The Oregon Underground Film Festival, part of the series of festivals online, organized by Clockwork Film Institute, this first edition we show that there is more underground, dirty, forbidden, Cinema of the underworld, giving the most remote parts of the world guerrilla theater, anarchic and subversive.
グランドラピッズ・フェミニスト映画祭（GRFFF）は、主流のメディアで歴史的に過小評価されたグループからの声を高め、才能を披露することに専念する祭典です。
私たちの使命は：
●カメラの前と後ろで多様な表現の欠如に意識を持参する
●過小評価と疎外グループのメディアクリエイターを感動させ、フェミニスト行為として映画制作に従事する力を与えます
●交差を通じてメディアを調べる 性別、セクシュアリティ、人種、能力、クラス、年齢などのレンズ
●異文化的理解を促進する歓迎の安全な空間を育成する
今、その6年目に、GRFFFはもともと独立出版社の発案でしたバンディットザイン彼らの雑誌の映画版として。 小さな夜のショーケースとして始まったものは、インタラクティブなワークショップやパネル、地元のアーティストによる公演、世界中から上映された映画を含む終日フェスティバルへと成長しました。
今年は、グランドラピッズの裕福な劇場で開催されます。 私たちはスピーカー、ドラッグショー、30のショートフィルム
を上向きにホストします。今年もフェスティバルの成長を見ることに興奮しており、進化し続けるGrand Rapidsフェミニストコミュニティの一員であることをとても嬉しく思っています。
GRFFFはボランティアによって運営され、コミュニティのパートナーシップやスポンサーを通じて可能になります。
Purpose- 1936, Memorias del Silencio is created with the aim of promoting through the cinema and colloquies,the peace cultur and another view around the world, regarding the Spanish civil war.
This program responds the intention of dealing with the role of the Spanish civil war from its cultural environment, anthropological and social, with special attention to the role of woman through its evolution.
Lectures and speakers will participate in workshops, discussions, and debates in order to make aware and provoke reflection on some events that a whole sector refuses to talk about. For this reason, we will give priority to the accesible suggestions to people with audible or visual disabilities.
It will be integrated by a retrospective, competition, and colloquies or conferences with specialists.
We encourage the participation of spanish producers and we stimulate the producer’s look from countries with low production or with difficulty to reach our film theaters and specially encouraging the presence of works made by young artists.
“Women’s Director International Film Festival – 2016” (Season - 3)
About WDIFF – The Annual Women's Director International Film Festival (WDIFF) is one of the few international film and arts festivals dedicated to women's. This three-day extravaganza, consisting of indoor and outdoor red carpet film screenings, fashion shows, workshops, and of course Shopping Stalls. It's a celebration of women and all who love women. WDIFF films and screenings are selected and hosted by filmmakers, professors, and other notable figures in the world of film. In addition to exhibiting the next new wave of women filmmakers, the WDIFF also makes time to pay tribute to films by women with historical significance.
In past years festival gains reputation & regarded as among most prestigious festival in India. The festival grows over the years & attracts filmmakers from across the India & across the world.
Mission & Objective - The mission of the Women's Director International Film Festival (WDIFF) is to empower women's artistic vision internationally. With women representing only 7% of filmmakers, we would like to increase the number of women in the industry and support those women who are actively involved by assisting filmmakers and artists with the development of their craft.
