The “KINOSVET” International Children's Cinema and Television Festival will be held from September, 2024 in Minsk, Belarus.
Festival "KINOSVET" is designed to develop, inspire and support young cinematographers; those who will soon influence the mass culture in their countries. The festival will allow those who want to make this world better, to be seen and heard. And also give a wide range of viewers the taste of a highly moral, deep, humane, inspiring art.
What movies and TV shows are shown around the world today? Who teaches contemporary and, most importantly, future artists and media ways to illuminate moral and, spiritual laws? Who controls the content and ideological direction of the most meaningful and strong types of art? The festival’s purpose is to seek, find, and give a venue to young talents who can create beautiful and meaningful art that makes our world brighter and kinder.
Festival goals:
development of cinematography;
moral education of children and adolescents;
the formation of personality with the help of cinema;
initiation of the younger generation to spiritual culture;
increasing the interest in creating films focused on children and youth audiences.
Festival tasks:
to fill the world with good pictures with humane ideas, moral values in order to make our world brighter;
to revive children’s, youth and family cinema;
to draw the attention of society around the world to social problems that are associated with children, people in need and nature;
to promote true, universal spiritual values;
to educate a new generation of filmmakers;
to expand and strengthen filmmakers connections from different countries both for children and youth;
to draw the attention of state, public and commercial organizations to supporting children’s and family filmmaking as well as to encouraging of the young authors.
The Social Film Festival ArTelesia is organized by the non-profit Cultural Association “Libero Teatro”.
The event is supported by the MIC Directorate General for Cinema and Audiovisual, the Film
Commission Campania Region, Cesvolab and the patronage of the Presidency of the Council of
Ministers, the Ministry of Labor, the Ministry of Education, University and Research, UNAR - National
Office against Racial Discrimination, the Province of Benevento, the Municipality of Benevento, the
Chamber of Commerce of Benevento, Arcigay Napoli, the University Center Synapses of the Federico
II University of Naples, the University of Sannio, the Suor Orsola Benincasa University of Naples, the
University of Salerno, the UCAM San Antonio de Murcia University (Spain), the CADMUS. Students
from the aforementioned universities will participate in the organization of the fifteenth edition as Interns.
PURPOSE OF THE COMPETITION
The Social Film Festival ArTelesia intends to promote cinema both in Italy and abroad. The Festival represents a showcase for the promotion of films of cultural interest, belonging to the independent and non-independent cinema circuit. An ideal place for lively confrontations between producers, authors and distributors, but also between the production universe and the target audience, the Festival promotes the dissemination of films of high artistic value, capable of contributing to cultural growth and the formation of a mature awareness criticism in young people.
THEMES
- I BELONG TO ME: respect for one's own individuality, knowing how to be beyond all appearances, cultivating one’s freedom against all dependencies
- INTEGRATION: respect for ethnic and cultural identity against all forms of discrimination
- DEEP SURFACES: discovery and enhancement of the historical-artistic heritage of the territories
- ORTHOMETRY: Stories of sustainable agriculture
- FREE THEME
SECTIONS
- Filmmaker: emerging and professional directors, production and distribution companies
- DiVabili: works created by directors with disabilities or involving disabled actors that do not necessarily have to focus on the topic of disability
The Gáldar International Film Festival (FIC Gáldar) is one of the most important film festivals in the Canary Islands, and has concentrated in each of its editions the very best of national and international cinema. Organized by the City Council of Gáldar through its Council of Culture since 2013, this festival proposes a live event with important health measures to ensure complete safety and confort.
Our event as of today will be hosted on the original intended dates. We are closely following the rules and regulations set by the government of Spain and, since our hope is that cinemas are allowed to full capacity before our event, we are also open to open our venues in a limited capacity if that was mandatory. If any plans change for our live event, we will notify all selected filmmakers with new dates.
The festival will take place in the city of Gáldar, on the island of Gran Canaria, in october 2024, and its philosophy focuses on the film as the only and great gravitational center, without losing sight of the creators, who deserve a parangonable respect for their works.
