Sicilymovie – Agrigento Film Festival is a festival of feature films, short film, documentaries, videoclip, spot and animation shorts, created and organized by the Southmovie Association, which was created with the aim of bringing outdoor cinema for everyone to the heart of Sicily: the evocative Valley of the Temples of Agrigento, a city named Italian Capital of Culture 2025. The themes addressed in the works of directors from all over the world are multiple and educational.
The ninth edition of Sicilymovie is aimed at the best productions and distributions of short films and documentaries in the world who will compete for the Golden Demetra, the representative statuette of the Festival which recalls ancient Greece, cultural symbol of ancient Akragas, the city of Agrigento.
The project is supported and sponsored by the Valle dei Templi Archaeological and Landscape Park of Agrigento, the Municipality of Agrigento, the Sicily Film Commission and the Tourism Department of the Sicily Region. The Valle dei Templi Archaeological and Landscape Park is about 1300 hectares wide and here belong the remains of the ancient city of Akragas and the surrounding area up to the sea. The Valley of the Temples was declared a "World Heritage Site" by Unesco in 1997. Today the Valley of the Temples has more than one million visitors a year.
PLACE, DATE AND DEADLINE
Sicilymovie - Agrigento Film Festival will take place from 18 to 21 July 2024 at the Valley of the Temples of Agrigento
The deadline for the call will be 2024, May 31 at 23:59
After the good acceptance obtained in the XII previous editions of the festival of short films 4' SHORT ... and to continue with the idea and intention and opportunity to accommodate the different areas of artistic expression, Alcorac 1,968 Cultural Association invites all those who wish to participate in " THE XII INTERNATIONAL SHORT FILM FESTIVAL SHORT 4' ... "
Launched in 1980, our festival, the first of its category in South Korea, has grown and evolved from the Korean Short Film Festival, to become the Busan Asian Short Film Festival in 2000 and eventually the Busan International Short Film Festival in 2010 (www.bisff.org).
Taking place late April at the Busan Cinema Center, BISFF delivers a dozen awards in three competitive sections (International Competition, Korean Competition and Operation Kino) while also presenting several curated, non-competitive sections including: Guest Country, Korean Shorts, Asian Shorts, Prism, 3D Cinema, etc.
BISFF is a member of the Short Film Conference (http://shortfilmconference.com/) and of the NETPAC (Network for the Promotion of Asia Pacific Cinema https://netpacasia.org). In 2018, it became South Korea’s first Oscar®-qualifying festival.
Calling out to all Horror Film Developers, Students, and anyone who wants to be a part of the Horror Genre. The Second Annual CineXposé Independent Horror Film Festival presented byDead Talk Media, LLC , a revolutionary virtual film festival created with the purpose of exposing gifted autonomous filmmakers, is scheduled to take place from January 13-15 and 20-22, 2023. However, our film submissions process is officially open so we encourage all Indie Horror Filmmakers to submit their media projects as soon as possible.
The CineXposé Horror Film Festival will differ from other such events in that there are no fees or costs to filmmakers who submit their projects. Furthermore, our “by invitation only” film festival will not only be viewed by industry professionals, but also by our social media followers (over half a million). With our tradition of letting our audience choose the winners, the power of social media will be employed in choosing our CineXposé winners.
“Memory of the Future / La mémoire de l'avenir”
The Center for Common Memory for Democracy and Peace (CMCDP), a national human rights association with international reach, hereby opens the call for film submissions for the 15th edition of the International Festival of Cinema and Common Memory (FICMEC), to be held in the city of Nador from October 30 to November 4, 2026.
The CMCDP operates within the following fields of action:
Issues related to memory and shared memory as knowledge and expertise;
Dissemination of a culture of peace, coexistence, and democracy;
The fight against all forms of extremism;
Defense of human rights and contribution to the dissemination of its culture;
Issues of identity and linguistic and cultural diversity;
Consolidation and development of values of solidarity and constructive dialogue between peoples and nations;
Support for all generations of human rights.
Each year, FICMEC proposes a thematic reflection linked to memory. In this edition, the central theme will be "Memory of the Future," inspired by Victor Hugo’s words: “The future is a door, the past is the key,” and Roman Krznaric’s idea that the future is not a place we are going to, but a place we are creating.