こんにちは、
コロナウイルスとCovid-19病は、さまざまな方法で世界を変えました。 過去2年間、2021年と2022年の間、私たちはフェスティバルをオンラインで開催しました。これは私たちにとって新しい経験でした。 すべてが順調に進み、1つの会場で小さな観客ではなく、世界中の観客がいました！ それは一つの大きな利点でしたが、私たちは人々と一緒にいるのを見逃し、映画について話し、新しい友達を作りました。
パンデミックの不確実性から、過去のような特定の会場で自由精神映画祭（2022）の第18版を開催することはまだ不明です。 集会がまだ問題として残っている場合は、再度オンラインでホストします。
パンデミックの状況が変わり、特定の会場でフェスティバルを開催できた場合は、いつどこでファイナライズしたかを発表します。 提出物は 6 月に開かれます。
安全になれ！
誠意をこめてお前、
ロブサンワンヤル
フェスティバルディレクター
Vox、Medium、BackStageなどの出版物で言及されているTMFFは、ShortFilm Connectionによって「おそらく現在ウェブ上で最も有名な映画祭」と名付けられました。 今までに約3500本の映画が選ばれ、毎月数万ものウェブサイトが訪問され、TMFFを通じてプロジェクトで際立って、必要な範囲でふさわしいリーチが得られることを願っています！ さらに、IMDB予選イベントであることに加えて、すべての公式セレクションは自動的に当社の広範なフィルムコレクションにエントリーされます：https://tmff.net/collection/
月ごとに、私たちの審査員（映画業界で働くのは誰ですか）が、TMFFの候補者と受賞者が誰であるかを決定します。 これまでに13,000以上のプロジェクトを受賞、毎月80以上のエディションを開催し、世界中から800以上の映画を受賞しました！
❗ これを念頭に置いてください：あなたがしたくない場合は、あなたの映画のフルバージョンをウェブサイトに掲載することはありません。 予告編がやる
❓ よく寄せられる質問:https://tmff.net/faq/
HERITAGE FILM FESTIVAL
In order to preserve India’s finest cultural legacies, aadhar initiated The Heritage Film Festival to explore India’s glorious heritage through audiovisual media. The Heritage Film Festival is a project by aadhar to spread awareness and educate public about India’s heritage through films
The Heritage Film Festival is not just an EVENT... but a CAUSE with the aim to REVIVE the dying traditional art forms,
it a Movement to embellish & enrich the Rich Heritage of India...!
Overall aim of the Heritage Film Festival (HFF) is to encourage film submissions, organize film making projects, review film competitions, and screen films to different audiences.
MADTerrorFest was created with the purpose of covering the vacuum that exists in Madrid regarding the genres of fantasy films and terror concerns.
There is lot of talent already discovered and above all to be discovered. So we have proposed to dig up all that potential and make it available for the lovers of this type of film, which we tell us of course.
We want to do a festival of short films that gradually give rise to the International Film Festival of horror and fantastic of Madrid, and become a reference within the national and international scene.
And of course we want you enjoy it as much as we do to prepare it.
Or better yet, that you may suffer uncompromising hitting boats like maniacs in your seat; We know that you love.
We have the pleased to announce one more edition of the University Film Festival in Puebla, which aims to promote local, national and international university cinema.
OBJECTIVES
Exhibit and publicize the most outstanding proposals of university cinema.
Encourage film production in a professional manner within the university community.
Offer a meeting and exchange between young university filmmakers, experts in the film industry and audience.
第9回ラ・セレナ国際映画祭（FECILS）は、2024年11月8日から11日までコキンボ地方で開催される競争の激しいオーディオビジュアルコンテストです。 地域、国、中南米の視聴覚活動の制作と普及を支援し、地方分権化に貢献し、地域の映画製作者やプロデューサーの出会いと育成を促進することを目的としています。 こうした活動により、FECILSは、コキンボ地方での映画展示スペースの創出に加え、新たな観客の創出にも力を入れた、文化イベントとしての地位を確立することを目指しています。 FECILS 2024には、地域のコミューンのさまざまな空間に広がる視聴覚拡張プログラムがあります。
The 12 Months Film Festival (#12MFF) is farrest challenging film festival available which attracts, displays and awards filmmakers from six continents. Our finest selection system brings the benefits of a quality qualification in the #12MFF and also come with surprise awards where qualify all selected entries. #12MFF was designed to award you amazing prizes. Moreover, we will do our best in working with your needs in order for your talent and dedication to be appreciated by the public.
Together we build a global audience!
