Buenos Aires Rojo Sangre (BARS) — международный кинофестиваль, посвященный жанрам ХОРРОР, научной фантастики и фэнтези.
Родился в 2000 году с целью сфокусироваться на независимом жанровом кино, а с 2004 года в форме конкурсного фестиваля.
HERITAGE FILM FESTIVAL
In order to preserve India’s finest cultural legacies, aadhar initiated The Heritage Film Festival to explore India’s glorious heritage through audiovisual media. The Heritage Film Festival is a project by aadhar to spread awareness and educate public about India’s heritage through films
The Heritage Film Festival is not just an EVENT... but a CAUSE with the aim to REVIVE the dying traditional art forms,
it a Movement to embellish & enrich the Rich Heritage of India...!
Overall aim of the Heritage Film Festival (HFF) is to encourage film submissions, organize film making projects, review film competitions, and screen films to different audiences.
MADTerrorFest was created with the purpose of covering the vacuum that exists in Madrid regarding the genres of fantasy films and terror concerns.
There is lot of talent already discovered and above all to be discovered. So we have proposed to dig up all that potential and make it available for the lovers of this type of film, which we tell us of course.
We want to do a festival of short films that gradually give rise to the International Film Festival of horror and fantastic of Madrid, and become a reference within the national and international scene.
And of course we want you enjoy it as much as we do to prepare it.
Or better yet, that you may suffer uncompromising hitting boats like maniacs in your seat; We know that you love.
We have the pleased to announce one more edition of the University Film Festival in Puebla, which aims to promote local, national and international university cinema.
OBJECTIVES
Exhibit and publicize the most outstanding proposals of university cinema.
Encourage film production in a professional manner within the university community.
Offer a meeting and exchange between young university filmmakers, experts in the film industry and audience.
Девятый Международный кинофестиваль в Ла-Серене, FECILS, является конкурсным аудиовизуальным конкурсом, который пройдет с 8 по 11 ноября 2024 года в регионе Кокимбо. Он направлен на поддержку производства и распространения аудиовизуальных материалов на региональном, национальном и латиноамериканском уровнях и, таким образом, на содействие децентрализации, организации встреч и обучения региональных кинематографистов и продюсеров. Благодаря этим мероприятиям FECILS стремится зарекомендовать себя как культурное событие, которое, помимо создания площадок для киновыставок в регионе Кокимбо, уделяет особое внимание привлечению новой аудитории. В программе FECILS 2024 предусмотрена программа распространения аудиовизуальных материалов, которая охватит различные районы коммун региона.
The 12 Months Film Festival (#12MFF) is farrest challenging film festival available which attracts, displays and awards filmmakers from six continents. Our finest selection system brings the benefits of a quality qualification in the #12MFF and also come with surprise awards where qualify all selected entries. #12MFF was designed to award you amazing prizes. Moreover, we will do our best in working with your needs in order for your talent and dedication to be appreciated by the public.
Together we build a global audience!
CHECK OUR TRAILER HERE :
https://vimeo.com/126007311
Entries requirements:
-> All films must have been made in or after 2012 and have English subtitles (unless English is the main language spoken); A creation date does not apply in case of the screen writings from being stopped for submissions, but the submitted must be in English or have a copy translated in English;
-> We accept shorts, documentaries, animations, experimental, music videos, web and new media, commercials (all specified previously under 45 minutes); feature films and feature documentaries (any length, 45 + minutes);
->A description between 50 and 150 words;
->Trailer (not required for movies under 7 minutes; optional) and the film must be submitted as an on-line screener (Vimeo preferred) which may be embedded on the website for visitors to see your creation; you can further opt for modifications in your entry;
->Cover of the film/screen writing or a defining photo;
We also offer the following services:
Film review; Film improvement support; Trailer for your movie; Web-design and coding; Complete graphic-design. Proceed here: http://12mff.com/services/
The end of ideologies has left two words, social and capital, as a pair of twin archetypes, social/kapital, which is strangely guiding our time now. That strangeness (in fact is a mere fairness because of accumulation of those two words’ ideological histories) is located on the interpretation position of both which inevitably are inseparable anymore since have turned into mutational forms of knowledge of how we appropriate all activities and cultural production in that context. This mutated knowledge is the meaning of both words in its similar proportion namely, social / capital.
The context plays its role in the transitional period now, which is on the pragmatic pressures rather than symbolic desires. Only seems both words repel each other although they actually equally inherent in mutual dependence and to their implications on our reality these days.
As a manifest of the archetypal fall, both concepts are merely placed into grand discourse throughout the centuries of cultural production on the top of ivory tower, a place where comprehensions of cultural production is likely to be seen and interpreted centrally–monoconsentric—through intricacy and sophistication of powers (political) and technologies (aesthetic). In other words, the language that articulates practices to imagine social and capital at that time and became our legacy of thinking, only allowing a value obtained from contemplation, while a variety of performativity which is celebrated in it sublimated as myths about World View. However, as the withdrawal of modernism, a shift in the understanding and meaning occurs when the concepts of geography and anthropology transformed most phenomenally by massive presence of new life habituation through the media that we are using now. social/kapital reduces those myths and coexist or along together with our performativity celebrations today.