Thus, this festival will not make a difference between themes, formats or genres. Submissions are open to all types of feature and short films. We are looking to showcase the best in drama, comedy, horror, sci-fi/fantasy, thrillers/suspense, noir, both in fiction and documentary, both in life action and animation. Submissions are open to films from all over the world.
FIC is committed to cinema for cinema, to a true vision that does not respond to stringings neither social, nor ideological, nor formal. It is, at its core, a film festival without borders.
Alongside this statement of principles regarding the Official Selection, there is also a reverence for the cinema from the past througan evening of fantastic and horror cinema is proposed with "The darkest hour".
Finally, the festival will also pay homage to different personalities from the film industry and will organize workshops and parallel activities.
The Anonima Sognatori association, CinemaLab and EdoHub promote and organize the First International Film Festival “Lavoro & Impresa” and the related Award. Sponsorships and partners will follow.
The intent is to explore, through filmic narration, the experience of humanity at work and, at the same time, present the experience of those who create that work by doing business, without neglecting how work and business influence the environment and its dynamics.
Only films that tell stories (not documentaries) that contain aspects of work, of working, and of those who work are admitted to the Festival; as well as those who are looking for work, those who lose it, those who don't have any. At the same time, films are allowed that tell the stories of those who create or have created, or have lost, a company and, overall, of how work, workers, and businesses are united in a single purpose and destiny.
In short, stories that tell these relevant and fundamental aspects of humanity, in all the psychological, social, political and environmental facets and implications they entail, are admitted and invited to participate.
A Festival and an Award dedicated to men and women who work every day all over the world building countries and destinies.
Videocomposta is a contest of short films and videos on decentralized composting that, since 2017, has been organized by Composta en Red within the framework of the Seminars on home and community composting.
film/Documentory/music vedio/Animation/VFX/CGI/2D/3D/other
*Mumbai Entertainment International Short Film Festival*
*Organized BY*
mumbai Entertainment
& Yogeshpatilfilms
*world all contries participated now*
CALL FOR ENTRIES FICMA 2024
The International Film Festival with Alternative Media (FICMA) encourages and disseminates the creation of films and audiovisual projects with new digital narratives and disruptive technologies made with various devices such as smartphones, DSLR cameras, GoPro cameras, Black magic pocket, drones, among others. Using technologies such as virtual reality, digital animation, artificial intelligence, among others. Having exhibition media such as projection, transmedia narratives, VR viewers, website and Streaming platforms.
The theme of this edition will be the convergence of media and pop culture, where we will reflect on how in today's world with a saturation of information the various media, increasingly merge creating new formats of consumption, analyzing how it has influenced the Mexican and universal popular culture and what interactions they have with the cinema today.
FICMA will be held from November 8 to 17, 2024 in Mexico City.
The registration and participation of a film or project implies full acceptance of FICMA's rules, conditions and regulations.
ZINEBI- International Festival of Documentary adn Short Film of Bilbao
ZINEBI is the only Class A international festival in the documentary and short film category in Spain. It is accredited by the Hollywood Academy of Motion Picture Arts and Sciences as a qualifier for the Oscars, for the European Film Academy’s awards, for the British BAFTAs and for the Spanish Academy’s Goyas.
Created in 1959 by the Basque Institute of Hispanic Culture, attached to the Spanish Foreign Ministry, the International Ibero-American and Filipino International Documentary Film Contest (its original name) was devised to follow in the steps of San Sebastián, which had been set up six years earlier. It is the third oldest festival in the Spanish State, after San Sebastián and Valladolid, and the first amongst those in its field. Between 1972 and 1981, it became a platform to discuss Spanish short films and a space for the dissemination of productions from all over the world, and particularly Latin America. In 1974, it was recognised by the International Federation of Film Producers Associations (FIAPF) as a contest of the highest international competitive category. Between 1975 and 1980, it was the ideal forum to discuss the arrival of what would be known as Basque cinema.