Memory is not an exercise in nostalgia nor a gaze anchored in the past. It is a collective responsibility. Preserving, explaining, and transmitting historical episodes—especially the most painful ones—is the duty of both institutions and society as a whole: families, associations, human rights defenders, artists, and educators. Understanding the past is a conscious act of preparing for the future.
"Memory of the Future" proposes a permanent dialogue between remembrance and projection, between justice and social transformation. The struggles against injustice, the processes of truth and reconciliation, the defense of human dignity, and the consolidation of democratic values constitute the foundations of a fairer tomorrow. Remembering is not about perpetuating resentment, but about generating awareness, preventing the repetition of violations, and strengthening a culture of peace.
New generations hold a central place in this vision. They are not merely repositories of inherited narratives but active agents capable of reinterpreting, questioning, and projecting memory toward the future. Intergenerational transmission, critical thinking against historical manipulation, and commitment to human rights are essential elements of this construction.
In the artistic and cultural sphere, cinema—whether documentary or fiction—becomes a privileged vehicle for making silenced memories visible, denouncing injustices, opening spaces for dialogue, and contributing to social transformation.
Thematic Conditions for Participation:
Feature films and short films (fiction, animation): open theme.
Documentaries: must specifically align with the theme of the "Memory of the Future" concept note, addressing issues related to memory, human rights, justice, intergenerational transmission, reconciliation, identity, or democratic construction from a reflective and proactive perspective.
Filmmakers of all nationalities are invited to submit works that contribute to thinking about the future through historical awareness, promoting values of justice, peace, equality, coexistence, and the role of youth in this process.
Film submissions are accepted exclusively through official festival registration platforms.
Through this call, the CMCDP and FICMEC reaffirm their commitment to an active, ethical, and transformative memory, convinced that only those who assume responsibility for the past can contribute to building a more humane and democratic future.
Moscow International Film Festival (MIFF) is one of the oldest world film forums (the second after the Venice Film Festival). The Moscow International Film Festival has been leading its history since 1935. Then the chairman of the jury was Sergey Eisenstein, and the film Chapaev opened the first festival. However, in subsequent years the festival was not held regularly.
Therefore, the Moscow International Film Festival has officially counted down since 1959, when it was renewed and turned into a regular event - it was carried out over odd years, alternating with the Karlovy Vary Film Festival. In 1999 MIFF became an annual event.
Hungry Minds Film Festival è un evento unico nel suo genere che celebra la relazione tra cinema, cultura, cibo e sostenibilità. Questo evento unisce mondi affascinanti, offrendo al pubblico l'opportunità di esplorare il connubio tra la settima arte e la passione per il cibo in tutte le sue forme, con un focus particolare sulla sostenibilità e la condivisione.
Il Festival si propone di presentare una selezione accurata di film e cortometraggi, nei quali il cibo è il fil rouge; dai documentari che esplorano le sfide ambientali legate all'industria alimentare ai film che raccontano storie appassionanti incentrate sulla cucina locale e sostenibile, l’Hungry Minds Film Festival offre una visione diversificata e coinvolgente del rapporto tra cibo e sostenibilità.
Ogni film selezionato avrà un legame diretto o indiretto con il mondo gastronomico, offrendo al pubblico un'esperienza cinematografica che stimola la mente e soddisfa il palato. Gli spettatori saranno immersi in storie che esplorano il modo in cui il cibo potrà diventare motore per il cambiamento, generando riflessioni su consapevolezza ambientale e partecipazione attiva nella creazione di un futuro più sostenibile.
Attraverso proiezioni di film, dibattiti interattivi, degustazioni e incontri con registi, chef e esperti del settore, l’Hungry Minds Film Festival ambisce a creare un'atmosfera vivace e stimolante.
XLIII BOGOTA FILM FESTIVAL
September 20th to 26th of 2026
THE FESTIVAL
The Bogota International Film Festival, organized by the Colombian-local organization Corporación Bogocine, was created in 1984 in order to recognize and reward the Colombian film production. For its second edition, the Festival brought together not only Colombian but other Andean countries cinema as well, and went on to honor productions from the Caribbean Islands, South America, Spain, France, Africa and the Pacific Coast on subsequent editions.
Currently, the Festival is recognized worldwide as a relevant platform for new directors (with no more than 3 released feature films) and debut feature films. Renowned filmmakers such as Pedro Almodovar, Bong Joon-Ho, Isabel Coixet, Alejandro González Iñárritu and Rodrigo García have been awarded for their respective early films throughout the Festival's history.