Reduction of those myths seems in this circumstance: A productional milieu from vertical experience symbolically into horizontal experience pragmatically. In other words, the quest for suprasensory concept shifted to the quest for visible interpretation alias everyday.
A new literacy was stretched in front of the most present opportunities of cultural productions. Thus, the end of ideologies, which can be read as globalism nowadays has directed the production structure into contemporary guilds through the most advanced concept of the meaning existence of social and capital. This latter reality results in social reproduction produced by capital markets certainly everywhere either in the economic context or anthropological. Avoiding the strongest possibility of sloganistic assumptions to emerge about the revolutions of ideologies when writing this term, SOCIAL/CAPITAL are arranged in inductive letters, social/kapital is about to put perspective on peripheral domains.
Practices imagine anthropocentric into the concepts of citizenship or citizens as units of community—either as a representation of what would be ideal, either as a sheer performativity celebration, now it is common that the behaviors in a new world (global) when socialism and capitalism become mere of ‘world view’ concepts from the past and no longer sturdy as the two dominant poles which were constructed and applied throughout history by various powers to codify its inhabitants.
Idea and concept about social/kapital citizens have been merging various cultural activities of their existence in a new world (global) without—or only vaguely— memories of the state except local identity as a nation and their differential statuses. Individualism in the body of citizens is imagined almost as closely as shadow of something collective (collectivity). Is there a so-called global citizen complete with attributes and identity really exist apart from geographical and societal changes in which the capital motive is its creator?
The Green-Go International Short Film Contest aims to gather environmentally and socially conscious youngsters to organize the contest and the festival on one hand, and on the other hand, to inspire youngsters to creatively express their ideas in a
short film format. With the shorts, we aim to raise awareness on environmental and social problems at global, European and national level. With Green-Go festival, we wish to create the basis of a sustainable green film event that activates both youngsters and the civil society, attracts interested people and stakeholders and generates dialogues within the whole society about key eco-social questions.
Within the film contest, we accept shorts in three categories to reflect on European awareness, global environmental and social problems and the connection between biodiversity and society.
The Green-Go Short Film Contest is generously supported by the European Commission.
This year we are awaiting short films (and Testimonies!) in the following three categories:
1. Build green, live green (Green infraestructure)
2. The last day on Earth? (Earth's overshoot day)
3. Your Europe in 2050 (EU budget)
ONLY FOR MEXICAN FILMMAKERS // SOLO PARA CINEASTAS MEXICANOS
The Ixtenco International Short film Festival’s main objective is to provide a opportunities for exhibition of quality films, trying to bring together those who make the movies and those interested in this task for film preservation and exchange
ideas. This Festival is not for profit or financial gain.
MICGénero, International Film Festival with Gender Perspective, aims to bring gender studies to a wide and diverse audience that may or may not be familiar with these subjects through film. We think that applying gender theory to cinema presents opportunities to understand social phenomena critically: it allows for a revision and reinterpretation of aesthetic manifestations that deal—directly or indirectly— with subjects related to female and male power relations, sexuality and gender roles, among others.
MICGénero's fourth edition will focus on "Human mobility and migration". However, MICGénero's sections encompass different aspects of gender studies and art.
SREM FILM FEST is a constant cultural manifestation, whose founder and director is Igor Čolak and executive BUBAMARA PRODUCTION and SREM FILM. It is both domestic and international competitive film festival of artistic achievements in the field of documentary film made by film or video techniques.
The festival takes place in Srem, once a year.
After a mini-hiatus, Short Com will be making it's return in 2019 in Edinburgh at the Cameo Cinema.
Short Com is a short comedy film festival that has grown from strength to strength from humble beginnings back in 2011, where it started in Manchester.
Short Com prides itself on the quality of its programme and the range of comedy stylings it has screened. The most emphatic thing we look for in a film is its content, its ability to make an audience laugh or smile. Short Com has screened films from BAFTA nominated films and multiple award winners to simple home made films that have warmed and vastly amused audiences.
Short Com has screened during the Edinburgh International Fringe Festival, in London and for the first time in Bristol and finished its run and closed with its award ceremony at the Glasgow Short Film Festival. One of the largest short film festivals in the UK.
Why submit to Short Com? Short Com prides itself on the quality of its programme. There is a great deal of honour to selected filmmakers who make it to the annual best of screenings. Plus it will be taking place during the world's largest arts and culture festival. In the past we have been sponsored by Blackmagic Design, Final Draft and Festival Formula all donating fantastic prizes for winning films in our category awards section. We will be looking to work with new brands to continue this tradition and bring some excellent prizes.