In 1981, the festival passed to the hands of Bilbao City Council. Since the year 2000, it embarked on a new era under the ZINEBI brand, when it would consolidate its position as one of the most important international festivals in its speciality. It has strived to be a platform for Spanish and Basque producers and directors and has contributed, as one of its fundamental goals, to internationally promoting the quality and independent films made around the world: films whose creative ambition is not exhausted by merely repeating hackneyed stylistic characteristics. Thanks to these very free and exceptional works, ZINEBI continues to renew its commitment each year to formal experimentation, to the interdisciplinary and hybrid of the new audiovisual productions, to support for the up-and-coming producers, and to filmmakers’ aesthetic and ethical scrutiny of the increasingly more complex realities of our contemporary world.
Throughout its long history, the festival has welcomed to Bilbao some of the most prestigious professionals of independent filmmaking worldwide. The accolades of ZINEBI include the names of Jacques Demy, Richard Lester, Pierre Pérrault, Claude Lelouch, Gian Vittorio Baldi, Carroll Ballard, Fernando Birri, Estela Bravo, Santiago Álvarez, Valeria Sarmiento, Robert L. Drew, Felipe Cazals, Peter Watkins, Peter Mullan, Lourdes Portillo, Avi Mograbi, Sergei Loznitsa, Lászsló Nemes, Nele Wohlatz and Luise Donschen. Thanks to its critical debate and specialisation, the festival has been a test bed for the new trends of contemporary cinema and a useful platform for the most daring filmmakers.
A similar headcount of the ranks of Spanish cinema reveals that the Bilbao Festival has been the launchpad of several generations of filmmakers: Carlos Saura, Basilio M. Patino, Pío Caro Baroja, José Val del Omar, Javier Aguirre, Jaime Chávarri, Francesc Betriu, Nadia Werba, Imanol Uribe, Montxo Armendáriz, Pedro Almodóvar, Julio Medem, Fernando León de Aranoa, Juanma Bajo Ulloa, Javier Rebollo, Santiago Segura, Begoña Vicario, Jon Garaño, José María Goenaga, Virginia García del Pino, Neus Ballús, Koldo Almandoz, Isabel Herguera, Asier Altuna, Izibene Oñederra and Natalia Marín.
The festival’s guests, international jury members and winners of the Mikeldi of Honour, its top annual award, include Peter Greenaway, Ennio Morricone, Jean Rouch, Dino Risi, Luis García Berlanga, Hanna Schygulla, Anna Karina, Jane Birkin, Arturo Ripstein, Elías Querejeta, Richard Lester, Pavel Paulikowski, Márta Mészáros, Jeanne Moreau, Anthony Hopkins, Vannessa Redgrave, Emir Kusturica, Liliana Cavani, Carlos Saura, Manuel Gutiérrez Aragón, Jean-Claude Carrière, Patrice Chéreau, Cecilia Roth, Hirokazu Kore-Eda, Juan Ruiz Anchía, Aki Kaurismäki, Marco Bellocchio, Mariano Llinás, Apichatpong Weerasethakul, Wang Bing, Claire Simon, Márta Mészáros, and the Jean-Pierre and Luc Dardenne brothers.
The different ZINEBI directors down through the years have been: Pedro de Ybarra (1959-1968), José Ignacio Uruñuela (1968-1970), Felipe Alfonso Araico and Adolfo Lafarga (1970-1972), Roberto Negro (1972-1981), Manu Pagola (1981-1985), the Executive Committee made up byr José Julián Bakedano, Ernesto del Río, José Antonio Mingolarra y Santos Zunzunegui (1985-1987), Iñaki Acarregui (1987-1988), Luis Iturri (1988-1998) and Ernesto del Río (1999-2017). Vanesa Fernández Guerra has been the director since 2018.