THE COMPETITION
The Festival rewards the best international debut feature film with the Pre-Columbian Circle Award in its Golden, Silver and Bronze spots, and the Pre-Columbian Golden Circle for Best Debut Film Director. Nationally, the Pre-Columbian Golden Circle is given respectively for best Colombian feature film and short film. The Festival also rewards prizes for documentary films, either Colombian or international in three different categories: best documentary film focused on social issues, best documentary film focused on environment and best documentary focused on Art.
SIDEBARS:
The Festival has non-competitive sections for animated films, sacred-themed feature films, international short films and films for children.
SPECIAL AWARD
A recognition can be given each year to a person or entity, for their contribution to the film industry nationally and/or internationally.
OTHER EVENTS
The Festival also invites directors with wider trajectories (more than 3 films released) for retrospective screenings and shows other parallel sections depending on each year's focuses and interests, such as Contemporary Cinema screenings, Special screenings from ally film festivals and Classic Film screenings.
The FIC AUTOR (Author's International Film Festival) is interested in unique and artistic films that exceed the limits of traditional storytelling. We look for Feature and Short Films that reflect the director's personal creative vision, and a style that is distinct enough to shine through the collective process.
WE ONLY CARE ABOUT WHAT YOU SHOW IN YOUR FILM, how CREATIVE you are and how you tell the story, that's it. We don't care if your film has recognized stars or unknown names, if it was shot with an Arri or a DSLR, if it has been accepted to a thousand festivals or none. We don’t base our decisions regarding your gender, sexual orientation, color of your skin, or ethnicity like other festivals. We are against the politics and bureaucracy that flood the film industry. 100% of the films accepted come from the submissions, we don't invite films. We want to be recognized as an objective festival with a tough competition and the most creative global cinema in our theaters!
We're partners with RAINDANCE Film School MX, so if you're one of our selected filmmakers, you will also screen your film there and have the chance to teach a masterclass in one of the most important film schools in the world and who knows, maybe be spotted by Elliot himself!
The FIC AUTOR will take place in November in Guadalajara, Jalisco, México and Tequila Jalisco. We will present the very best films from around the world, ranging from the most unexpected-creative low budget films from unknown filmmakers, to films made by experienced/well known directors. Mano a mano, this competition is tough! FIC AUTOR will strive to be one of the most important cultural events in the city. We aspire to become an international spotlight for new directors!
In the 7th edition we presented the first Honorary Ring to our 1st guest of honor, the Academy Award nominee actress Yalitza Aparicio ("Rome" dir. Alfonso Cuarón) We will continue inviting interesting talents from different fields.
-The 13 winning Authors will receive the WINNER LAUREL, plus FIC AUTOR trophy or rings.
-WINNERS will be announced one month before the award ceremony, so all the nominated filmmakers can decide beforehand whether they want to travel to the festival.
-The Cineforo is one of the biggest cinema theaters in the city with 440 seats, and is the most prestigious.
CATEGORIES:
Feature Films Categories:
-Fictional Feature Films.
-Documentary Feature Films.
-Experimental Feature Films.
-First-Time Filmmaker.
-Low Budget Feature Films Under 50K USD.
-Mexican Feature Films. (For Mexican directors only)
Medium Length Category:
-Medium Length Films. (Any kind)
Short Films Categories:
-Fictional Short Films.
-Documentary Short Films.
-Experimental Short Films.
-Animated Short Films.
-Mexican Short Films. (For Mexican directors only)
-Cineminuto 1 minute Short Films.
39th Edition of the Medina del Campo Film Week. Qualifying festival for the GOYA Awards of the Film Academy.
The purpose of the festival refers to awareness of both the external filters on the screen, including censorship (commercial, ideological, aesthetic), and the internal filters of screen perception and projection, including self-censorship. NEFILTRAVANAE KINO is an exploration of aestheticization and commodification in art. The next aim of the festival is to expose the complexity, manysidedness, and variety of filmmaking.
NEFILTRAVANAE KINO (NoFilter Kino) is a film festival that is held by the Short Movie Club, the platform for cinematic projects. NEFILTRAVANAE KINO is ADAMI Media Prize qualified festival. The International Film Studies Conference is held at the same time as the film festival. In this way, film theory and practice are integrated together at the NEFILTRAVANAE KINO.