To get an idea of what we have screened in the past, you cans see some of the previous years winners in the links below.
http://www.shortcom.co.uk/wp/2014-2015-best-of-select-and-winners/
http://www.shortcom.co.uk/wp/2015-international-selection/
http://www.shortcom.co.uk/short-com-festival/short-com-2016-best-of-programme/
*Feature Films
We have the opportunity to extend our programming to feature films. This depends on the quality of the film and appeal it can bring. Features must be a Scottish film premier.
Contact Chris Aitken directly at info@shortcom.co.uk for enquiries.
La Fundación de artes escénicas Macer Ponti es una organización no gubernamental de Colombia que apoya el talento artístico en la comunidad de futuros actores y actrices proviendo el arte y la cultura en poblacion en alta vulnerabilidad para el desarrollo social de la región.
Dasarrollamos producciones promoviendo sentido social con valores y está dirigida por Miguel Angel Cardona Erazo con más de 10 años de experiencia y reconocimiento por su trayectoria en la TV nacional.
Nuestros Valores:
Misión
Somos una entidad sin ánimo de lucro, en donde nuestra misión es educar, entretener y culturizar a través de diversas manifestacones artísticas, como teatro, cortometrajes, baile, música, fonónmiimica y modelaje.
Visión
Ser el espacio donde, la comunidad de todos los estractos sociales, tengan la oportunidad de mostrar su talento, en las diferentes ramas del arte y la cultura.
Objetivos
Llegar y demostrar en todos los rincones, proyectando nuestro trabajo artístico y cultural, con talento Palmirano, traspasando fronteras y asi poder mostrarle al mundo el gran potencial que hay en la Villa de la Palmas.
Международный кинофестиваль в Фусагасуге (FICFUSA) призван познакомить жителей Фусагасуги и региона Сумапас с новыми экранами, точками зрения и кинематографическими работами высокого качества, способствующими критическому осмыслению проблем и проблем, с которыми сталкиваются женщины. В краткосрочной перспективе мы стремимся стать международной платформой для фильмов на гендерную и женскую тематику, привлекая продюсеров, режиссеров и дистрибьюторов, интересующихся этими темами.
Кинофестиваль в Понферраде — это мероприятие, специализирующееся на распространении и продвижении короткометражных фильмов со всего мира, независимо от их производства, дистрибуции, формата выставки, категории, жанра или темы.
Короткометражные фильмы — это не только учебный ресурс для начинающих профессионалов киноиндустрии и рекламный инструмент для перехода к полнометражным фильмам, но и весьма творческая и свободная форма самовыражения, повествования и экспериментов, не зависящая от рынка.
Мы также стремимся освещать фильмы, которые, независимо от их продолжительности, отражают культурное, социальное и языковое разнообразие любого региона мира как часть памяти народов и самое неизвестное универсальное аудиовизуальное наследие
MULTIFEST is an independent film exhibition of local, national and international shortfilms, it will be held in the city of Guadalajara and call for entries to your shortfilms to be part of the programming of this film encounter.
Фиатикорти родился в 2000 году по идее некоторых участников «Молодежного проекта» Истраны.
Название мероприятия было выбрано по двум причинам: во-первых, «одышка» (fiato corto) — это результат кратковременных физических усилий (та же продолжительность короткометражных фильмов). Более того, фильм продолжительностью до 20 минут способен вызвать у зрителя сильные эмоции, заставляя его «задыхаться».
Изначально фильм «Фиатикорти» был сгруппирован в один вечер, а именно вечер награждения. Однако, начиная с четвертого выпуска, формат фестиваля расширился, и фестиваль проходит в четыре этапа, на которых представлены лучшие работы.
В 2006 году был открыт раздел FiaTiveneti для поощрения режиссеров короткометражных фильмов из региона Венето.
2011 год стал поворотным моментом в истории компании fiaticorti. Давний художественный руководитель Джанни Биллио не только передал эстафету Бартоло Айрольди Сагарриге (новому художественному руководителю), Андреа Греспан и Симоне Перотто, но и значительно повысилось качество конкурсных фильмов, а также количество иностранных участников, в основном из Франции, Великобритании, Румынии и Испании.
Но самобытность фестиваля, связанная с культурой итальянских киноклубов семидесятых годов, всегда оставалась неизменной. Его цель — передать культуру и страсть к короткометражным фильмам. Вот почему художественное руководство предпочло не сопровождать фестиваль другими мероприятиями.
We welcome all forms of film production – feature, narrative, documentary, short films, animation, video art, experimental and student. Keep in mind, IFFP is a non-competitive celebration of cinema, making sure our officially selected program has a perfect screening quality, while the filmmakers and guests enjoy the festival, free from industry stress and complicated press or PR agendas. In other words, great films, summer skies, a selection of events, and networking at their best!