The festival is currently sponsored and institutionally funded by Bilbao City Council – through the Arriaga Theatre – as the organiser, by the Basque Government’s Department of Culture, by the Spanish Ministry of Culture – through the Institute of Cinematography and Audiovisual Arts (ICAA)-, and by Bizkaia Provincial Council. ZINEBI is also supported by private and public entities including Basque Public Television (ETB), Azkuna Zentroa, Golem-Alhóndiga Cinemas, the Fine Arts Museum, Guggenheim Museum, the Sala BBK, the Campos Elíseos Theatre, the University of the Basque Country (UPV/EHU), the French Institute, the Goethe Institute, the SGAE Foundation-Basque Council and the FAS Film Club.
ZINEBI- Festival Internacional de Cine Documental y Cortometraje de Bilbao
ZINEBI es el único festival internacional de Clase A de España en la categoría de documental y cortometraje. Está acreditado por la Academia de Hollywood como calificador para los premios Oscar, para los premios EFA de la Academia del Cine Europeo, para los premios BAFTA de la Academia Británica y para los premios Goya de la Academia Española.
Creado en 1959 por el Instituto Vascongado de Cultura Hispánica, dependiente del Ministerio de Asuntos Exteriores, el Certamen Internacional de Cine Documental Iberoamericano y Filipino de Bilbao (su nombre inicial) fue concebido como hermano menor del Festival de San Sebastián, que había nacido seis años antes. Es, tras el de San Sebastián y el de Valladolid, el tercero más antiguo del Estado y el primero entre los de su especialidad. Entre 1972 y 1981 se convirtió en una plataforma de debate sobre el cortometraje español y en un espacio para la difusión de las cinematografías más variopintas, en especial la latinoamericana. En 1974 obtuvo el reconocimiento de la Federación Internacional de Asociaciones de Productores (FIAPF) como certamen de la máxima categoría internacional competitiva, y entre 1975 y 1980 fue el lugar de debate idóneo para el alumbramiento de lo que empezó a conocerse como cine vasco.
A partir de 1981 el festival fue asumido por el Ayuntamiento de Bilbao y desde el año 2000, bajo la marca de ZINEBI, emprendió una nueva época en la que ha consolidado su posición como uno de los festivales internacionales más importantes de su especialidad, desde la que intenta servir de plataforma a realizadores y directoras de Euskadi y el Estado y ha contribuido, como uno de sus objetivos fundamentales, a la promoción internacional del cine independiente y de calidad que se realiza en los cinco continentes: películas cuya ambición creativa no se agota en la repetición de rasgos estilísticos estereotipados, obras muy libres y singulares que permiten a ZINEBI renovar anualmente su apuesta por la experimentación formal, por la condición híbrida e interdisciplinar de las nuevas producciones audiovisuales, el apoyo a los realizadores emergentes, y la indagación ética y estética de los cineastas en las cada vez más complejas realidades de nuestro mundo contemporáneo.
A lo largo de la dilatada historia del festival, han pasado por Bilbao algunos de los más prestigiosos profesionales del cine independiente mundial. En el palmarés de ZINEBI destacan los nombres de Jacques Demy, Richard Lester, Pierre Pérrault, Claude Lelouch, Gian Vittorio Baldi, Carroll Ballard, Fernando Birri, Estela Bravo, Santiago Álvarez, Valeria Sarmiento, Robert L. Drew, Felipe Cazals, Peter Watkins, Peter Mullan, Lourdes Portillo, Avi Mograbi, Sergei Loznitsa, Lászsló Nemes, Nele Wohlatz, Luise Donschen o Fern Silva. El festival, desde el debate crítico y la especialización, ha servido de banco de pruebas de las nuevas tendencias del cine contemporáneo y una plataforma útil para los cineastas más arriesgados.