Originally the festival was held in Belarus, but because of political repression and publicly stated anti-war stance, screenings and events can be held in different countries. First of all in Poland (Warsaw), Germany (Berlin, Hamburg), Lithuania (Vilnius). For example, the 11th and 10th Nefiltravanae Kino took place in Warsaw, Berlin, Hamburg, Vilnius and Helsinki. The content of past years' film programs can be found on the website https://shortmovie.club/programmes/
The festival will be held in a hybrid format. We will have a part of live screenings and online screenings on a video platform https://film.nofilterkino.org/ . The video is cryptographically secured. In addition, we pay attention and promote films from our previous years that are released to the public on the Internet after their festival curcuit.
Nefiltravanae Kino involves theater, artists to interpret symbols and history. We work with the audience's reaction and participants' as well.
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The concept of the NEFILTRAVANAE KINO (NoFilter Kino):
ALIENATION PROBLEM
We live in a world of malls and cinema multiplexes. We see that indie cinema and non-commodity art go to the periphery of public attention. Primitive attractions replace the cinematography. The escape audience is alienated behind the big screen. So modern mainstream cinema is part of a manipulating tool that leads to the society of alienation. Thus the tendency is that indie cinema becomes more unreadable for the wide audience. We should understand the context of the filmmaker to understand the independent cinema. That is why the NEFILTRAVANAE KINO concept implies the physical presence of filmmakers.
FILM SELECTION PROBLEM
Filmmakers shoot millions of movies. And thousands of short film festivals organize screenings all over the world every year. On average, several thousand films are submitted to a film festival. So various good films can be neglected for whatever reason. Often selecting probability is like winning a lottery. As a result, filmmakers are left with no feedback. It is a paradox that no one can hear you in the age of the Internet! The mainstream culture prefers attractions and casual viewing.
Also, this idea is based on the film selection problem. Perhaps it’s no surprise one person, i.e. programme director at best, or even students of film schools make a preliminary decision to select a movie. Сoncordance of judges or previewers is more seldom thing than the difference of background, tastes. So selection or judging can be one-sided or perfunctory. It is not bad as the programme director has a good taste and aesthetic sensitivity, of course. But we’ve discovered another conception of “unfiltered cinema”. We matched it against “the best of the best” way. This way aids to perceive cinematic idiom without the dictate of art-curators.
CELEBRATION OF INDIE CINEMA
So the NoFilter Kino tries to avoid “the best of the best” way but it does not ignore it completely, sure. The festival selects fiction, animation, documentary, experimental and virtual reality sections. A jury awards the best film in every section. The festival holds the screenings at cinema theatres, the National Centre for Contemporary Arts, and art-spaces.
Our aim is to gather people in art, to have a dialogue to be happy with smart communication. Cinema is art but not sport. The key point of our project is to establish communication between the filmmaker and the audience.
Please, read about the festival history through the link to the festival's website. http://shortmovie.club/history/
FICSEM Festival, in the Mediterranean area.
For major reasons, and having been immersed in a situation in which we have all been affected, we have decided to adapt to the current situation, and give a new focus to our festival. Maintaining the enthusiasm and passion we feel for the artistic world.
Our festival is aimed at the dissemination and promotion of film authors related to topics of social and/or ecological value.
Because we believe in the power of art as a transformative medium, our contribution from this festival is to give visibility to projects that address environmental and social changes in which we are immersed. We are an international festival because we understand the world beyond barriers, and because we are moved by the need to get to know other cultures and share the best of ours, as it contributes to any improvement in any corner of the world.
The Mediterranean is the climate that surrounds us, and we feel identified with it. In terms of warmth, closeness and transparency. We are a festival that is starting strong, with a large number of committed artists who share our cause, and the desire to share.
And that is why we are not afraid to break the most classic festival patterns. So much so, that in the award for best actor and/or actress, the recognition of the award falls on their social and/or ecological work... And not only on their skills.
Despite having firm ideological foundations. We open ourselves to other artistic areas and initiatives.
El Grito is the first and only fantasy an horror film festival in Venezuela.
This event seeks to celebrate fear and showcase the narrative visions of both emerging and established filmmakers, whose stories reveal the darkest aspects of the human condition.
