiversity and society.
The Green-Go Short Film Contest is generously supported by the European Commission.
This year we are awaiting short films (and Testimonies!) in the following three categories:
1. Build green, live green (Green infraestructure)
2. The last day on Earth? (Earth's overshoot day)
3. Your Europe in 2050 (EU budget)
The Ixtenco International Short film Festival’s main objective is to provide a opportunities for exhibition of quality films, trying to bring together those who make the movies and those interested in this task for film preservation and exchange
ideas. This Festival is not for profit or financial gain.
MICGénero, International Film Festival with Gender Perspective, aims to bring gender studies to a wide and diverse audience that may or may not be familiar with these subjects through film. We think that applying gender theory to cinema presents opportunities to understand social phenomena critically: it allows for a revision and reinterpretation of aesthetic manifestations that deal—directly or indirectly— with subjects related to female and male power relations, sexuality and gender roles, among others.
MICGénero's fourth edition will focus on "Human mobility and migration". However, MICGénero's sections encompass different aspects of gender studies and art.
SREM FILM FEST is a constant cultural manifestation, whose founder and director is Igor Čolak and executive BUBAMARA PRODUCTION and SREM FILM. It is both domestic and international competitive film festival of artistic achievements in the field of documentary film made by film or video techniques.
The festival takes place in Srem, once a year.
After a mini-hiatus, Short Com will be making it's return in 2019 in Edinburgh at the Cameo Cinema.
Short Com is a short comedy film festival that has grown from strength to strength from humble beginnings back in 2011, where it started in Manchester.
Short Com prides itself on the quality of its programme and the range of comedy stylings it has screened. The most emphatic thing we look for in a film is its content, its ability to make an audience laugh or smile. Short Com has screened films from BAFTA nominated films and multiple award winners to simple home made films that have warmed and vastly amused audiences.
Short Com has screened during the Edinburgh International Fringe Festival, in London and for the first time in Bristol and finished its run and closed with its award ceremony at the Glasgow Short Film Festival. One of the largest short film festivals in the UK.
Why submit to Short Com? Short Com prides itself on the quality of its programme. There is a great deal of honour to selected filmmakers who make it to the annual best of screenings. Plus it will be taking place during the world's largest arts and culture festival. In the past we have been sponsored by Blackmagic Design, Final Draft and Festival Formula all donating fantastic prizes for winning films in our category awards section. We will be looking to work with new brands to continue this tradition and bring some excellent prizes.
To get an idea of what we have screened in the past, you cans see some of the previous years winners in the links below.
http://www.shortcom.co.uk/wp/2014-2015-best-of-select-and-winners/
http://www.shortcom.co.uk/wp/2015-international-selection/
http://www.shortcom.co.uk/short-com-festival/short-com-2016-best-of-programme/
*Feature Films
We have the opportunity to extend our programming to feature films. This depends on the quality of the film and appeal it can bring. Features must be a Scottish film premier.
Contact Chris Aitken directly at info@shortcom.co.uk for enquiries.
FICFUSA is a film festival and community-based cultural process with thirteen (13) years of experience. Through its Women and Territory approach, the festival understands cinema as a space for gathering, creation, reflection, and social transformation.
Based in Fusagasugá, in the Sumapaz region of Colombia, FICFUSA works to promote cultural decentralization, access to cinema as a cultural right, and the strengthening of social bonds through audiovisual storytelling.
For its 2026 edition, FICFUSA invites filmmakers to submit their works to the following festival categories:
1. Stories of Women – International Feature Films
2. Made by Colombian Women – Short Films directed by women (Colombia)
3. A Short Made Here – Short Films from Cundinamarca (Colombia)
4. A Story Made in the Regions – Short Films from Colombian regions (Colombia)
The main festival event will take place in Fusagasugá from November 11th to 16th, 2026.
The Ponferrada International Film Festival is an event specialized in the dissemination and promotion of short films from all over the world, regardless of their production format, distribution, exhibition, category, genre, or theme.
Short films, in addition to being a learning resource for new professionals in the film industry and a promotional tool for making the leap to feature films, can also be a highly creative and free form of expression, storytelling, and experimentation, independent of the market.
We are also committed to highlighting films that, regardless of their length, reflect the cultural, social, and linguistic diversity of any region of the world as part of the memory of peoples and the most unknown universal audiovisual heritag
FIC Multifest is an international film festival organized by Grupo Cortos Verdes Internacional, based in Guadalajara, one of the most important film production hubs in Latin America.
The festival was born with the mission of promoting and showcasing short films, feature films, documentaries, and new forms of storytelling, including those created with the support of emerging technologies such as artificial intelligence.
FIC Multifest is a meeting point for innovative creators—a space that celebrates both the art and the technological evolution of contemporary cinema.
More than just a festival, Multifest has become a platform for visibility, education, and distribution of local, national, and international audiovisual works, expanding its impact through digital media, social networks, and alternative exhibition channels.