Un recuento similar entre las filas del cine español, permite señalar que en el Festival de Bilbao han emergido realizadores de varias generaciones distintas: Carlos Saura, Basilio M. Patino, Pío Caro Baroja, José Val del Omar, Javier Aguirre, Jaime Chávarri, Francesc Betriu, Nadia Werba, Imanol Uribe, Montxo Armendáriz, Pedro Almodóvar, Julio Medem, Fernando León de Aranoa, Juanma Bajo Ulloa, Javier Rebollo, Santiago Segura, Begoña Vicario, Jon Garaño, José María Goenaga, Virginia García del Pino, Neus Ballús, Koldo Almandoz, Isabel Herguera, Asier Altuna, Izibene Oñederra o Natalia Marín.
Entre sus invitados, jurados internacionales o galardonados con el Mikeldi de Honor, su máxima distinción anual, están Peter Greenaway, Ennio Morricone, Jean Rouch, Dino Risi, Luis García Berlanga, Hanna Schygulla, Anna Karina, Jane Birkin, Arturo Ripstein, Elías Querejeta, Richard Lester, Pavel Paulikowski, Márta Mészáros, Jeanne Moreau, Anthony Hopkins, Vannessa Redgrave, Emir Kusturica, Liliana Cavani, Carlos Saura, Manuel Gutiérrez Aragón, Jean-Claude Carrière, Patrice Chéreau, Cecilia Roth, Hirokazu Kore-Eda, Juan Ruiz Anchía, Aki Kaurismäki, Marco Bellocchio, Mariano Llinás, Apichatpong Weerasethakul, Wang Bing, Claire Simon, Márta Mészáros y los hermanos Jean-Pierre y Luc Dardenne.
Desde su fundación, ZINEBI ha tenido los directores siguientes: Pedro de Ybarra (1959-1968), José Ignacio Uruñuela (1968-1970), Felipe Alfonso Araico y Adolfo Lafarga (1970-1972), Roberto Negro (1972-1981), Manu Pagola (1981-1985), el Comité de Dirección formado por José Julián Bakedano, Ernesto del Río, José Antonio Mingolarra y Santos Zunzunegui (1985-1987), Iñaki Acarregui (1987-1988), Luis Iturri (1988-1998) y Ernesto del Río (1999-2017). Desde 2018 la directora es Vanesa Fernández Guerra.
Actualmente el Festival cuenta con el patrocinio y la financiación institucional del Ayuntamiento de Bilbao –a través del C.A.C. Teatro Arriaga- como organizador, del Departamento de Cultura del Gobierno Vasco, del Ministerio de Cultura –a través del Instituto de la Cinematografía y de las Artes Audiovisuales (ICAA)- y de la Diputación Foral de Bizkaia. Además, colaboran con ZINEBI entidades públicas y privadas como la Televisión Pública Vasca (ETB), Azkuna Zentroa, Cines Golem-Alhóndiga, el Museo de Bellas Artes, el Museo Guggenheim, la Sala BBK, el Teatro Campos Elíseos, la Universidad del País Vasco (UPV/EHU), el Instituto Francés, el Goethe Institut, la Fundación SGAE-Consejo de Euskadi y el Cineclub FAS, entre otros.
ZINEBI
INTERNATIONAL FESTIVAL OF DOCUMENTARY AND SHORT FILM OF BILBAO
It got started in the year 1.959 and organized by the Cultural Department of Bilbao City Hall, ZINEBI will celebrate its 66th edition from the 8th up to the 15th of November, 2024.
It is the only international Class A festival in Spain in the documentary and short film category recognised by FIAPF since 1974, recognised by the Hollywood Academy as a qualifier for the Oscars among the short films from the official palmares and qualifier as well by the Spanish Academy for the BAFTA Awards and the GOYA Awards.