Over the past eight years, it has served as a disruptive platform in the country’s periphery—the state of Táchira—where filmmakers, producers, and fantasy film enthusiasts have come together to reflect, enjoy, and learn. El Grito is part of the Latin American Alliance of Fantasy Film Festivals (FANTLATAM), the Venezuelan Film Festival and Showcase Circuit (CIFEST), and the Ibero-American Network of Film Festivals (REDIBEROFEST).
We invite feature films and short films from around the world—spanning fantasy, horror, sci-fi, thriller, suspense, and related subgenres— in any narrative format (fiction, documentary, animation, or experimental) to participate in our 7th edition.
More info at: elgritoproduce.com/festival
The SPICY INDIE INTERNATIONAL FILM FESTIVAL (SPICY IIFF) is an annual event and is organised by Spicy Daisy Productions based in Europe|Greece.
The main concern of SPICY IIFF is the promotion of the art of Cinema through the presentation of an eclectic mix of exceptional independent short films from International filmmakers
The aim of the festival is also to promote, recognize and support the production of short films and to develop a spirit of friendship and cooperation among filmmakers.
"Spicy Indie International Film Festival" is a true filmmakers festival by a team of filmmakers dedicated to the language of cinema and arts and aims to bring a range of independent short films of all genres, who successfully use creative cinematic language forms, from all corners of the world to Greece.
The African Film Festival focuses on films made by Africans and those in the African Diaspora. Additionally, we showcase films shot in Kisumu, Kenya – an exciting birth of local stories being told through the medium of film.
Our first festival was opened by the RT. Honourable Prime Minister of Uganda, Dr. Ruhakana Rugunda, and the Governor of Kisumu Kenya, his Excellence Professor Peter Nyong'o (also father of Oscar-winning actress, Lupita Nyong'o). We also welcomed the Ugandan High Commissioner to Canada, Kisumu's Minister of Arts, Culture and Tourism, and filmmakers from Uganda, Kenya, Tanzania, the UK, Canada, and the US. Since then, we have continued to welcome filmmakers and film lovers from around the world!
In 2019, we were excited to open the festival with Bed of Thorns, Uganda's first movie made with an all-female crew, and to welcome Artist in Residence Giggs Kgonamotse Kgole, one of the Mail and Guardian’s Top 200 young South Africans, whose work “God Ke Mama” was the catalogue cover of the 10th Anniversary Young Masters Art Prize in London.
During COVID, we were forced to present scaled down versions of the festival, but we returned in full force in December, 2022 for our 5th edition of the festival, during which we held two open forums, multi-day workshops on production design and sales/distribution, three days of screenings and a gala awards event, and welcomed the Kenyan Film Commission, Kenyan Film Classification Board and the Kisumu Minister of Arts, Culture and Sport. In 2023 we welcomed Kenyan actor Charles Ouda, who came to present an award and speak with the kids who came to watch our world premiere of episodes 3 and 4 of Twende, in which he starred. Our guest of honour was her excellency, Kisumu First Lady Dorthy Nyong'o, who also happens to be the mother of Academy Award-winning actress Lupita Nyong'o.
All festival programmers are Africans. Given our focus on filmmakers, each submission is watched by at least two people. If they disagree, a third programmer will review the film. Then, the top scoring films are considered by the programming team as a whole. Our goal is to be as fair as possible, giving every submission a reasonable opportunity to be selected. With that said, in 2023, each film was watched by at least 5 programmers.
We organize this festival in order to create a new reason to produce and introduce films and any other work of art that concentrate on the world’s problems and riches, and to pioneer the creation of a free platform and reward these works. We live in an era where too much information, and input that cannot be considered as information flow at a disconcertingly rapid pace in every plausible channel. We organize this festival so that we could all seek what is more local and smaller, and more importantly the one that is true and genuine together.
The ecological problems are increasing and becoming more and more varied; however, we also witness hope-inspiring developments. We organize this festival in order to create a platform that nurtures this hope. We hope that through our festival, the residents of Bozcaada, farmers, producers, scientists, artists, and all our guests will be informed about the current technological developments, environmental disasters and innovations, the most recent documentary techniques and also about each other’s existence. We hope that our festival will contribute to nurture solidarity.
10th “Jaipur Film World”
Submit your Films
· Feature Film
· Short Fiction Film
· Documentary Film
· Animation Film
· Music Video
· Ad Film
· Web-series
More Details on Website- www.jaipurfilmworld.com
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KAARYAT
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