The festival positions itself as a meeting point for emerging creators, established filmmakers, allied festivals, and an audience eager for innovative content. A space where cinema is shared, evolves, and projects itself into the future.
Fiaticorti was born in 2000 through the initiative of a group of young people from the Youth Project of the Municipality of Istrana (Treviso).
The year the event was founded is no coincidence: the early years of the new millennium saw the rise of the digital camera, an innovation that made it possible to create and edit videos at home, but also marked the steady decline of VHS tapes, as evidenced by some of the short films submitted in this format during the festival's inaugural edition.
The name chosen for the event stems from two explanations: on one hand, "fiato corto" (short breath) is the result of brief physical exertion (just as short films are brief); on the other hand, a film with a maximum duration of 20 minutes can convey powerful emotions to the audience, leaving them "breathless."
Twenty-seven works from all over Italy participated in the first edition, a number destined to grow steadily yet rapidly: within four years, the festival reached 150 films per edition. As the number of competing short films increased, so did their quality and, consequently, the interest of audiences passionate about the genre.
Initially, Fiaticorti was condensed into a single evening dedicated to the awards ceremony; however, starting from the fourth edition, the format was enriched, expanding the festival across four stages during which the best competing works were screened.
In 2006, the FiatiVeneti section was introduced to reward short films by filmmakers from the Veneto region.
In 2010, the festival's tenth anniversary, the Fiaticorti archive was inaugurated at the Istrana Youth Center, housing a collection of over a thousand works that had participated in the festival over the years.
2011 was the year when historical artistic director Gianni Billio passed the baton to Bartolo Ayroldi Sagarriga (artistic director), Andrea Grespan, and Simone Perotto. It was also a turning-point edition: the festival saw remarkable quality in the competing films and a significant increase in foreign participants—primarily from France, Great Britain, Romania, and Spain—elevating the event to an increasingly international level.
Starting in 2026, the Municipality of Istrana entrusted the artistic direction of the 24th edition to Andrea Grespan, who had already played a leading role in organizing the festival in previous editions, alongside Sara Ricciardi and Livio Meo, representatives of Cineforum Labirinto, an association with extensive experience in organizing cinematic events in the province of Treviso.
We welcome all forms of film production – feature, narrative, documentary, short films, animation, video art, experimental and student. Keep in mind, IFFP is a non-competitive celebration of cinema, making sure our officially selected program has a perfect screening quality, while the filmmakers and guests enjoy the festival, free from industry stress and complicated press or PR agendas. In other words, great films, summer skies, a selection of events, and networking at their best!
Campeche Film Festival is characterized in showcasing the short film as the main show, we showcase the best of the international shorts panorama, so we encourage to submit the most bold and entertaining cinema, we will ensure your film will be seen and experience by and extensive crowd. We create a connection within filmmakers and the audience, this is a film festival in which your film will be participant in audiences of more than 500 people per exhibition. Located in the most beautiful allocations of the Campeche's downtown a World Cultural Heritage.
FERATUM FILM FESTIVAL, tiene como objetivo abrir un espacio de exhibición, difusión y producción a películas de terror, fantasía, ciencia ficción y sub géneros afines, filmes mexicanos, iberoamericanos y de todo el mundo.
FERATUM, es un punto de encuentro entre creadores de la industria cinematográfica del cine fantástico y una plataforma para el lanzamiento de nuevos creadores.
« Courant 3D, the Angoulême meeting of 3D short films», a festival dedicated to short movies in 3D stereoscopic format.
Outdoor and indoor short film festival with a week of feature screenings.
2019 Sanctuary Cove International Film Festival on the Gold Coast, Australia.
Over 20k in Prizes from November 22 - 28.
The 12 Months Film Festival (#12MFF) is farrest challenging film festival available which attracts, displays and awards filmmakers from six continents. Our finest selection system brings the benefits of a quality qualification in the #12MFF and also come with surprise awards where qualify all selected entries. #12MFF was designed to award you amazing prizes. Moreover, we will do our best in working with your needs in order for your talent and dedication to be appreciated by the public.
Together we build a global audience!
CHECK OUR TRAILER HERE :
https://vimeo.com/126007311
Entries requirements:
-> All films must have been made in or after 2012 and have English subtitles (unless English is the main language spoken); A creation date does not apply in case of the screen writings from being stopped for submissions, but the submitted must be in English or have a copy translated in English;
-> We accept shorts, documentaries, animations, experimental, music videos, web and new media, commercials (all specified previously under 45 minutes); feature films and feature documentaries (any length, 45 + minutes);
->A description between 50 and 150 words;
->Trailer (not required for movies under 7 minutes; optional) and the film must be submitted as an on-line screener (Vimeo preferred) which may be embedded on the website for visitors to see your creation; you can further opt for modifications in your entry;
->Cover of the film/screen writing or a defining photo;
We also offer the following services:
Film review; Film improvement support; Trailer for your movie; Web-design and coding; Complete graphic-design. Proceed here: http://12mff.com/services/