CHECK OUR TRAILER HERE :
https://vimeo.com/126007311
Entries requirements:
-> All films must have been made in or after 2012 and have English subtitles (unless English is the main language spoken); A creation date does not apply in case of the screen writings from being stopped for submissions, but the submitted must be in English or have a copy translated in English;
-> We accept shorts, documentaries, animations, experimental, music videos, web and new media, commercials (all specified previously under 45 minutes); feature films and feature documentaries (any length, 45 + minutes);
->A description between 50 and 150 words;
->Trailer (not required for movies under 7 minutes; optional) and the film must be submitted as an on-line screener (Vimeo preferred) which may be embedded on the website for visitors to see your creation; you can further opt for modifications in your entry;
->Cover of the film/screen writing or a defining photo;
We also offer the following services:
Film review; Film improvement support; Trailer for your movie; Web-design and coding; Complete graphic-design. Proceed here: http://12mff.com/services/
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
The Green-Go International Short Film Contest aims to gather environmentally and socially conscious youngsters to organize the contest and the festival on one hand, and on the other hand, to inspire youngsters to creatively express their ideas in a
short film format. With the shorts, we aim to raise awareness on environmental and social problems at global, European and national level. With Green-Go festival, we wish to create the basis of a sustainable green film event that activates both youngsters and the civil society, attracts interested people and stakeholders and generates dialogues within the whole society about key eco-social questions.
Within the film contest, we accept shorts in three categories to reflect on European awareness, global environmental and social problems and the connection between biodiversity and society.
The Green-Go Short Film Contest is generously supported by the European Commission.
This year we are awaiting short films (and Testimonies!) in the following three categories:
1. Build green, live green (Green infraestructure)
2. The last day on Earth? (Earth's overshoot day)
3. Your Europe in 2050 (EU budget)
The Ixtenco International Short film Festival’s main objective is to provide a opportunities for exhibition of quality films, trying to bring together those who make the movies and those interested in this task for film preservation and exchange
ideas. This Festival is not for profit or financial gain.
MICGénero, International Film Festival with Gender Perspective, aims to bring gender studies to a wide and diverse audience that may or may not be familiar with these subjects through film. We think that applying gender theory to cinema presents opportunities to understand social phenomena critically: it allows for a revision and reinterpretation of aesthetic manifestations that deal—directly or indirectly— with subjects related to female and male power relations, sexuality and gender roles, among others.
MICGénero's fourth edition will focus on "Human mobility and migration". However, MICGénero's sections encompass different aspects of gender studies and art.
SREM FILM FEST is a constant cultural manifestation, whose founder and director is Igor Čolak and executive BUBAMARA PRODUCTION and SREM FILM. It is both domestic and international competitive film festival of artistic achievements in the field of documentary film made by film or video techniques.
The festival takes place in Srem, once a year.
After a mini-hiatus, Short Com will be making it's return in 2019 in Edinburgh at the Cameo Cinema.
Short Com is a short comedy film festival that has grown from strength to strength from humble beginnings back in 2011, where it started in Manchester.
Short Com prides itself on the quality of its programme and the range of comedy stylings it has screened. The most emphatic thing we look for in a film is its content, its ability to make an audience laugh or smile. Short Com has screened films from BAFTA nominated films and multiple award winners to simple home made films that have warmed and vastly amused audiences.
Short Com has screened during the Edinburgh International Fringe Festival, in London and for the first time in Bristol and finished its run and closed with its award ceremony at the Glasgow Short Film Festival. One of the largest short film festivals in the UK.
Why submit to Short Com? Short Com prides itself on the quality of its programme. There is a great deal of honour to selected filmmakers who make it to the annual best of screenings. Plus it will be taking place during the world's largest arts and culture festival. In the past we have been sponsored by Blackmagic Design, Final Draft and Festival Formula all donating fantastic prizes for winning films in our category awards section. We will be looking to work with new brands to continue this tradition and bring some excellent prizes.
To get an idea of what we have screened in the past, you cans see some of the previous years winners in the links below.
http://www.shortcom.co.uk/wp/2014-2015-best-of-select-and-winners/
http://www.shortcom.co.uk/wp/2015-international-selection/
http://www.shortcom.co.uk/short-com-festival/short-com-2016-best-of-programme/
*Feature Films
We have the opportunity to extend our programming to feature films. This depends on the quality of the film and appeal it can bring. Features must be a Scottish film premier.
Contact Chris Aitken directly at info@shortcom.co.uk for enquiries.