ZINEBI is a festival which holds all the most current forms and formats, innovative and suggestive and that is making a steady bet for the emerging authors. The line-up of the international schedule (documentary, animation and fiction) and its section ZIFF-ZINEBI FIRST FILM, dedicated to first works, are their really distinguishing mark. Honour Mikeldis are also remarkable, which recognise the prestigious career of distinguising international directors and the strict selections of its sections BEAUTIFUL DOCS, dedicated to the most relevant contemporary features and BERTOKO BEGIRADAK, a section dedicated to the Basque documentary feature films from a recent production. Besides, every year it´s celebrated the profesional encounter entitled ZINEBI INDUSTRY- NETWORKING, dedicated to promote the audiovisual Basque industry.
Espanto Film Fest International Horror, Horror, Suspense and Science Fiction Film Festival Volume 4 will take place from October 27 to November 6, 2022 in person and from October 26 to November 12 virtually by streaming through our Planisphere platform, having as a framework the State of Hidalgo, Edo. Mex, Oaxaca, Nayarit, Querétaro, Jalisco, Guanajuato and CDMX Mexico. Having a program focused on the best of independent horror cinema in international feature films, we are the ones who give the highest percentage of the screen to Mexican feature films and short films, in addition to the script sections for short film, feature film, international short film, Ibero-American section and experimental short films and / or university students with a duration of no more than 20 minutes, in addition to Espantito short films made by children, and the new category of video games, all production must be from 2021 to date.
Penco-Lirquén Film Festival understands film as a social phenomenon in constant transformation, which addresses interests and problems of society to link the public with the audiovisual pieces, thus opening instances of reflection and dialogue around the creative work between spectator and filmmaker.
This is why the event, in its fourth edition, aims to turn the town of Penco into a meeting and training point for filmmakers and the community in general, through the exhibition, dissemination and recognition of short films made in university contexts by students of audiovisual careers, as well as professionals in the area, from all over Latin America, including Chile and the Biobío region.
RURÉFILOS, International Film and Rural World Festival is a multidisciplinary meeting point in which, through audiovisual language, a space is provided for debate and creative reflection on the past, present and future of the rural world.
IX edition of the Zinetxiki Zinemaldia - International Film Festival for Children and Youth, organised by the cultural association Begira Elkartea, will take place in Bilbao and other Basque cities and towns from 14 to 29 December 2024.
Zinetxiki Zinemaldia aims at offering worldwide quality audiovisual contents to a family audience. Through the projection of selected works in several competitive categories, the festival seeks to promote the audiovisual education and the creation of new audiences.
MACAU INTERNATIONAL SHORT FILM FESTIVAL (“FESTIVAL”) is an annual worldwide audio-visual festival that aims to motivate overseas and Macau short film and music videos productions to compete in this FESTIVAL.
The Festival compromises two separate competitions:
- SHORTS International Short Film Competition
- VOLUME International Music Video Competition
“SHORTS” awards the best shorts-films in the three categories of Fiction, Documentary, and Animation. And “VOLUME” awards the best winning music video incorporating Macau original music. A list of Macau original songs is available on the Festival's WEBSITE for download purposely for VOLUME.
SHORTS is open for submission from 16 March to 16 June 2024, and VOLUME is open for submission from 16 March to 20 July 2024.
The Festival was previously known as "Sound & Image Challenge" and was first launched in 2010 focusing only on an audiovisual competition for local talent. This initiative was co-founded with professionals in film, music, sound and image fields, with two priorities: to promote the Creative Industries in the audiovisual sector and highlight the local talents in the production of sound and moving image design. Over the years, it expanded across 5 continents, grew and gained recognition, and finally became a short film festival in 2015.
The Festival will be held from 3 to 10 December 2024. A series of cultural programs will be scheduled in venues throughout Macau during the Festival week, such as public screenings of “SHORTS” official selection and “VOLUME” music videos official selection, Masterclasses of film production, development, International Film Festival curatorship and organising; audience voting for “Audience Choice”; as well as gala awards ceremony.
Cortomontagna prize is exclusively dedicated to short films.
The prize’s main theme is Mountain life, told and documented through a video that expresses the author's point of view and interpretation.
Possible takes on the main theme can range from the narration of sporting activities (skiing, climbing, hiking - for example), to naturalistic-environmental themes, to facts and life stories of communities or mountain territories.
Everyone can take part in this competition.
AtEMpOrAl is a festival with an itinerant spirit that takes place annually in various provinces of the country and was born with the purpose of converting Peru as a meeting point for Latin American non-fiction cinema, seeking to generate spaces for training, visibility and reduction of the gender gap in the cinematographic field that is focused on portraying social, political and historical themes told by new aesthetic and narrative forms that commemorate resistance in the region.
In this third edition, AtEMpOrAl will be held online and in person. Having the city of Trujillo as its headquarters and the main theme being centralism in Latin American cities and its migratory effect on the new views and stories of people who inhabit said space.
Trujillo, a city located on the northern coast of Peru, is witness to major migratory and re-evolutionary events with great political significance for Latin America. Starting from this, the festival aims in this 4th edition to dialogue about memory and oblivion. Two antagonistic axes that invite us to think about the cinematography of our continent.
An important milestone for the International Humorous Short Film Festival State aKorti, between laughter and the other, we arrived at the 16th Edition
The show, as always, is open to film makers and directors of all nationalities. Participation is free.
The Aguilar de Campoo Short Film Festival is consolidated as one of the most veteran and relevant film citations in our country in its genre. The Academy of Motion Picture Arts of Spain, includes it as one of the key festivals for the selection of short films that will compete in the Goya Awards. Throughout the last editions the festival has been making important decisions that commit it to the cinema of our country. In his thirteenth edition he published his manifesto where he exhibited his philosophy and commitment to film. He made the decision to pay for selection to the selected short films thus eliminating economic competition in order to encourage artistic creation and production. Its screening rooms are open to international cinema including all genres, fiction, documentary animation and experimental cinema. In 2016 the festival received recognition from the AIC (Short Film Industry Association). This certificate is an annual distinction to differentiate and reward festivals that perform an exemplary role in the dissemination, protection and professionalization of cinema and its industry, and especially of the short film. This is the first time this certification has been granted and is the result of more than a year of work tables and conversations with festivals, filmmakers and other professionals from across the country in order to develop a guide to good behaviors towards the short film and its creators. The basic objectives of this distinction are to educate new generations of filmmakers and protect model festivals, recognizing their dedication and rigor. We seek the encounter and exchange between professionals and the public as a form of cultural enrichment.
Immagina, Associazione Culturale, organizes the 22nd edition of the MonFilmFest.
The MISSION: the search for new stories and new talents in cinema through "a game" that defines and determines "a way of producing".
The CHARACTERIZATION: the MONFILMFEST has maintained its root "games of cinema without borders" in the Monferrato region. Without any obligation on regulations, we give guidelines consistent with our past, and WE START FROM THE IDEA OF TELLING from the Monferrato, THE PLANET, in its multiple physical, anthropic, political, and economic aspects with its evident environmental criticalities and its resistant beauties.
The CINEMA GAMES are the tool to fulfill our mission:
1. SEVEN DAYS FOR A FILM
It is a game that tests the ability to produce a film in Seven Days by designing the story and the production plan up to its first screening to the public.
2. SHOWCASE
Showcase presents a program of films to be screened during the festival week after A RESEARCH, A REDISCOVERY of ignored or forgotten films, produced after January 1, 2022.
The works have no constraints on genre, type, or duration. Showcase is beyond genres for a total vision of the international cinematic panorama. The FESTHOME platform will host the works and allow worldwide enjoyment of the films after the author's registration on the dedicated page of the MonFilmFest.
3. CHAT SI GIRA! is the new game of the MonFilmFest dedicated to the pre-production of a film written four-handed with Artificial Intelligence. The project involves screenwriters and AI developers working together to create an original screenplay.
The first step will be to write in Italian, using the suggestions offered by Artificial Intelligence, the synopsis, the subject, and the treatment or the screenplay of a short film, all in Seven Days.
All authors who can propose their work in Italian can participate.
